deceptively simple, sequenced phaser is lit and love vocal

Chernuha

Budi Kakav Si Nocu

New Neon - Super 8 Millimeter
...from the album 'Glamour Frenzy Moonlight Paris'

Super 8 Millimeter

VA Circuit D'Actes 2 / La Forme Lente LFL4 
A4

Get It!

MAKiNA GiRGiR - Vie Absurde

NO BUDZ - Tear Your Ear Out

bubbles_b2

Claus Fovea - Breathe (käfTen006 b)

Various - Circuit d'Actes (2) LP (2011 - La Forme Lente - LFL4)

SOLD OUT (Download it here for free or support us by buying it on Bandcamp)

12" black vinyl 33 1/3 rpm

Cutting on lacquers masterdisc, pressing and mastering by Magnetic Mastering (limited to 500 copies) www.magnetic.fr

Screenprinted sleeve by Le Dernier Cri (Marseille - Fr) www.lederniercri.org

Sleeve Art by svet_9 florenttissier.wix.com/camera-obscura#!

Insert by Paul Marique www.paulmarique.be

With inner black paper sleeve and outer transparent plastic sleeve

released 01 January 2011

-----

"All those who shouted cries in you are silent" Marina Tsvetaïeva - 1922

soundcloud.com/codes-4

B2 - :codes - Nekra Fylla

Cold Hands

Este track es de mis favoritos de NWT, y por eso decidí remasterizarlo.
La pieza nació como un experimento hace algunos años atrás, donde hemos mezclado letras de Joy Division como "Ice Age" y "Atrocity Exhibition" esta última en italiano, en una base rítmica con influencia HINRG, pero llevado a una esquina oscura, nostálgica y épica.
No fue fácil realizar algo que suena muy simple, pero que mezcla elementos aparentemente tan opuestos. 
Lo que si traté de mantener muy arriba es la bellísima y contundente sonoridad del Jupiter 8, Juno 60, Korg MS-20, Prophet 5, SH 101 y 
CR-8000, los cuales brindan la atmósfera y la actitud que soñé para 
este ejercicio.
Hemos disfrutado plenamente este resultado y esperamos
que lo disfruten por igual. Invitado Gustavo Sánchez.
Nobody Was There Mateo Lafontaine 2018®

2018

From A Distance (Remastered)

Lower Synth Department - So Nice

Csak állunk és várunk
de nem látunk fényt
Az áhított új nap
talán egyszer ideér

Egyfelé vezet az utunk
Egyfelé visz a cél
Várunk még, várunk még

Végtelen sebből
elvérzett kor
Védtelen lelkünkben
kétség tombol

Sötét ez a jövő
Halott ez a múlt
Érints meg minket, Fenomén!

Káprázat szülte
elképzelt kép
Nem volt és nem lesz
felhőtlen lét

Elöttem pereg a jövő
Mögöttem lángol a múlt
Állítsd meg az időt, Fenomén!

Sötét ez a jövő
Halott ez a múlt
Érints meg minket, Fenomén!

De miért ez az egész?
Miért, ha nincs tovább?
Ugye nem térünk vissza, Fenomén?


Fenomén

Ferdinand Cärclash - Fantasma Del Pasado

Goth-ful electro by the illustrious Dmitry Distant in trouble up by notorious vocalist & electro producerette Beta Evers. Comes with a rad Cestrian remix on the flip!

BAL004A Dmitry Distant - Delirious Pains (ft. Beta Evers)

Ruido De Motores Viejos

89st - Ruido De  Motores Viejos

From the Projet Marina album, 'Loin Des Dons Célestes'.

Available on 12" vinyl on New Sinister Bandcamp. 

Mixed by JF Le Coq
Mastered by WELLENCOCKTAIL Tonstudio & Musikproduktion

Image courtesy and © Matteo Bosi

Loin des dons célestes

Ecce Homo

Ecce Homo - Projet Marina (from the 12" Vinyl Album)

Don't say the time it's over gone
don't stay with defraud lies

Don't say grit made you down to ground
don't stay with your look pale

Don't say the lover dust the bone
don't stay with pain full love to brain

Don't say: "sweet fruit fill out your mouth"
stay with earthly Eve

Whets cocaine
whets cocaine
whets cocaine
whets cocaine
whets cocaine
whets cocaine
whets cocaine
whets cocaine

Ferdinand Cärclash - Whets cocaine

The music of the band is deeply influenced by and related to the experimental electronic music of the late 1970s and early 1980s, that was made in Sheffield by bands like The Future/The Human League, Vice Versa, Cabaret Voltaire, or by the formerly in Preston based musician Colin Potter and a few American avant-garde artists, pioneering in electronic music, like John Bender, etc.. Although the band is very careful in creating a minimal electronics sound, obviously appearing vintage in itself, it is produced in a hybrid way, by using analogous procedures and modern techniques of production as well. So in the end Lower Synth Department is concerned with post-minimal electronics so to speak.
 
The name of the band is related to at least three different references, which intercommunicate and therefore depict the sound of the band: first to the cold aesthetics of modernist, especially brutalist architecture, which conveyed and expressed a very dehumanized attitude to life from the 1950s till the 1960s, that still affected even the 1980s. Second, technically speaking, to the low frequency oscillator, which creates a rhythmic pulse or sweep and is often used to modulate synthesizers, delay lines and other audio equipment in order to create effects used in the production of electronic music, while the final reference derives from the band's name abbreviation.

Lower Synth Department - So Nice

Lower Synth Department

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