Where I live in Paris in the east side which is the 20th arrondissement there used to be a guillotine in our street. In case you don't know: guillotines were large wooden structures with a blade held by a weight that dropped and decapitated criminals. This happened in our street and my son had a visit fom a woman with a child in a spiritual form. I also felt some things move so I was inspired to compose this. I was actually a bit spooked out during the end of composing this and changed some of the sounds. I can't get tired of this, it has chilling feelings and overpowering ones.

Ghost in the corridor

Screamer

I wrote this on a guitar and it sounded pretty good, it is only the same chords repeating. After playing this song quite a lot on the guitar I felt I needed to give it new life. So I totally re-thought the song, taking away the vibe that the guitar gave and replacing it with some beats and bass.

On the inside new mix

I think you can feel the cold shoulder in Paris in the west side and the nonchalant glare you get to show you that you are not worth talking to inspired this track. 

I don’t know you (1)

I wanted to create a really cool bassline to add something a bit dirty to this track. I recorded the voices in the Metro in Paris and changed the length of the sample and looped it so it isn't in sync with the bass but it works because it is a human element.

Pushy

I live in Paris and have been in France for 32 years and there is a strong North African influence on culture here in France, some of the songs you hear are from Algeria , Morocco, Tunisia and also of course Egypt. I'm not trying to imitate their sound, the track just developed into this joyful sound. I am particularly keen on rich sounds. I use a keyboard and also record noises in the metro to make into loops. This music is for your enjoyment. I stopped making poignant folk music about relationships and now want to create good vibes.

Slide

This is really heavy hitting and when I recorded this, it was really addictive, I'm going to be playing this in my DJ set.

Zulu

The sounds on the percussion on this were made on a wheely bin and scaffolding protection pipe. I edited the thuds and clicks and added the mother of all reverb on the last hit of the track.

The garden reworked version

This is yet another version of Dead Flies that should be listened to nice and loud. The reason that this has several versions is because my fans seem to like Dead Flies the most out of all my tracks. Hope you enjoy it.

Dead Flies Club version

I am influenced by hybrid styled artists: Matt Johnson’s The The, Leftfield, Propellerheads and lyrically by Ian Dury and Lou Reed. 
I grew up listening to indie, reggae, rap and house. This is in my music now. 
Lively beats and sounds with words that carry a message: « ….wasted on the young, television…. they got no vision… » (Got No Vision). Inspired by a dj set in a park in summer 2023 I stopped playing guitar rock tunes in my sitting room and became totally captivated by the power of beats and bass lines. After one year of recording in the early hours due to my job taking up so much time I have 9 tracks that are working.


Lord Prosser


instagram: rodney.prosser19

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