PAKUN JARAN dans le rôle de JUDY
Les musiques des films de David Lynch revues par la crême de la scène musicale francophone émergente actuelle. En collaboration avec le NIFFF (Neuchâtel International Fantastic Film Festival) édition 2025.

Un Cd a été tiré à 100 exemplaires collectors interdits à la vente.

Un projet imaginé et orchestré par Witold Langlois
METEO ©2025

PAKUN JARAN - Laura Palmer's Theme "Twin Peaks" (METEO NIFFF "Ode to D.Lynch")

IDLE dans le rôle de DIANE CONTEMPLA
Les musiques des films de David Lynch revues par la crême de la scène musicale francophone émergente actuelle. En collaboration avec le NIFFF (Neuchâtel International Fantastic Film Festival) édition 2025.

Un Cd a été tiré à 100 exemplaires collectors interdits à la vente.

Un projet imaginé et orchestré par Witold Langlois
METEO ©2025

IDLE - I’ve told every little star "Mulholland Drive" (METEO NIFFF "Ode to D.Lynch")

CANELLE DOUBLEKICK dans le rôle de ELLE COOPER
Les musiques des films de David Lynch revues par la crême de la scène musicale francophone émergente actuelle. En collaboration avec le NIFFF (Neuchâtel International Fantastic Film Festival) édition 2025.

Un Cd a été tiré à 100 exemplaires collectors interdits à la vente.

Un projet imaginé et orchestré par Witold Langlois
METEO ©2025

CANELLE DOUBLEKICK - Twin Peaks opening (METEO NIFFF "Ode to D.Lynch")

stripped, distorted, and unapologetically raw — this one barrels forward like a busted speaker possessed. fusing ghetto tech rhythmics with warped vocal fragments, it’s a gear-shifter for the floor: filthy, fun, and full throttle. fans of late-night sleaze and early-morning chaos know what to do.


smbu final

fresh new take on a slow-jam. a 136 bpm four-on-the-floor groove draping reverb-soaked piano over warm tape hiss. lands in the final fade-out of fuck around, find your people to cradle the credits in tender afterglow. feels like jayda g, ross from friends, ariana krondever.

sarahslay?

late-summer club heat on a soca chassis: swung hats, rolling toms, a rubbery sub, and sun-bleached chords that open like shutters at golden hour. a familiar ’90s ghost brushes the pads—there if you know, uncredited by design. street grit on the edges, vacation breeze in the middle, built for sweaty smiles and head-down groove.

turn it up, funky

built from the breath of a 90s r&b memory, time-stretched and fog-wrapped. ambient jersey percussion melts into moody amapiano swing and breakbeat shimmer. longing lingers in every loop. for late-night dancers who never left the floor—even when the lights came on.

son2u

alwaysinvited

I felt inspired the other morning sitting there with my coffee before work 
It just came to me.... 
There's some fun stuff that can be done in a song circle with layers and harmonies.  
lyrics:
These are the things that need to be said.
These are the things that need to be felt.
These are the things that need to be done.
These are the things.  
These are the things.

Hold yourself like you want to be held by the ones that you love 
Hold yourself like you would hold somebody you love.

Listen, listen, listen, listen to what you need.
Listen, listen, listen, listen to what you need.

Hold Yourself

I always wanted to take that theater scene in David Lynch's Mulholland Drive and put it to some kind of music. I think that it deserves better, but this was a basic idea...

Misc.

Club Silencio (Mulholland Drive Mix)

Shotgun

Custom Song Writing for all walks of life.

Shotgun

LoveCore SingingTelegrams

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