Stream or download: https://lnk.to/WiltedWomanPH119

It’s a pleasure to welcome Wilted Woman back into the fold for her second release on Phantasy. Whereas 2019’s ‘Lon Lon Night Vision’ signalled dystopian rave deconstruction, remixed by Laurel Halo (a “haphazard techno wrecker for unleashing your inner crazy clown”, as Resident Advisor put it), ‘Glossy Center’ reveals two tracks that maintains that same bass weight, while blossoming into the sort of arrangements that would render cyborgs dewy-eyed with unprogrammed emotion. Meanwhile, a club interpretation from Kim Ann Foxman, a linchpin of club culture in both the US and Europe, is singularly weaponised to melt their synthetic brains.

Glossy Center

Stream or Download

Glossy Center (Kim Ann Foxman Remix)

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Spanish shoegazers Bélver Yin have become the stuff of myth over the years since their debut album Luz Bel back in 1991.

Luz Bel was a quintessentially Mediterranean angle on slow, reverb and echo-laden atmospherics and despite radio play, a lack of distribution led to the album being largely overlooked. Disappearing into folklore and the annals of long-lost music geekery, it wasn't until Efficient Space’s faithful reissue in 2020 that the album finally got the attention it deserved. New album, "Para Mi Madre." is an intimate collection of recordings written by front man Pedro L. Ortega, it serves as a parting gift to his late mother, convincingly sounding like it could have been written back in 1991 to boot!

"The band's sonic explorations shift from pastel hues to balearic nostalgia."

@efficientspace

READ INTERVIEW

Bélver Yin - The 'Monday Is OK' Ransom Note Mixtape

Pieter is founder and co-owner of legendary Berlin's club/bar O Tannenbaum and musician since the late 80's. AS DJ, he narrates haunting sonic stories playing a vast palette of styles - from cosmic and leftfield techno to tape experiments, sound-art, wave, world, jazz, punk, industrial, and all that weird pop music. Here is his hour of Hidden very hidden Sounds.

suoni n.9_ Pieter Kock

Paris-based music collective, Soucoupe, hosts the radio show &ampquot;Strange How You Move&ampquot; a stage that spotlights artists and friends encountered on their musical journey, providing a space for artistic experimentation and contributing somehow to the music internet archive.


STRANGE HOW YOU MOVE w/ The Slow Brown Fox  (02/01/24)

The Blackest Ever Black released singer-songwriter Carla Dal Forno stops by NTS' London studio once a month for an hour-long show featuring original productions side by side with old favourites and inspirations ranging from minimal synth to folk and dream pop... 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/carla-dal-forno/episodes/carla-dal-forno-12th-march-2024

Carla Dal Forno 120324

Vocalises

Lavender Funhouse

Oufman 539

Read more: https://electrocorp.fr/2019/06/18/wilson-tanner-ii/ 

"These eight compositions pull in a by-catch of maritime folklore; of Siren and Selkie, Seagull and engine oil slick". This is how we got introduced to the new album of Wilson Tanner. 

Wilson Tanner is the mutual project of Australian artists Andras (Andrew Wilson) and Eleventeen Eston (John Tanner). Here they release "II", a follow up to their debut full-length published in 2016. 

Through the 8 tracks, Andrew and John captured Ambient and Electronica landscapes, all recorded in 3 days, on September 2017, aboard a 1950s riverboat with weatherproof instruments. 

While listening to the LP, we instantly felt in love with the whole aesthetic and the peaceful feeling that spead throughout the tracks. "All Hands Bury the Dead" is our pickup from the release with its early 70s / late 60s electronic sound that brings back a lot of music and visual memories.

Premiere: Wilson Tanner - All Hands Bury the Dead [Efficient Space]

Earl Orlog @earlorlog         |     https://linktr.ee/EarlOrlog 

The passionate digger, DJ, producer and founder of Radio Orlog remains some kind of a phantom. His tracks, edits and mixes are the only genuine insight into the winding alleys of his musical multiverse: 
Brutalistic low-fi loop bangers, parading a sophisticated touch of incompetence, haphazardly garnished with stolen drones and a hint of patchouli. 

Music for a magical dancefloor on a nocturnal clearing full of luminescent neon golden mushrooms, wistful forest fairies, kissing lovers and unicycling halva sellers in pink uniforms. 

Brain melting gallimaufry, creepy bedlam, bold schemozzle, ferocious farrago, otherwordly topsyturvydom, a mysterious kerfuffle and cunning musical hotchpotchism, crafted especially to fit the needs of particular excentric voguers and tribal dancers, aficionados of slow-motion twitching, heartbroken beachcombers and all those who now and again feel the urge to cut the rug in public transport.

eclectics mix - 151 | Earl Orlog |

Contact/Bookings:
lordoftheisles@live.com

The world will end, but love and music endureth.

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Lord Of The Isles

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