beaty & breaky

Cycles

Mindbugs



<a href='https://theartistunion.com/tracks/f8227b'>Download for free on The Artist Union</a>

Vague Souvenir

Follow [DKO] :
• @derrick-parks-jr
• twitter.com/DKOB3VTZ
• http://soullkidd.bandcamp.com

@hipdozer
• facebook.com/hipdozer
• http://hipdozer.tumblr.com

<a href='https://theartistunion.com/tracks/2baf57?soundcloud_ref=description'>Download for free on The Artist Union</a>

Free Download

[DKO] - School Pop Machine

Follow Engelwood :
• @engelwoodmusic
• facebook.com/EngelwoodMusic
• twitter.com/MEngelwood
• youtube.com/user/engelwooood

@hipdozer
• facebook.com/hipdozer
• http://hipdozer.tumblr.com

<a href='https://theartistunion.com/tracks/095024?soundcloud_ref=description'>Download for free on The Artist Union</a>

Engelwood - passing.by


Coma - Lora "Robag's Fandara Qualc NB
Kompakt Rec. 2015

www.kompakt.fm/releases/lora
www.facebook.com/comacologne
www.facebook.com/robagwruhme


Beatport

Coma - Lora   Robag´s Fandara Qualv NB

♬ Klick für mehr ☞ http://trndmusik.de/2016/02/catz-n-dogz-lassen-basic-colour-theory-remixen/

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2

Am 11. März 2016 ist es endlich soweit: Das polnische Produzenten-Team @catzndogz veröffentlicht 14 Remixe zu ihrem bereits erschienenen Album „Basic Colour Theory“. Von einfachen Edits bis hin zu ganzen Neuinterpretationen bietet die Kollektion eine besondere Vielfältigkeit von Remixen. Mit Jamie Jones, Claude Von Stroke, Karizma, Fred Everything, Anja Schneider, Maurice Fulton, Jay Shepheard, Matthew Herbert und @eatseverything konnten Grzegorz Demiańczuk und Wojciech Tarańczuk gestandene Artists gewinnen. (...)

Click for more

Catz 'n Dogz - I Bought It All (Eats Everything Remix)

"JNT" A 4am 2-step roller taken from the debut release on the Dama Dama label 

Purchase
https://pedestrianuk.bandcamp.com/album/circadian-rhythms-dama001

Pedestrian - JNT Ft. Maribou State

Alex Dimou featuring Black Soda - This Time (Original Mix)

For more info visit: http://bit.ly/2gNfasl

Buy Link: http://btprt.dj/2hn8p1M

https://soundcloud.com/kindisch
https://soundcloud.com/tantsui

Planet of the Apes EP

More info

Premiere: Tantsui - Be There (Kindisch)

02. Codeur - "Hurry up, no time to loose! Your past is waiting."

With his debut album RIMS OF TIME Max Dahlhaus is taking no prisoners. Every single one of the 13 tracks is splurging its individual features and one-of-a-kind undertones, still all of them show some kind of disposedness to drama, paired with flickers of irony.
Once you close your eyes and let yourself sink into the massive production, you will see that Dahlhaus had a master plan in his mind when producing the album. Emerging from the red haze of the cover-artwork which was created by Dahlhaus as well, you will see epic scenes start rumbling before your inner eye once the music starts. 

With some of the tracks simply listening will not be enough! You will feel the urge of stomping down on Berghain’s concrete floor while being part of a rolling mass of people. This longing will immediately fade away with the next track and you are going to want to sit on a rooftop in the earliest morning light, watching the shadows of the night crawl out of the city. Unpredictable breaks in the arrangement will allow your mind to jump to a range of different scenarios, banning any kind of tristesse in spite of the rather dark undertone of the album.

Carried by their multifaceted sound patterns, the 13 tracks of RIMS OF TIME are on peculiar journeys. The audience is free to decide if they want to watch those wanderings, or if they allow themselves to fall into that red haze and become part of the adventure.

Max Dahlhaus - Codeur

Re:Coil Part I

Gramatik & Branx - Future Crypto

Daktari

Daktari (Villalobos Remix)

Live Set 22.06.2018 Gängeviertel-Druckerei Hamburg

Lanic Placid

Scrounger - innere Werte (Stubens Allein-Daheim Remix)

Slowly / Bad Sex

Slowly

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
bit.ly/wuzzelbudff

Stream:
spoti.fi/2NtrXkq
apple.co/2Nk7i2r
bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: www.pamparecords.com
(C) Pampa Records 2018

Wuzzelbud FF

H&T04 Robag Wruhme - Wabb Bodun

Kikayon

Release date: may 10, 2019 - available here: 
https://pampa-records.lnk.to/GerryRead 
https://pamparecords.com/products/pampa033-it-ll-all-be-over

Gerry Read - It'll All Be Over (Dj Koze Radio Edit) available here: https://pampa.lnk.to/Gerry_Read_DJ_Koze_Remix_Edit

A heaven-made match is now complete with Gerry Read’s debut EP for Pampa Records. The British producer’s distinctively twisted, lo-fi sound, combined with Pampa’s deep-vein instinct for quality quirks, ushers in a new phase for two of house music’s most celebrated names.

The opening bars of “It’ll All Be Over” are immediately evocative, hinting at the patchwork style to come. Twangy banjo strings and a foot-stomp beat seem to herald a folksy arrangement, but that isn’t to be. Soft floaty pads rise up to form an unlikely partnership, softening sharp edges and adding sophisticated melodic expression. Once a compressed vocal sample is introduced, the entire structure reveals itself and begins to spin and loop in the style of iconic French house productions. Propelled further along by the endearing drama of flooded bass drum kicks, falsetto voices and xylophone pings, “It’ll All Be Over” is immediately memorable and expertly architectured.

More Infos: www.pamparecords.com
(C) Pampa Records 2019

beaty & breaky

deepShit