Curves

Somethings In My Ass

Gigachad Sam

Abba - Lay All Your Love on Me (slowed)

The Perfect Girl x Sweater Weather x After Dark

After Dark - Mr Kitty
The Perfect Girl - Mareux
Sweater Weather - The Neighbourhood

I do not own any of these songs and I do not own the photo that is used in this audio. It belongs to their respective owners.

You can use this song freely in any of your videos if you would like to but just don't copy the whole video and call it your own creation.
Either way, you can use the song in edits or stuff. anything you like.

This is a repost

Original: https://www.youtube.com/watch?v=XdISK47wWcI&list=LL&index=27

The Perfect Dark Weather (read desc)

Attack of the Killer Beast (Phonk Remix) (TIKTOK SONG)

Noot Noot (Mozart Lacrimosa) - Lofi Remix

This is my personal slowed version of "Bury The Light"

Bury The Light - Slowed Version

So, I've been binging on Rick and Morty lately. I swear to god it's one of the funniest shows I've seen. And despite that season 2 is surprisingly full of surprise feels. It's a fantastic show, and I'm in love with the theme song. There's not enough in the theme to warrant a straight cover though, so for a while I was unsure of what to do. Then I decided, "well, it's sort of a Back to the Future parody, why don't I give it an 80s theme?" It's not exactly 100% 80s, the distorted guitars are very, uh, not-80s, but all of the synths used would have been present in the early 80s, and most of the synth playing is based on 80s styles (especially the bouncing octave bassline), the drum sound is quite 80s sounding, it's just got a heavy 80s sound. 

One of the biggest contributors to that sound is, of course, the gated snare reverb. Yeah bitch, gated snare verbs, haven't used those in a while, at least not very noticeably, now it's back in full force!

Something else I'm doing with this track that I've never actually done before, I'm releasing the original stems. Sort of. I went in and rendered out stems of each individual element in the song, every synth, every guitar, every individual drum - without any processing - and zipped it all up into a RAR file, which you can download from the link at the bottom of the description. More details inside, but I've got all the files as lossless FLAC files, unprocessed so you can mess with them yourself, and I've even provided REAPER projects, one with all the tracks grouped together and color-coded, and one with just the color-coding.

So, the track itself. I mentioned it was 80s influenced. It's also one of the more complex tracks I've done. I know, I say that a lot lately, but for once, it's complex, but with a good mix. I mean a really good mix. Even my more recent mixes sound pretty bad in my car. This track bangs in my headphones, on my speakers, and in my car. It's probably the best mix I've done since Gravity Falls.

Musically, it's also the best thing I've done since Gravity Falls. Holy shit, I can't believe I never stumbled upon it before, but playing an F major chord in Bb minor, it's beautiful. There's one point in the track where there's two leads harmonizing sort of, and the chord shifts to an F major, and the harmony between the leads and that chord creates this beautiful dissonance that blows away just about everything I've ever done. Except for Gravity Falls of course (I compare a lot of my stuff to that track, something I'll probably be doing for a while. It means a lot to me, that song. It was the first track I did where I could say I was legitimately happy with the mix. Up until that point I'd mixed tracks that sounded good, but that was the first time I listened to something I made and actually felt proud of myself, so yeah, there's gonna be a lot of comparing). 

For real though, this track has become my absolute second favorite track I've done. Out ranks even some of the stuff on Majora, which I also consider to be among my best work. Most of the time I listen back to my work, I'm surprised that I made it, but every so often there's a track that just blows me away, to the point where I'm giggling with glee and just so fucking excited that something like this came from me. This is one of those tracks. 

Link to the stems: https://mega.nz/#!opByQRIY!MbYYtFDFle60ANyV0f7oreNo3DikU6qgI0tOO15K1dM
It's a MEGA link, because MEGA's the best filesharing site I've ever used. I'm sorry if it doesn't work, just let me know and I'll try to figure it out. 

EDIT: I'm so sorry, I forgot to add the readme to the stems. Here it is in a pastebin: http://pastebin.com/gzEACP6Z
I'm so super sorry, I can't believe I forgot that. I spent like an hour typing it up and revising it and forgot to save it into the folder. In that readme is all the relevant info I could think of regarding the stems for this track. I also had to delete some stuff to fit this in the description, but it was unimportant.

Rick And Morty Theme

this song is for another project i'm involved with. when / if this gets recorded for real, the drums won't be so monotonous. glowsticks recommended :)

Carpathian Sunset

This is the 4th reboot song of Granny Theme Song.

Granny Theme Song-Hip Hop Purist Cover

Keith and I completed a cover of Curve's song "Horror Head". Curve was one of my favorite bands as a teenager, and Keith, who I introduced their music to several years ago, agrees with me that this is one of their best songs. I can't think of any other female fronted band that has impressed and inspired me so much. 

LYRICS BY TONI HALLIDAY:
"Fireworks, red and green I can see what they sing, but you are away / box you all in You always smile / Boxing ring / box him in the back of mules / with black almost You can really see, from the inside Across the void There's horror in my head When the blanket is gone From the throne in my castle Where I see the sun from In the comfort of this room The challenge died Remember you and me We laughed 'til we cried"

Mint Julep is Keith and Hollie Kenniff.  |  unseen-music.com
Artwork by Brian Young  |  http://losingtoday.me/

Curve - Horror Head (Mint Julep Cover)

I was commissioned to write the score for a short film by TOMS about their first "Ticket To Give" trip, which helped distribute shoes to kids in Honduras. 

View the video: http://www.youtube.com/watch?v=GQa4qJAZuLo
www.toms.com
www.unseen-music.com

© TOMS


Keith Kenniff - Giving

Composition: Stacie Noel/Nic Newman
Violin: Doug Penny
Viola: Kash Pande
Engineering: Avery DeAbreu

(Instrumental)

The Cave

Original Organic Electronic Music from Toronto, Ontario, featuring Nicole Newman, Jam Enigma, Doug Richardson, Marlee Kira, Sabrina Leanne, and James Mulvale.

http://youtube.com/theloveorchestra
http://theloveorchestra.com

The Cave

The Love Orchestra

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