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Taken from the album "Stars Are Our Home."
Out now on Slumberland Records (US) and Sonic Cathedral (UK)

Order the digital download from iTunes: http://smarturl.it/bhb-itunes
Order the LP/CD: http://smarturl.it/bhb-album

more info: www.blackheartedbrother.com
Black Hearted Brother Official Facebook: https://www.facebook.com/blackheartedbrother

It was Alfred Bester, if I recall correctly, who called 'the stars my destination', in his brilliant novel of the same name from 1956. Long considered a libertarian science fiction classic, it's also notable for featuring one of the very first accounts of synaesthesia in English-language fiction. This might be drawing a particularly long bow, but the title of Black Hearted Brother's debut, "Stars Are Our Home", immediately brought Bester's book to mind – and there's definitely something of the synaesthesic experience about this album, overflowing with enraptured, glowing textures, flaring white light like magnesium, in consort with brilliant red-blue waves of psychedelia.

Of course, the first thing that might crane your head towards "Stars Are Our Home" is the group's membership: Neil Halstead, the éminence grise behind Slowdive and Mojave 3; Mark Van Hoen, an original member of Seefeel, subsequently working solo and as Locust; and Nick Holton, the main mover behind Holton's Opulent Oog, and member of Coley Park, who have released albums on Halstead's Shady Lane label. They had previously converged on Halstead's 2001 solo album, "Sleeping On Roads," though Van Hoen also co-produced Mojave 3's "Out Of Tune" (1998), "Excuses For Travelers" (2000) and "Spoon & Rafter" (2003), while Holton took up production duties for Halstead's "Palindrome Hunches" (2012). Van Hoen and Halstead go back much further still, to 1992, when they were in Seefeel and Slowdive respectively: 'Mark taught Neil much that was electronic and ambient music.'

You could hear that education bearing fruit with Slowdive's late-period masterpiece, 1995's "Pygmalion." In some ways, "Stars Are Our Home" echoes that album's experimental process, if not the outcome, as Black Hearted Brother are a very different, distinctive beast, often indulging in what Halstead, self-deprecatingly, describes as 'a lot of very long and indulgent space rawk.' And indeed, that space-rock drive is writ loud and clear on the album's opening title track, an instrumental bliss-out that navigates through ocean-tides of FX-drenched guitar. But there's a lot more to it: 'The idea was to just make a record that was in some ways "unedited",' Halstead continues. 'To not worry about a particular sound or style, but to just go with the flow. We all make quite focused records individually so, as Mark says, it's our "guilty pleasures" album.' That seems about right, except with "Stars Are Our Home," the outcome is no guilt, all pleasure.

'Neil and Nick had, I think, started a few months before they asked me to join the party,' Van Hoen recalls. 'I think they had a few songs on the go, and needed an extra hand to add a few funny noises and generally add to the chaos – or maybe bring some order to the chaos.' Van Hoen has picked up on the dialectical nature of "Stars Are Our Home" here, its "order" and its "chaos": it's a rich, compelling album full of unexpected twists and turns, at times overloading the sensorium with so much material you're drenched in noise, but it'll just as quickly flip back on itself and drift through a glazed-eye, agrarian moment of acoustic melancholy (see the start of "Time In The Machine", which, as if to prove my point, takes less than a minute to build into a clangorous, droning monster).

So, there's a whole lot going on in these grooves, and plenty of it's unexpected, or from unexpected sources. The trio plays fast and loose with what listeners might consider their pre-ordained 'roles'. 'Primarily the songs themselves were started either by Nick or Neil individually,' Van Hoen explains, 'but then edited, developed and generally messed around with and rendered almost unlistenable by either myself or the others. The roles were not always clear cut. Sometimes Nick would be playing keyboards and synths, and myself guitars.' Lyrics on the record feel like another texture, another layer: sometimes they're invocatory chants, sometimes Halstead's and Holton's voices are ghosted by electronic manipulation, as on "Oh Crust". Often there's more going on than at first glance, and an index of the album's lyrical concerns runs to 'romance, sci-fi, places to go on holiday, real UFO abduction, the duality in the meaning of words, lament for the loss of psychedelic freedoms by the masses…'

"Stars Are Our Home" is brave and beautiful, mysterious and resonant. Its experimental edges never forget the importance of the pop moment; the best way to bring people around to your way of hearing is to seduce their ears, and there's seduction plenty here, pure pop like "Take Heart", the Other Green World of "I'm Back", the closing driftwork that is "Look Out Here They Come". A real head-wrecker of an album. And what does the future hold? The trio speaks as one: 'Black Hearted Brother will grow and mature into something very sophisticated in the coming years. A kind of comedic-space-rock-dancehall outfit to define a zeitgeist for the 22nd century, if you like.' Ha, yeah – amen, brothers!

Black Hearted Brother - This Is How It Feels (Single Edit)

Monomen - Drum of glass

Taken from the 'Crystal' EP released on Sonic Cathedral 

Reunion Message

Nanami Ozone "NO" out March 15th, 2019 on Tiny Engines

Nanami Ozone - Something To You

call of the void | NEW ALBUM | OUT 16.11.18 | 
PRE-ORDER NOW: http://hyperurl.co/Lusts-CalloftheVoid

true romance

The Other Side Of Midnight

Miracle performed by Pinemoon - the second single from Pinemoons debut album (coming out in the fall 2019)

Miracle

The Competition

Two Faced Love

Taken from the EP of the same name, out 29th November. Pre-order on limited edition vinyl here - smarturl.it/PeelDreamMagazine

More info
Founded by New York City-based musician Joe Stevens in 2017, Peel Dream Magazine released their debut album, Modern Meta Physic, on the much loved and venerable American independent label Slumberland Records the following year, 2018.

Driven by a DIY aesthetic and initially very much a ‘home recording project’, their debut recalled the likes of Yo La Tengo and Unrest and harkened back to the early 1990s, when The Velvet Underground resurged as an inspiration to a new set of bands wielding synthesizers and off-set guitars.

Having only played their debut show in January 2018 the Up and Up EP, and forthcoming second album, reflects Peel Dream Magazine’s gestation beyond the bedroom delivering something more dynamic than Modern Meta Physic reflecting their new status as a 4-piece band. Recorded in part at a studio on the northern tip of Greenpoint near Queens, the tracks feature vocals from sometimes-band-member, collaborator, and friend Jo-Anne Hyun.

While channelling some of the droney, kraut-y repetitiveness of their debut album, the tracks however hide less behind a hazy veneer possessing a hitherto to unheard sense of immediacy which draw easy comparison with the likes of Stereolab or Broadcast.

Talking about the inspiration for the EP, Stevens said:

"Thematically, these songs are plucked from a big batch of material that deals with the ethics of popular music. I wanted to talk about the current popular music scene through the eyes of Bertolt Brecht, who warned that audiences become susceptible to mind-control when they take popular art at face value. The entire EP is like a little Brechtian play. Up and Up is literally about feeling manipulated by the theatre of crap art. It's about second-guessing the highs and lows you're told to feel. Our heartstrings can be pulled by anyone who really knows what they're doing, and its not a very nice feeling when you suspect that you're being taken advantage of. Oppressive political regimes ban free-thinking art because they don't want citizens to flex their brain muscles and question the status quo. In the song, I'm inserting myself between Brecht and his nemesis, Aristotle. I want to stand up for audiences everywhere, myself included."

Details of Peel Dream Magazines second album will be announced shortly.

Up and Up EP - final digital master MP3

Peel Dream Magazine - Novelty

"This Is Not the Indie Rock I Signed Up For" can be heard on Girl Friday's 2020 album Androgynous Mary smarturl.it/girlfriday_AM

Follow Girl Friday on Twitter: https://twitter.com/girlfridaytm
Follow Girl Friday on Instagram: https://www.instagram.com/girlfridaytm
Follow Girl Friday on Facebook: https://www.facebook.com/elgirlfriday

Two Faced Love

LowerDens

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