So glad I bought this on vinyl, the wait was well worth it! @undergroundsol’shn

Enigmatic Japanese producer Shinichi Atobe evokes a range of sensations in his music that few others can. Whether he's listened to in headphones on a long journey, on the sofa on a lazy Sunday, deep into an afters or during a peak time reprieve, the rich, vivid strokes of his heady work has equal power to relax, heal, move, energise, envelop and flaw. 

Another scholar of patient tension-building in electronic music, Prins Thomas included Atobe in the footnote homage of his sixth album, alongside luminaries from all sounds and ages. As a mark of how much Atobe's work has impacted on his own, Thomas has paid tribute with an hour mix.

Read a mini-essay from Thomas: http://www.stampthewax.com/2019/04/16/praise-you-a-shinichi-atobe-tribute-mix-by-prins-thomas/

Praise You: a Shinichi Atobe tribute mix by Prins Thomas

Full feature, interview and tracklist coming soon!

Off The Record Mix Series 23: Suzanne Kraft

Alex Albrecht ( @melquiadesmusic ) is a local Naarm/ Melbourne based DJ/producer & label boss, running the charming, ethereal local imprint Analogue Attic ( @analogueattic ) alongside @sean_labrooy, which showcases the gentle side of music down under. 

Between running his label, dj'ing, and solo releases under "Alex Albrecht presents Melquiades", Alex is also known for his productions alongside his co-label head, Sean La Brooy, under Albrecht La'brooy ( @albrecht-labrooy ). The musical duo have an impressive slew of releases which combine elements of electronic and classical/ jazz influenced music, with a beautiful result. The two have also run various events in Melbourne across the last decade. 

Alex showcases his solo project in his mix here, with a bunch of his own productions embedding the mix. 

Thanks for the beautiful mix Alex!

Downloads enabled

Animix Ninety Nine: Alex Albrecht

Night Of The Endless Beyond

Night Of The Endless Beyond LP (ESP Institute - ESP 108)

www.openlab.fm | 106.4FM in Ibiza & Formentera
Check the full tracklist on our website:
https://openlab.fm/news/dusk-delay-018-lord-of-the-isles

For the first Dusk Delay episode of 2023, https://soundcloud.com/lordoftheisles takes us on one of his typically magical sound excursions. The show not only features music from favourites, Mu Tate, No Moon, and TREN, it also features some unreleased gems from new unknown Ruben Ferry and LOTI himself. 

Download our App:
IOS: bit.ly/OLappApple
Android: bit.ly/OlAppAndroid

Dusk Delay 018 - Lord Of The Isles

YOU SAY WEIRD LIKE IT`S A BAD THING

NO WEAPON IS ABSOLUTE - DJ Sundae - 08-03-2023 - NTS 2

A mix for a Ransom Note takeover on Brussels Kiosk Radio, 20/01/2023

JD Twitch Kiosk Radio mix (20/01/2023)

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

@khotin has served up a free flowing range of multi-genre experiments since announcing himself with a soft-hued acid album on 1080p back in 2014. Now involved with running Normals Welcome as well as releasing on DFA, Pacific Rhythm and Public Release, his music is united by a distinctive take on melody, post-club melancholy and love for downtempo sounds. He crafts blissful songs filled with nostalgic feelings and is exactly the sort of artist in whom we can all find some sort of solace.

And this mix is a perfect tonic for reluctant bodies with its slowly cascading rhythms and soft focus melodies serving as a gentle New Year wakener. It's laced with perfectly dreamy pads and ramshackle drums that are never too forceful but always compelling. While often invitingly sombre in mood, the clouds do break along the way to bring moments of real lightness and joy just when you need it.

Dekmantel Podcast

Dekmantel Podcast 314 - Khotin

recording of eternal sunset event in bcn
dj set and live improvisations with

andanada (guitar) 1:34- 2:04
arnau obiols (drums)3:08 3:35

John Talabot presents Eternal Sunset (Barcelona, 05-09-2020)

Live & DJ 
Music & Sound Design
Requests: lordoftheisles@live.com

Night Of The Endless Beyond LP (ESP Institute - ESP 108)

Lord Of The Isles

Recent comments

rxdazn

Daandi

Slamdunk

TheMusicBuilding

Related tracks