"La vita delle conchiglie" (for 2 performers and amplified ensemble) is the first piece of a cycle that deals with the world hidden inside the shells. The piece, as well as the whole cycle is somehow connected and inspired by a Francis Ponge's poem.
"La vita delle conchiglie" (The life of the shells) was premiered by the Ensemble Phace conducted by Nacho De Paz in the Wiener Konzerthaus on February 2021.

Lorenzo Troiani_La vita delle conchiglie_2020

"Grauzone. Per la voce" is part of a cycle entitled "In utero".

Grauzone. Per la voce_Quartetto Prometeo_live

Studio sulla risacca (2022) for amplified  quintet in space and electronics.
Perfomed by Nadar Ensemble

An etude on the tide and on the flooding.

Lorenzo Troiani_Studio sulla risacca_2022

Piece part of a cycle entitled "Corpo è ferita".
Performed by Promenade Sauvage.

Cratere a calice. Figure Rosse_Live

"Sanguinante. In nomine" for string quartet is part of a cycle  entitled "In utero".

Lorenzo Troiani_Sanguinante. In nomine_Quatuor Diotima

"Cara è la fine" for violin [2015]

Violin: Lorenzo Derinni
Rec: Davide Gagliardi



Lorenzo Troiani: Cara è la fine

Studi sulla fine II, is a study for ensemble I wrote in 2016.
Bruno Strobl Conductor

Lorenzo Troiani: Studi Sulla Fine II_Study for ensemble

"La fine è senza fine" for quintet [2017]
Performed by Schallfeld ensemble:
Flute: Zinajda Kodric
Clarinet: Szilard Benes
Violin: Lorenzo Derinni
Cello: Myriam Garcia Fidalgo
Piano: Maria Flavia Cerrato

Recording by the Estonian Radio.

Lorenzo Troiani_La fine è senza fine_for quintet

Lorenzo Troiani_Dialectica II. Mechanismo

Dialectica I_Humana_L.Troiani

Dialectica III - We are destroyed L.Troiani

For 3 male voices and ensemble on texts by Hoelderlin.
This piece is the first part of my opera: "Ex Ponto. Song of exile" commissioned by Size Zero Opera London.

Ex Ponto - Prolegomena_Lorenzo Troiani_2010

"Chronicles of the after bomb" is part of a cycle that works on the ruins, the remains of the instruments, as after a detonation.

Instrumentation: Double trio, electronics and lights:

Voice: Elina Viluma
Performer 1: Lorenzo Derinni
Performer 2: Manuel Alcaraz Clemente
Clarinet: Szilard Benez
Cello: Myriam Garcia Fidalgo
Piano: Patrik Skrilecz
Regie: Davide Gagliardi

Performance:
Elina Viluma and Schallfeld ensemble, October 2019, Theater am Lend

Lorenzo Troiani_Chronicles of the afterbomb

Beta_for accordion and pedalboard  -   released on CD "Sul Tasto" by Luca Piovesan

http://www.col-legno.com/de/katalog/gesamtverzeichnis/sul_tasto

"Beta" is part of a cycle entitled "Corpo è ferita".

The concept of emersion is at the basis of the sonic development of Beta.  The bellows as a lung distributes the air in the areas of greatest need creating, in this way, shadow zones, of instability.

Beta_Extract_http://www.col-legno.com/de/katalog/gesamtverzeichnis/sul_tasto

Lorenzo Troiani was born in Rome, Italy, in 1989. 
He studied composition with Salvatore Sciarrino, Clemens Gadenstätter, Gerd Kühr and Chaya Czernowin.
He attended lessons, masterclass and courses working with groups, musicians and composers who changed his musical perspective, among them: Beat Furrer, Mark Andre, Darius Przybylski, Luis De Pablo, Manfred Trojahn, Philippe Manoury, Johannes Schoelhorn, Chaya Czernowin, Brian Ferneyhough, Isabel Mundry, J.Manuel Lopez Lopez, Stefano Gervasoni, Francesco Filidei and Dmitri Kourliandski.
He has been awarded in several international composition competitions (Germany, Italy, Lithuania, China, Scotland, Spain etc.).
His music has been perfermed by different ensembles such as Neue Vocalsolisten, Quatour Diotima, Klangforum Wien, Schallfeld ensemble, Quartetto Prometeo, MDI ensemble, Ensemble L’Arsenale, Divertimento Ensemble, and in different parts of the world: Italy, Germany, Austria, France, Lithuania, Canada, Scotland, England, Ireland, Cyprus, Spain, Slovenia, Argentina, USA.
The poetry of Paul Celan, the writings and the works of Paul Klee and Jannis Kounellis, the reflection of Jacques Derrida and Martin Heidegger  have a crucial role in his music. 
He graduated in Philosophy at the University Uniroma3 of Rome with Paolo D’Angelo and Elio Matassi with a thesis on ontological thinking of Paul Klee. At the moment he is specializing in the study of post-Nietzschean ontology, especially in its links with the thought of the pre-Socratic thinkers.

Lorenzo Troiani

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