Name: Energymaker Vol.17, IMFDO 0026, CPH, 24.04.2023 by RPN
Duration: 58 min 34 s
Description: Track list: https://www.beatport.com/chart/energymaker-vol-17/772575

this EVO is crazy!!! Top evolution set wow

yesss I love SOOO much this set!!!!! great job my friend

RESONANCE, in physics, relatively large selective response of an object or a system that vibrates in step or phase, with an externally applied oscillatory force. Resonance was first investigated in acoustical systems such as musical instruments and the human voice.

RESONANCE

Another collaboration with the always inspiring Belial Pelegrim.
Check B out! He's badass!
https://soundcloud.com/belial-pelegrim

written and produced by cotu and pelegrim
mixed by cotu
vocals by "The Ghostly Jilg"
mastered by marc felish

Skin Tight Socks

Buy HD Audio

Skin Tight Socks  ---  COtu + Belial Pelegrim

Honorable Mentions:
Chris Lane Sr - Bass Guitar
Lauren Nolan - Title Suggestion

"What went wrong"

(Chorus)
Hey, Hey
What went wrong with the world tonight
I made not home alive - I'm so tired
Don't wanna fight

(Verse 1)
You win - I lose
We act like fools
Nothing changes 
From day to day
You Said you're right
I say goodnight
I get the feeling
We're seeing things differently

(Chorus)

(Verse 2)
Check In - Checked out
I'm inside out
All is quiet
On an endless stream of misery
Be one without
There is no doubt
My will is broken
But I ain't getting angry

(Bridge/Guitar Solo)

(Chorus)

What Went Wrong?

Special moments in time through my music.

Reflection

Lyrics Vocals by  Ian Greaves aka (IPG1)

https://soundcloud.com/ipg1

https://soundcloud.com/ipg1/let-it-sink-in-vocals-92-bpm

IPG1 - Let It Sink In (AudioBake Mix)

Track list: https://www.beatport.com/chart/energymaker-vol-17/772575

Energymaker Vol.17, IMFDO 0026, CPH, 24.04.2023

track list: https://www.beatport.com/chart/energymaker-on-spectrum-on-air-radio-210523/776283

Energymaker on Spectrum On Air Vol. 1, IMFDO 0029, 21.05.2023

This is the third track I've worked on in the Departure series of experimental poetry readings, inspired by a set of 13 cantos written by Jo Richter a.k.a. Sonic Structures and Silent Stretches @sonic-structures. 

Jeff -- Stonerjazz/ @user-911083679 -- took Jo's reading and added his own reading plus a little bit of bass and drums. I thought the direction he took it in was delightfully weird so tried to play that up by adding more percussion, and a melodic lead that sounds a bit like electric guitar but is actually a synth plugin with tons of saturation and effects layered on. 

This was another unique experience with a couple of wild and unique artistic explorers! Thanks for the journey guys!

Art by Stonerjazz

---------

Departure:
canto VIII (poetry copyright Jo Richter)

What goes around: Unless familiar minds adopt
a major work of art, it cannot be recognized,
not even by the finely tuned, academic apparatus
of the scholarly persuasion. It longs to be gently
directed out of obscurity by intimate alignment.
It unequivocally needs to be claimed by readers,
by listeners, and by those who take it to their hearts
and minds. Then, only then, it comes around.


Most poets, though, feel little inclination
to join the showy, self-assertive blaze of what
the market forces call a fair. There is a dis-
connect within the meanings held within this term.
He remembers public events pertaining to focus on
poetry that only captured the self-congratulatory
sensations of those who spoke the welcomes and
thus abused the art to elevate themselves.


In Schlegel, in Schiller and in Borges, he tried to
find the remedy to reconcile this rift, but
neither understanding nor play nor underlaying fantasy
would overcome that star-crossed constellation
that casts a valley made of shadows between the
divergent meanings of such a simple word as fair.
If those he spoke to found beauty only in the advance-
ment of their social fortunes, nothing could be saved.


Of course, he drifted off the course his art
demanded. He tried to quiet down the insurgent
poetry that sought expression through his puny
skills. This very nearly drove him to seek refuge
at the place ineptly called asylum which gathers all
the muted voices in wanton seclusion. Spiteful, he
wrote once again trying to outline all hope that
remained for aesthetic rigour and beauty to survive.


Eventually, he gave in and all his art served
but for one end: to represent the conundrum of
his being who he is within a stoic pattern of
existence he could not but accept. He wrote
for stones, for plants, for lakes, and for hills that
listened more intensely than his fellow men. He starved
for lack of response but refrained from complaining.
That‘s when he first came ‘round, beheld the spire.

Insurgent Poetry (Departure: Canto VIII) - w/ Stonerjazz and Jo Richter

This is another tune I worked on last week when I was kidnapped, er, when I collaborated with Josh and his band of maniacal musicians.    These guys GIT R DUN I tell you . This one evolved lots just in the few days we worked it up.  
This is June Bug

June Bug  - (Eclectic Collective)

Firstly being a song with traditional 6/4 signature, I redid the central section in 4/4 to add strength, same as with my previously posted song.

Also, I 'needed' to cut last quarter note to instrumental bridges and play them in 5/4.

After these artificialities, I tried a mild sound to please your ears ;)

Letra (Translated lyrics):

Ven (Come)

Ven… cógeme con tus manos, tan limpias, tan solas, tan blancas, tan suaves, ven…
   (Come … take me with your hands, so clean, so lonely, so white, so soft, come …)
Ven… bésame con tus labios, tan tiernos, tan prietos, tan lejos, tan dulces, ven…
   (Come … kiss me with your lips, so tender, so tight, so distant, so sweet, come …)

Ven… guíame con tus ojos, tan puros, tan ciegos, tan tuyos, tan graves, ven…
   (Come … guide me with your eyes, so pure, so blind, so yours, so serious, come …)
Ven… pídeme lo que quieras y dime que nunca podrías dejarme… ven…
   (Come … ask me whatever you want and tell me you could never leave me … come …)

Ven y méceme en tus brazos. (Come and swing me in your arms.)
Ven y guárdame en tu seno. (Come and keep me in your bosom.)
Ven y duérmeme en tu regazo. (Come and get me asleep on your lap.)
Ven… ven… ven… (Come … come … come …)

Ven… cántame con tu risa, tan clara, tan rara, tan fresca, tan triste, ven…
   (Come … sing to me with your laugh, so clear, so rare, so fresh, so sad, come …)
Ven… llámame con tu gesto, tan sabio, tan lacio, tan quieto, tan fuerte, ven…
   (Come … call me with your gesture, so wise, so languid, so still, so strong, come …)

Ven… ámame con tu vida, tan dura, tan libre, tan hueca, tan calma, ven…
   (Come … love me with your life, so hard, so free, so hollow, so calm, come …)
Ven… pídeme lo que quieras y dime que nunca podrías dejarme… ven…
   (Come … ask me whatever you want and tell me you could never leave me … come …)

ER38FI05 RUIZZO©1996 – FRANCÉS RECORDS®2017

Ven (pide lo que quieras)

''One Day'' - original song written, performed, recorded and published on                     8th December 2019 by Tom Nied (Tomasz Niedzialkowski)

ONE DAY

Will you remember me
or will I breeze though your mind like a plain old daily grind
never found in the night when you dream about times 
you would like to invite to your life to live free?

I will hold on for as long as I can
I will hold with every tissue of my hand
I will watch your eyes sleep till the dawn
until new day is born
that's how you came one day

All these years I've been running blind
All this years I've been wasting time
but with you in my life 
I have found winding road
leading straight to the heart of delight 
(the light)

One Day

RPN is a music producer, remixer, radio host and DJ. His experiments in music are a reflection of his emotions. His musical style is based on use of unconventional structures of deliberately dry, static drum rhythm, which is supported by a synthetic electric bass line as the groove foundation. The basic structure is supplemented by additive sound elements. These sound elements include synthetic percussion and bass lines, electric guitars and other instruments. RPN often goes past his represented style by going to extremes and inserting deep industrial samples, pop music elements or jazz standards into his music. RPN’s productions meet the self-imposed challenge of harnessing avant-garde techniques at the service of individual and collective dance floor ecstasy.
His time DJing has given him a truly broad palette to work with while curating your perfect night of music. Every set was presented in different form and fulfilled with strong and positive emotions. He plays upbeat, uplifting, high-energy music which goes in hand with his energetic nature in the booth. He likes different styles of music; however, at the top of his list are: Techno, Electro, Trance, Tech-house, EDM, UK Bass and Indie Dance.
RPN tailors musical sets to create the feelings the dance floor wants, whether that's a rush of excitement, giddy highs and bone-shaking lows for a basement on a weekend night, a warm and relaxing chill-out session for a midweek wind-down, cutting edge tracks for the innovation-hungry or more familiar classics for those simply seeking a good time.



RPN weekly radio show Energymaker 
on Spectrum On Air radio www.spectrumonair.com
every  Sunday 9 p.m. (GMT),
 repeats: every Wednesday 9.p.m. (GMT) and 
                       every  Friday 1 a.m. (GMT)


https://linktr.ee/rpn_music_pro

Energymaker Vol.17, IMFDO 0026, CPH, 24.04.2023

RPN

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