Beata Viscera By Perotin (Magister Perotinus) from la grande bellezza

I Lie - David Lang

"Comfort Me" is taken from "Prism", the forthcoming album on Preserved Sound by Western Skies Motel.

Comfort Me - Western Skies Motel

Taken from the album This Is The Balanescu Quartet

Balanescu Quartet - Aria

“Glass Piano” is a sublime collection of  solo piano versions of Philip Glass by a master interpreter of the legendary minimalist composer. All formats have various tracklistings and will be released June 1st 2015 (and 2nd in the USA).  

Meet Bruce @ Vynil Factory : http://www.thevinylfactory.com/vinyl-factory-news/premiere-listen-to-a-track-from-bruce-brubakers-glass-piano-a-new-album-reimagining-phillip-glass/

Glass Piano

Metamorphosis 2

Nowness

Bruce Brubaker - Metamorphosis 2

Open Recording Session @ Superbudda, Turin, IT.

Insta: https://www.instagram.com/sebastianplano/

Indie Live in Turin: https://www.youtube.com/watch?v=mKl7OZ1s8ow
Indie Live at Funkhaus, Berlin: https://www.youtube.com/watch?v=fB9zsb2wy9I

New Song - 'Indie' Live in Turin, IT.

Tribute to amazing Nils Frahm's "Tristana"..

Nils Frahm - Tristana (Daigo Hanada Rework)

Federico Albanese - THE BLUE HOUR


'The Blue Hour' will be released on LP, CD, Download via Berlin Classics Neue Meister on 15 January, 2016   

Buy on Itunes - https://itunes.apple.com/us/album/the-blue-hour/id1053970394

Berlin based, ‘piano poet’ Federico Albanese took inspiration from the brief transitional state between day and night, writing a collection of chamber-music miniatures that withdraw, explore, yet assert their laconic melodies all the more decisively. The emotions to which Albanese has given expression in his thirteen compositions have been articulated with well-considered gestures.   

Equally well-considered is the choice of instruments that Federico Albanese deploys on ‘The Blue Hour’. Piano and synthesizers are joined by a cello, magnified by over-dubbing and sound effects that culminate into a little chamber orchestra, which swells the acoustics while checking the dominance of a clear solo voice. Albanese esteems the Gesamtklang, the overall sound image, with its mixture of compositional precision and dreamlike fluidity. For this reason, the pieces are recorded from start to finish on analogue equipment, further enhancing the warmth of their sound. In ‘Céline’ we hear a discreet beat, scarcely perceptible, a gentle pulse that lends structure without jeopardizing the charm of ‘The Blue Hour’.  

“There is a particular moment when opposites are very close, almost touching one another. When there is still light but not quite darkness. A world in between, where all things are uncertain, vague, floating into shade. We can follow or observe, unsure where this would lead - into darkness or light; into the shadow of memories and dreams. A reflection of our desires and hopes, ready to be seen or unseen. It can be a sudden glimpse, with ideas turning into shapes, not yet complete. You can see things, but are unsure what they are. It is an unrevealed choice. A place to recover and heal, lulled by the security of the warm shadow of an ancient tree upon a hill" – Federico Albanese

Buy on itunes

Migrants

Arvo Pärt - My Heart's In The Highlands

The Hours Suite - Philip Glass

Cum Dederit

Dedicated to the expansion of repertoire for women’s voices, Lorelei Ensemble works to expose lesser-known early music from the Medieval through Baroque periods, while collaborating with living composers to produce innovative programming that speaks to a wider audience.

I Lie - David Lang

Lorelei Ensemble

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