Berlin

First single from VIOLENCE's Erlebnis LP, to be released soon on VISAGE MUSIQUE. 

Tracklist :

A1. The Curse of Dimensionality
A2. Halo
A3. Down There
A4. Le Sommeil
A5. Isis
B1. Buda-Pest!
B2. La Spirale Abîmée
B3. L'Ombre
B4. Research
B5. Disappearances

VISAGE MUSIQUE | 2013

VIOLENCE / Halo

A Little Love

Colder

New album
https://twoonesix.bandcamp.com/album/night
& video!
https://youtu.be/7IZwrywzUrk

Night

Track 2 from EP 7 - available as very rare ltd. 12"

Quit from EP 7

Quit

You're Already Dead

EP 7

You Leave Me Bleeding

Out now: KOLLAPS 'Until The Day I Die' CD/LP (CSR309CD/LP)

"Until The Day I Die", the third album from Australian post-industrial outfit KOLLAPS, is a merciless and visceral assault on the senses and continues the trajectory of the band's idiosyncratic approach in their creation of sound. The album showcases an uncompromising force of harsh post-industrial music narrated by overarching themes of condemnation and redemption; of violence, romanticism, sexuality, and addiction. Much of the creation and lyrical conceptualisation of the record has been stylised and presented using William S. Burroughs' cut-up method.

A wide variety of metals and raw materials were used in the creation of the album including metal grates, a rusted hoist, cement cylinders, field recordings, hammering of various decrepit objects, broken amplifiers, an exposed reverb tank, various synthesizers, and the infamous metal coil; a crudely self-constructed artifice that has become iconic in its use across KOLLAPS' triptych of releases and lengthy touring history in Europe, Australia, and New Zealand.

"Until The Day I Die" has had a tectonic shift in production methods compared to its predecessors and was entirely written, recorded, and mixed internally the self-constructed ILoveHeroin Studios built above a sculpture museum in Lugano, Switzerland. All instrumentation was handled by Wade Black except for bass guitar by Andrea Collaro recorded at Hangar 121 in Lenate Pozzollo, Italy on all tracks except "D-IX" and "I Believe In The Closed Fist", handled by Black, and additional sound design and percussion by Giorgio Salmoiraghi. 

Mastered by James Plotkin.
Cover artwork by Nullvoid (Thomas Ekelund | Trepaneringsritualen).

CD in 6-panel digipak || LP with full colour matt-laminate sleeve and printed inner lyric sleeve.

Out Now!

Track Listing:

1. Relapse Theatre (3:13)
2. D-IX (3:06)
3. I Believe In The Closed Fist (8:02)
4. Hate Is Forever (4:35)
5. The Hand Of Death (5:55)
6. Until The Day I Die (3:08)
7. Iron Sight Halo (5:35)

https://coldspring.co.uk/csr309cd
https://coldspring.co.uk/csr309lp

https://coldspring.bandcamp.com/album/until-the-day-i-die-csr309cd-lp

Digital: https://orcd.co/csr309cd

Watch the incredible video for 'I Believe In The Closed Fist': https://bit.ly/Kollaps-ClosedFist

Album Teaser: https://bit.ly/Kollaps-UTDID

https://soundcloud.com/coldspring/sets/kollaps-utdid


KOLLAPS:

https://kollaps-noise.bandcamp.com
https://www.facebook.com/Kollapsmusic
https://twitter.com/Kollapsmusic
https://www.instagram.com/kollapsmusic
https://coldspring.co.uk/kollaps

....................................................................................

KOLLAPS LIVE 2022

10/12: Laiterie - Strasbourg, FR ᚯ

ᚯ with She Past Away

Until The Day I Die

KOLLAPS Hate Is Forever

🌌 Italiano

✨ Un Viaggio Sonoro in Nuove Dimensioni ✨
La mia musica esplora i confini dell’elektro ambient, intrecciando paesaggi sonori futuristici e surreali con atmosfere sospese, ipnotiche e cinematografiche. Ogni brano è concepito come una porta verso una nuova dimensione del suono — uno spazio in cui tempo e realtà si dissolvono, lasciando emergere pura emozione e paesaggi sonori inesplorati.

🔊 Suoni metafisici, che evocano stati della materia, si fondono con voci mantriche, texture eteree e bassi profondi, creando un viaggio senza limiti attraverso universi sonori alternativi.

🌌 English

✨ A Sonic Journey into New Dimensions ✨
My music explores the boundaries of electro ambient, weaving futuristic and surreal soundscapes with suspended, hypnotic, and cinematic atmospheres. Each track is designed as a portal into a new dimension of sound — a realm where time and reality dissolve, revealing pure emotion and unexplored sonic landscapes.

🔊 Metaphysical sounds, reminiscent of states of matter, blend with mantric voices, ethereal textures, and deep basslines, creating a boundless journey through alternative sonic universes.

Wormhole

thats a cap ass bitch
all she do is cap ass bitch
all she do is cap cap cap ass bitch
all she do is cap like a fucking baptist 
im up in the building im sipping on ak bitch
i cant fuck no goofy ass mufucking catfish
if you is my bitch you bet not be no average 
got Givenchy on my kicks and diamonds 
on my damn wrist
and your bitch she did a split
she did it on my damn dick
if she keep on talking shit 
i told her look around bitch
all you see if fucking down
down down down bitches
all you see is fucking down down down 
down bitches
i dont got no fake bitches on my side b
if you is a fake you could end your life
got a glock 9 glock 45
if i told you once i could tell you twice
baby you so sexy open up your eyes
baby you so sexy open up your eyes 
oh
oh

DOWNBTCHES(tylo)

https://sainte-mort.bandcamp.com/album/kondiaronk
released November 3, 2017

Sainte-Mort - Summer String

Techniques Berlin - Damage

Lower Synth Department - Fashion Dreams

Lower Synth Department - I feel alive (when the pain calls me inside)(rehearsal take)

Track taken from Agent Side Grinder's third album "Hardware", released in 2012. Buy it here: www.agentsidegrinder.com.

Mag 7

From the album "Constant Depression"
More on https://venincarmin.bandcamp.com/album/constant-depression

www.venincarmin.com

It'Is Gonna Be Wild (Album "Constant Depression" 2020)

The music of the band is deeply influenced by and related to the experimental electronic music of the late 1970s and early 1980s, that was made in Sheffield by bands like The Future/The Human League, Vice Versa, Cabaret Voltaire, or by the formerly in Preston based musician Colin Potter and a few American avant-garde artists, pioneering in electronic music, like John Bender, etc.. Although the band is very careful in creating a minimal electronics sound, obviously appearing vintage in itself, it is produced in a hybrid way, by using analogous procedures and modern techniques of production as well. So in the end Lower Synth Department is concerned with post-minimal electronics so to speak.
 
The name of the band is related to at least three different references, which intercommunicate and therefore depict the sound of the band: first to the cold aesthetics of modernist, especially brutalist architecture, which conveyed and expressed a very dehumanized attitude to life from the 1950s till the 1960s, that still affected even the 1980s. Second, technically speaking, to the low frequency oscillator, which creates a rhythmic pulse or sweep and is often used to modulate synthesizers, delay lines and other audio equipment in order to create effects used in the production of electronic music, while the final reference derives from the band's name abbreviation.

Lower Synth Department - I feel alive (when the pain calls me inside)(rehearsal take)

Lower Synth Department

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