Gaani

Lowrider

Hoorpariye

Hikkan

Дама червей

Точка кипения

Стакан

Не по сценарию

Оскалы

Не хочу быть морем

Дементоры под сальсой

Веснушки

Forever Changes: Expanded and Remastered

A House Is Not a Motel

Alone Again Or

Love

My Little Red Book (Stereo Version)

Four Sail

Always See Your Face

Live and Let Live

My Flash on You (Stereo Version)

Softly to Me (Stereo Version)

Forever Changes: Alternate Mix and Outtakes

Wonder People (I Do Wonder)

Forever Changes

Andmoreagain (2015 Remaster)

Andmoreagain (Alternate Electric Backing Track)

Bummer in the Summer (2015 Remaster)

Alone Again Or (2015 Remaster)

The Good Humor Man He Sees Everything Like This (2015 Remaster)

Da Capo

Seven and Seven Is (LP Version)

The Red Telephone (2015 Remaster)

The Best Of: Love

Hey Joe (Mono)

Studio/Live

Listen To My Song

The Blue Thumb Recordings

Keep On Shining

I'll Pray For You

Found Love: The Lost '71 Sessions

Good & Evil (Electric Version)

I Can't Find It

Everybody's Gotta Live

Find Somebody

First Love - Love Letter

Love letter

Someday Again - Mata Au Himade

Love Pure Mix II (Mixed by DJ Kazu)

Jac Holzman saw Love in 1966 at a performance at Bido Lido’s in Hollywood. Holzman grasped the group’s enormous potential and viewed the flamboyant, wild, mercurial nature of leader Arthur Lee as a performance plus. Love gave Elektra’s its first taste of pop success with “My Little Red Book” from Love’s self- titled debut album and the relentlessly explosive “‘Seven And Seven Is” (produced by Holzman) from the more richly textured Da Capo album. Da Capo only hinted at the imaginative approach and orchestral delights that were to come in their third album Forever Changes.

Now regarded as one of the great classic rock albums, Forever Changes has grown in stature since its release and has been continuously in print for over 40 years. Despite its difficult birth, Forever Changes meticulously marries Arthur Lee’s deep, philosophical songs with David Angel’s superb orchestral arrangements, which grace seven of the eleven tracks. Yet it was guitarist Bryan MacLean’s haunting and exquisite Spanish-tinged “Alone Again Or” which opens the album and invites the listener in. This was Lee‘s swansong with Elektra and his last truly focused work. Forever Changes is now widely regarded as a genuine classic and one of the finest albums Elektra ever issued.

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