Yeah yeah B-)) Lovee the vibezzz on all♥ :) Big Ups!

just heard this for the 4th time. Big up @Soul-intent!

https://straightupbreakbeat.bandcamp.com/album/solaris-ep-subbep04

With previous outings on Counter Intelligence, and Fanu's Lightless Recordings among others, DAK makes a welcome return with four tracks exploring the limits of drum and bass. From the spaced-out percussion of the title track, via high tech jazz fusion sounds all the way to the minimalism of 'Viimeiset Skunkit', DAK brings a highly unique style to the modern day drum & bass masses.

Solaris EP

Change

Buy on Bandcamp

Dak - Change [Straight Up Breakbeat SUBBEP04]

toez - The Shape

MENECER

Into bass music? Get a monthly recap of the best news, releases & mixes 
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----

⚡ Stream / Download 'Om Unit - Stranger In The Mirror' → https://tinyurl.com/SPACEFOLDEP

The music scientists at Stereo 45 assemble a crew of space-bending artists - gyrofield, Sun People, Om Unit, and Comfort Zone - for their latest sonic exploration.

https://soundcloud.com/omunit
https://instagram.com/om_unit

https://soundcloud.com/stereo45music
https://instagram.com/stereo45music

----

STUDIO LINKS

Email → info@wearestudio.fr
Website → https://wearestudio.fr
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Facebook → https://facebook.com/wearestudioofficial
TikTok → https://tiktok.com/@_wearestudio
Bandcamp → https://studiosonics.bandcamp.com

Om Unit - Stranger In The Mirror [Premiere]

Lynx drops ‘Vault 4’, a milestone release marking fifteen years of Detail Recordings, and tucked inside is something truly special. ‘PTO’, his collaboration with the late Marcus Intalex, finally sees the light after being written back in 2009 during a Manchester studio link up while Lynx was planning his Soul:R album launch.

The pair joked at the time that the tune felt a bit plain, which inspired the title, but hearing it now, it feels beautifully aged and full of character. With the blessing of Marcus’s mum, Pat, ‘PTO’ lands as one of the most meaningful moments on the entire project.

‘Vault 4’ gathers unreleased work from across two decades, rebuilt and remastered for today’s Drum & Bass heads, with extra appearances from Bagshot, Radzta and CutKeyLow.

A heavyweight tribute and a slice of history. Hit play.

⚡️Like the Track? Click the [Repost] ↻ button so more people can hear it and download it here: cygnusmusic.link/1aqeprv

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👉 Data Transmission
Spotify: bit.ly/3TexYS8
YouTube: bit.ly/3y8DI4j
Facebook: bit.ly/3TexYS8
Instagram: bit.ly/3Gw4IUa
Apple Podcast: bit.ly/3wOMWqj
Grahame Farmer from DT YouTube: bit.ly/3wMBL1j

👉 Lynx
@lynxdnb
www.facebook.com/lynxdnb
www.instagram.com/lynxdnb/

👉 Marcus Intalex (RIP)
https://soundcloud.com/marcusintalex
https://soundcloud.com/mimf
https://www.facebook.com/marcusintalex

👉 Detail Recordings
@detailrecordings
facebook.com/detailrecordings
www.instagram.com/detailrecordings/


<< BUY >>

Lynx ft Marcus Intalex 'PTO' [Detail Recordings] *PREMIERE*

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Cue:Rated Show #014 w/ Pathogen & LNO - 27/11/2025

4 x 12" LP + Digital

https://justbeats.bandcamp.com/album/just-beats-vol-1

Mister Shifter - Reverie

Just Beats

Mister Shifter - Salvation

‣ Available here: quartz.bfan.link/interloper

Metalheadz and Quartz present Interloper, a body of work years in the making, and an unfiltered document of evolution, displacement and creative persistence. Originally sparked by an invitation from Goldie in 2018 to deliver multiple releases for the label, the album gradually took on its own identity, absorbing each stage of Quartz’s shifting environments and mindset.

There has always been something quietly disquieting about the music of Quartz, also known as Elliot Garvey. Not in a theatrical sense, but more like a fog that rolls in and never quite lifts. Interloper continues that tension: textured, brooding, and deeply precise. The record doesn’t announce itself; it unfolds slowly, rewarding close attention with meticulous detail and atmosphere.

Garvey’s path has always been unconventional. A Welsh producer uninterested in social media or self-promotion, he has carved out a singular presence within the underground. Respected by veterans and quietly championed by tastemakers, his work sits outside trend or scene. “I’ve always chased that looming tension,” he says. “Something that hits in a way you don’t quite expect.”

Unlike many concept-driven projects, Interloper emerged organically, over years of work alongside his other releases. “I realised I’d been holding onto this idea that albums needed a narrative,” Garvey explains. “Once I let that go, it became a diary, a reflection of refining my craft and finding the music I truly love.”

Sonically, the record resists easy classification. Distorted textures, intricate sound design, and subtle sampling weave through each track, balancing grit and clarity. Despite its variety, a single thread runs throughout: a tension that feels both ominous and euphoric. That restless curiosity defines the album, from the stark propulsion of Ganzfeld to the layered atmospherics of Skeng.

Growing up in Cardiff, far from London’s pirate radio hubs, Garvey developed in isolation, guided by instinct. Record shops were classrooms, and intuition was the only teacher. “I had to work out what hit me,” he recalls. “No tutorials, no shortcuts, just listening and learning.” That independence shaped a sound that is club-ready but unconstrained, detailed yet raw.

The title Interloper reflects Garvey’s position within the culture: present but never fully belonging. It is both an inside joke and a quiet statement, a nod to the artist who exists in the shadows, shaping the scene without demanding its spotlight.

In a world driven by visibility, Garvey’s silence is deliberate. He allows the music to speak for itself, building a reputation on substance over persona. “If I was going to make an impact, it had to be through the strength of the music,” he says.

Interloper stands as both culmination and continuation, intense without theatrics, brooding without ego, and deeply personal while remaining universal. It is a record that lingers, its impact growing long after the final note fades.

“Really, it’s just about doing the work,” Garvey says. “You show up, make something honest, and let it run.” In a landscape obsessed with immediacy, Interloper is quiet defiance, a record that doesn’t ask to be seen, only to be felt. 

Follow Quartz
‣ www.facebook.com/quartzuk
‣ www.twitter.com/elliotquartz
‣ www.instagram.com/quartzmusic
‣ @quartz

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Buy / Stream

Quartz - Fractured Memories

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In the Air / Come with Me

Come with Me

Versus Volume Two
Lossless Music 007

Release date: 28th October 2016

A1. Tim Reaper, Melanie & Silo - Finite Motion
A2. Paragon - Again & Again
B1. Artilect - Kush
B2. Soul Intent - Eyes Open

Limited edition 12" yellow/black marbled vinyl
Mastered and cut by Shane @ Finyl Tweak

Eyes Open

Soul Intent - Eyes Open [Versus Vol Two]

Lossless Music | Dope Plates | Exkursions : Underground music labels run by @soul-intent

From The Lab (sample packs) - https://fromthelab.bandcamp.com

Demos, enquiries etc - losslessmusic@hotmail.co.uk

Featured artists: 
Soul Intent, Klute, Tim Reaper, Elementz Of Noize, Sonar's Ghost, Acid Lab, Sula Mae, SPKTRM, Paragon, Chromatic, Sicknote, LaMeduza, Concealed Identity, Artilect, Mark Kloud, Scape, Pepsi Slammer, Transient, Trisector & Infader, Odyssia, Faible & Konfusion, Clima, Slider & Expose, Hathor, Sotus & more.

Soul Intent - Eyes Open [Versus Vol Two]

Lossless Music

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