lovely work, great passion, film soundtrack business

Hi Ken - I have been a little absent from SC. A moving soundtrack.👏

feeling that willd landscape, my friend. very good!

"Tea with Debussy & Pärt in Casablanca" is a musical dream that bloomed during my vacation in Havana, Cuba. Inspired by classical masterpieces from Arvo Pärt and Claude Debussy, I envisioned an imaginary encounter with these esteemed composers in Casablanca, over Moroccan tea.

This piece is not an imitation of their styles but rather a heartfelt conversation between us. It embodies the essence of typical conversations in Morocco, where we all speak at the same time, meandering from topic to topic, and experiencing numerous changes of atmospheres, tempi, textures, and fragments of thematic material.

It begins with minimalist touches, a nod to Pärt's recent works, where the piano introduces serene arpeggios, intertwining with heartfelt viola melodies. As we delve into our tea time, I incorporate some of Debussy's harmonic vocabulary. 

Throughout our harmonious dialogue, the piece mirrors the dynamic nature of conversations in Morocco. We experience moments of collective excitement, where the music swells with vibrant textures and lively tempi, as if everyone is speaking at once. Themes and motifs emerge and intertwine, mirroring the meandering nature of our discussion as we navigate from one topic to another.

As our musical journey unfolds, our collaboration celebrates cultural fusion, weaving together Pärt, Debussy, and my artistic zest. Each voice contributes to the narrative, inviting moments of wonder and contemplation through our shared inspirations.

Tea with Debussy and Pärt in Casablanca for Clarinet in A and Piano Virtual Pre-Release Version

Take Me There

https://www.instagram.com/adrianaguiar_guitar
https://www.instagram.com/stoydormido/

Pino y Columpio va del nacimiento y entrelace de dos entes que nacen y se mecen, se balancean, a veces quizá muy alto y con vértigo, pero siempre con mucho color y amor.

BIO: Adrian Aguiar es un joven guitarrista cubano con influencias del jazz, la música clásica, bossa nova y géneros de la música cubana y latina. Comenzó sus estudios de violonchelo en el Conservatorio Alejandro García Caturla a los 8 años hasta que descubrió su pasión por la guitarra 5 cinco años más tarde. Se graduó de la Escuela Nacional de Música en 2019 y obtuvo plaza para ingresar al Instituto Superior de las Artes (ISA), pero decidió no entrar para dedicarse por entero a encontrarse musicalmente, seguir los caminos del jazz y crear sus propias composiciones y arreglos. Desde entonces ha participado en eventos como el festival Jazz Plaza y ha tocado con muchos músicos de su país como Dayron Ortiz, Emilio Martiní, Camila Guevara, Frank Fonte, Richard Fando, Jonathan Formell, Tobías Alfonso, Julito Padrón entre otros.

Composición, Guitarra: Adrian Aguiar
Guitarra: Adrian Aguiar, Jonathan Formell
Grabación, mezcla y master: República Records™
Estudio: República Records™
Diseño de Portada: Elizabeth Blanco
Distribución: Gitanamedia

Pino y Columpio

Pino y Columpio - Adrian Aguiar, Jonathan Formell

another collaboration with Gary Hayward and David Wurden on the album emotions,the youtube video is https://youtu.be/xTjstrXqJ9U

Sands of time slipping away,(COLLAB)Gary Hayward vocals lyrics,David Wurden Music,art,video

Help!

Introduction in English

Sometimes I have to smile a little when I think about the fact that John Lennon was only 24 years old when he wrote these lyrics. 
He certainly didn't know about the cries for help that come with ageing from 60 plus. The experience of gradual physical decline and the increasing dependence on the support of other people. The gradual loss of autonomy, which is so important for one's own dignity. And the subliminal threat of retirement and nursing homes approaching, which then temporarily pulls you out of your increasing mental derangement by singing old Beatles songs.
But apart from that, he certainly already knew a lot about the hardships of being different, of not belonging; the longing to experience something like love in the worldwide recognition and at the same time having to suffocate and drown in this wave of adoration. 
In the pop era of the time, his desperate cry for help was reduced to a tolerable two minutes
I turned it into a leisurely three-minute waltz. And tried to express my increasing need for help in certain areas of life in different ways: shy and fragile, desperate and humble, angry and almost accusatory. 
And towards the end, I find myself in an almost otherworldly limbo in which a part of me comes to peace with the cry for help and finds its own new dignity in it.

Einführung auf Deutsch
Manchmal muß ich ein wenig schmunzeln, wenn ich daran denke, dass John Lennon erst 24 Jahre alt war, als er diesen Songtext schrieb. 
Da wusste er mit Sicherheit noch nichts von den Hilferufen, die mit dem Älterwerden ab 60 plus einhergehen. Die Erfahrung des allmählichen körperlichen Zerfalls und die sich zunehmend anschleichende Angewiesenheit auf die Unterstützung von anderen Menschen. Der allmähliche Verlust von Autonomie, der für die eigene Würde so wichtig ist. Und das unterschwellig drohende Herannahen von Senioren- und Pflegeheimen, die einem dann mit dem Singen von alten Beatles-Songs vorübergehend aus der zunehmenden geistigen Umnachtung herausreißen.
Aber abgesehen davon wußte er sicher schon viel von den Nöten des Andersseins, des nicht dazu gehörens; der Sehnsucht, in der weltweiten Anerkennung so etwas wie Liebe zu erfahren und zugleich in dieser Verehrungswelle geradezu ersticken und ertrinken zu müssen. 
In der damaligen Pop-Zeit wurde sein verzweifelter Hilferuf auf allseits erträgliche gut zwei Minuten eingedampft.
Ich habe daraus einen gut dreiminütigen gemächlichen Walzer gemacht. Und dabei versucht, meine in gewissen Lebensbereichen zunehmende Hilfsbedürftigkeit auf verschiedene Weise auszudrücken: Scheu und zerbrechlich, verzweifelt und demütig, wütend und beinahe anklagend. 
Und zum Ende hin befinde ich mich in einer fast schon jenseitigen Zwischenwelt, in der ein Teil in mir mit dem Hilferuf in Frieden kommt und darin eine eigene neue Würde findet.

Help!

Help! (Lennon/Mccartney)

I am happy to present a further great collaboration with southafrican Singer Sonwriter Mike Hill.

Credits:
@mikehillravenscall: vocals and lyrics
@nobsmeyer: guitars, bass, drum production, mix and mastering.

In a world where we all live with broken dreams,
Through the storms we will walk, legs shackled in chains
With fiery eyes, Uncontrollable rage
Still defiance in faces. Our souls are still wild
With passionate cries, we fight for our places
We’ve seen all the signs, we’ve seen all the signs
Chorus
Oh, we’re floating through fire. Our hearts are on fire, we’re holding on
We carry on, nothing controls us.
We’re floating through fire. Our hearts are on fire, we’re holding on.
We’re holding on. We carry on. Nothing controls us
Floating through fire. Floating through fire. We carry on, floating through fire.
We carry on.
Bridge
Oooooh. Ooooh. Oooooh, OOOOH
We’ll be holding on with fire in our eyes.
We’ll be fighting on with fire in our hearts
We’ll be floating on, onto paradise
We’ll be holding on, onto paradise
We’ll Carry on
Chorus
Oh, we’re floating through fire. Our hearts are on fire, we’re holding on
We carry on, nothing controls us.
We’re floating through fire. Our hearts are on fire, we’re holding on.
We’re holding on. We carry on. Nothing controls us
Floating through fire. Floating through fire. We carry on, floating through fire.
We carry on.

Floating Through Fire

Morning Sorrow in F Major

Start To Move

Name Droppin

Fading Memories REMASTER

wild land remix

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wild land remix

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