I'm greatful you presented the lyrics in addition. They are more than a piece of the whole, strong, evoking, impressive. The vocals then - match of sound and message

Featured at http://www.findasongblog.com/post/166231099584/find-a-singersongwriter-song-lorne-oil-and

Such evocative lyrics. Beautifully brings out the feelings! Lovely song, soulful rendetion and great music

nhặt

Conner Youngblood - Australia

C L O U D  9

Off the Debut EP.

To keep up to date visit www.facebook.com/brookfieldmusicuk and like the page.

Enjoy xx

All parts written and performed by BROOKFIELD
Produced by BROOKFIELD
Engineered, Mixed and Co-Produced by Oliver Lyu
Mastered by Tim Bran
Artwork by Phoebe O'Flynn and BROOKFIELD


Cloud 9

Mustang Drive Music
Produced with Axel Ives, SUNO
Lyrics by Mustang Drive
2025
Title: Black Lantern
[Verse 1]
Smoke in the lungs
Moss on the tongue
River ran backwards
So I bit the sun

[Chorus]
Black lantern swinging
No wind, still sways
Eyes like embers
Burning through the gray

[Verse 2]
Nails in the dirt
Clock with no face
I slept in the silence
That memory makes

[Chorus]
Black lantern swinging
Held by no hand
Light without fire
Ash on the land

[Outro]
Don’t call my name
Just walk the flame
The path forgets
But shadows stay

Black Lantern

Sirens EP
All songs owned by Woodlock © 2015
Produced and Recorded by Andy Mak
Recorded at The Grove Studios and In House Sound
Additional recording by Josh Telford and Jackson Barclay
Mixed by Josh Telford at In House Sound
Mastered by Matthew Gray
Programming, synths, bass, percussion by Andy Mak

Forever Ago

Bilde tatt av  Johnnie Shannon fra Pixabay

The Ocean

Ave Maria by Tomas Kympl - UKSC Open Category WInner 2015

"Wide-Eyed" was the first single from, and is the second track on, our second album, "A Folded Letter." The song was recorded in November, 2015 in a cabin at Lake Wallenpaupack, Pennsylvania.

Written and recorded by Brian Curry, Steve Shimchick, and Jeff Petescia. 
Kevin Lucero - Cello
Ralph Nicastro - Mixing
Alan Douches - Mastering

Lyrics:
People, lost in the haze, defeat their own lives, it seems
Aimless, wandering wide-eyed, I was bound to love again

I will do you no harm, I won't fly
I will do you no harm, I will try

Darling, hazel-eyed mountain song, my soul longs for you
Running, I wasn't gone for long, I've grown all for you

I will do you no harm, I won't fly
I will do you no harm, I will try 
I could die in your arms, I could die
I could die in your arms, I could die

What if I lose all sight and ambition?
What if my heart weakens my vision?
What if all I need is right in front of me? 

I could die in your arms, I could die
I could die in your arms, I could die
I could die in your arms, I could die
I could die in your arms, I could die

Available on iTunes

Wide-Eyed

Ashana's new album with Chad Viator, Lumière ~ Heart Notes on the Bayou, was made possible by the Acadiana Center for the Arts and the Art Spark Grant. “This has been an exciting project for me. Recording an album with a young family often had me composing in the wee hours of the night. Working with Chad has been delightful and gratifying in every way, he is an extraordinary producer.” His artful guitar playing and Michael Doucet's Cajun fiddle meld with elegant vocals, pulling from diverse musical traditions that favor minor scales to create a complex sensory experience.  The musicians reveal affinities between classical stringed instruments and contemporary slide guitar and the haunting drone of the harmonium.  With Ashana’s soulful compositions in English and French and ancient mantras in Sanskrit and Gurmukh, Lumière takes the listener on an emotional journey. 

Lumiere - Suddhosi Buddhosi

Surrender

A special release for Piano Day.

Initiated by Berlin based composer and performer Nils Frahm: today is Piano Day! 
Last year I saw this grand gesture for the instrument I love a few days after the fact and immediately put it in my calendar to honor it this year. 
This is a brand new video that Al (camera), Rutger (sound) and I put together especially for Piano Day:
https://www.youtube.com/watch?v=TPLxgugQmzU 

Let's celebrate!!

Wanna hear more?
Check out Piano Day's Facebook page here: https://www.facebook.com/pianodayoffi...
And of course their Soundcloud link: https://soundcloud.com/nils_frahm/set...

Waiting

Produced by Sam Winfield at Studio 91, Newbury in January 2017.
COPR 2017.
Makers are Michael Fox, Tom Hatton, Chris Levens, Chris Girling, Oli Grant & George Fox.

River Eyes

Lorne - Voice, Piano
Greg Freeman - Production
Dominic Monks - Engineering & Mixing

---

Lyrics:

In the dead of night I feel the tide
I see the wreckage in the sea we left behind

All the places where we went have lost their names
All the churches where we stopped are empty frames

We were oil and water lying side by side
We did everything we could trying to collide

In the quiet hour you were hard to read
A predicament with no reprieve

All the places where we went have lost their names
All the churches where we stopped are empty frames

We were oil and water lying side by side
We did everything we could trying to collide

Maze

Oil and Water

Taken from the Album Salt catch Michael Baker on tour
March 19th The Brunswick Brighton
http://bit.ly/39wJpfG
March 29th The Duke Whitstable
free admission
March 30th The Finsbury London 
http://bit.ly/3awkRUf
April 5th The Loft (Above The Kings) Portsmouth

BIOGRAPHY, by NME’s Andrew Trendell
“I lived in my van for two and a half years to pay for the making of my first record,” casually laughs singer-songwriter Michael Baker. “I moved into the van after a typical period of heartache. I had nowhere to go, but it was pretty good actually!” 

From this, you can gather a lot about the Anglo-French troubadour. Mainly, he takes nothing for granted and lives for his music.  

Spending his childhood near Brighton (where he went to the same school as Rag N’ Bone Man), Michael got his first guitar aged eight after seeing Oasis live and needing to learn ‘Wonderwall’. In his teens, the songs soon started to flow. It wasn’t long before the purity of his voice, the direct rawness of his writing and the sheer scope of his sound found him regular gigs and a devoted fanbase – one that only grew bigger and more in love with the release of his magnificent debut album Dust & Bone. 

A soaring collection of heart-wrenching indie-folk and cinematic sounds, Dust & Bone was recorded with Massive Attack collaborator Dan Brown, and was a staggering first showcase of Baker’s ambition and soulful style. “I’m really proud of the songwriting on that record,” he admits. “I was in such a bad place in my life when I made it, but it got such a great response from the people who heard it.”

Early sessions for Salt started when Baker hit the studio with Dan Brown and Oliver Baldwin, who had recently finished making Aldous Harding’s acclaimed album Party with PJ Harvey collaborator John Parish. While promising Michael says ‘’It felt like I needed more time to experiment than we had scheduled in.” So Baker headed back to record and produce the album with long-time friend Ed Martin. 

After discovering that his childhood home would be empty for a few weeks while his parents were in the process of moving away. He went in and stripped everything away, begged and borrowed all the equipment he needed, crammed the band in, drank a lot of wine, got a little stoned and naturally just flowed through the album – playing all day and all night. The recordings were so impressive, that Baldwin agreed to mix the record at Real World Studios and gave the songs a whole new dimension (as well as inviting Jack White’s pedal steel player Maggie Björklund to play on the album too). 
“I absolutely love artists like Cat Stevens and Bon Iver,” says Baker. Salt is a record that maps Baker’s journey through darkness and vulnerability to something a lot more hopeful. 
Among the key tracks that show Baker’s road to recovery, ‘Baby Books’ was inspired by being in close proximity to someone taking their own life – and totally changing the way he saw the world. Single ‘They Look Just Like They Know’ also deals with how “the mind can be a deadly place” and “feeling trapped in the prison of your own vision”. He’s looking for the sunrise on the horizon, too. Baker’s personal favourite ‘Claire’ celebrates the “the beauty of space in a relationship” and the escapist ecstasy of ‘One Good Damn’ has won over scores of new fans with its feel-good magnetism. 

Salt is a towering accomplishment that will win hearts with its adept handling of love, loss and hope, and there’s more to come. For now though, you’re about to get to know the real Michael Baker. “I feel like I have too much of a personal relationship with anyone who says they like my music,” concludes Baker. “I’ve been getting letters and messages from people saying that my songs have got them through a very hard time, and I don’t know how to reply to them other than as if I’d known them my whole life. That’s the way that I would do it. I hope that my music gives them as much as it’s given me.”

One God Damn

Bootstraps - Fortyfive

Sea Wolf - Whirlpool

Sing, write songs and play piano. Featured on BBC Introducing and 6 Music.

Digital Distribution @AWAL

Singer-songwriter Lorne is a classically trained pianist, whose life has been shaped by music. After first listening to Peter Gabriel’s music in his teens, Lorne was taken by his sound and notes the musician as a great influence for his music. Also drawn to the music of Coldplay, Damien Rice and Elbow, his attraction to melodic pop and ambient rock is evident in his ideas. 

Lorne has released his debut single Bread Alone, debut EP Maze and follow up single Bow Out.

Lorne's music has garnered support from BBC Introducing, 6 Music, Spotify editorial playlists and Music Week.

Oil and Water

Lorne

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