thy wultrue ate thy snaik and i recolllleeected the poisonous abess thru my heiroic attehmpt to be not monstrous whyle nwbrport becahme thy grafe and i lookd ad theim and i su deth and dhy miseri but glohry glohry i becaim di infromande uf thy weildleif uf leif idseilf oh mi lort oh mi atthempt to saiff leeve to saife ewery1

vulturesnakes

out now on colorsquad 15 https://colorsquadrecords.bandcamp.com/album/c-o-l-o-r-s-q-u-a-d-0-1-5

sealed strings

correspondence bias

the owl behind the forgotten oak

https://lordtimothydexter.bandcamp.com/album/painthouse-a-polyend-tracker-daily-beat-challenge-album

Welcome to "Painthouse", an experimental journey through 28 time-limited musical sketches created during the month of February, excluding February 29, 2024. Each piece was crafted within a single day, offering a snapshot of my exploration with the Polyend Tracker.

For the initial seven days, the focus was on sequencing MIDI information using the Polyend Tracker within Ableton Live. The following week saw a shift to using the Polyend Tracker standalone, devoid of any digital audio workstation. In the third week, I ventured into creating sounds in Ableton, which were then utilized in the Polyend Tracker. The final week marked a return to the Tracker, refining ideas initiated in Ableton.

This project emerged from a deliberate decision to challenge myself with a daily commitment, resulting in 28 pieces that are more like musical notes or acoustic exercises than fully featured tracks. It was an intentional plunge into the unknown, a learning curve where some pieces turned out rough, while others left me relatively satisfied within the limited daily timeframe.

There's no overarching concept or theme, perhaps a touch of absurdity, nonsense, and dadaism. Yet, even these themes tend to morph and shift throughout the collection. "Painthouse" mirrors the essence of a childhood sketchbook, aiming to be childlike, cynical, breaking rules, and embracing a sense of pride in the process.

These pieces are a testament to embracing creativity without overburdening expectations, a playful exploration that might birth future ideas worthy of more extensive development. Dive into this sonic sketchbook, where childish whimsy meets a rebellious spirit, and let the journey unfold.

28 Brief Thunder

27 Et Ainsi Les Morts Parlaient De La Foret Sombre

26 Boring Ass Experiment

25 What Is Music Theory And Rhythm

24 Daddy Dadaism

23 I Am Possesed By Tittivilus

22 Just A Number

20 Rednecknecksnapper

19 If It Is Like This It Is Like This

18 Resonant Emunand

17 Fearless Clam

16 Birthing Pot

14 Cranky Krankheit

12 Disagreeable Deer

10 Chirbird

09 Not Really Serious Whisper

08 Old Dinner

07 Goa Lol

06 Fehlerhafte Neigungen Beim Wahrnehmen

05 Das Fenster Über Die Jahre

04 I Don't Feel Like Ordering A Happy Meal Today

03 My Wife Was A Ghost

02 You Where Over That Fucking Immanuel Kant's House

01 Disableton

came across an old project file from my early days. it's a neat little throwback.

ancient technology

screaming flowers

B-Side Trauma

Hi, I'm Jonas Pollinger, and this is my music. I explore various genres, and this page is dedicated to all kinds of projects: unreleased, unfinished, abandoned, EPs, and albums. Sometimes, I intentionally upload experimental work, as what one might consider trash could be another's treasure. Occasionally, there might be updates to the music over time. At heart, I'm a hobbyist, but I also release music on netlabels like Colorsquad and Hard Rave. My project revolves around embracing the beauty of imperfections, trauma, and displacement in both music and human experience. I have a strong affinity for drill and bass, breakcore, experimental, and noise, although I enjoy many other genres as well. Additionally, I have a DJ side project primarily focused on breakbeat-based music such as drum and bass and dubstep. Feel free to reach out and message me if you're interested in collaborating or discussing music.

Timothy Dexter was an eccentric merchant from a bygone era. He was a man of his own principles and logic, qualities I greatly admire. My project aims to represent his spirit – the spirit that guides me as I create and explore within the realm of music production software. While many considered him foolish, his unconventional behavior led to his success. He authored a book filled with political ranting and nonsense, understood only by a select few. To some, it may sound like a cryptic ritualistic speech from the occult; perhaps only entities beyond our sight can truly comprehend his writings. I've always found him fascinating, funny, tragic, mysterious, and motivated. He cared little for societal norms and expectations, forging his own path regardless. The fate or destiny, or what some call "God's will," that awaited him was almost akin to cosmic horror. He mastered materialism like no other, seemingly possessed by a force beyond our comprehension, akin to Titivilus. Whether his story is one of mystery or sheer luck, it remains magical and ripe for reinterpretation. While many perceive his tale as stark realism, to me, it's enveloped in numerous philosophical inquiries.

lord timothy dexter

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