Product Demos

2 Barton BMC018 Analog Drum modules as kick drums.  First 10 seconds  is single drum then second BMC018 comes into mix.  Mix levels are slightly adjusted during demo.

Best listened to with a subwoofer.  HEADPHONES NOT RECOMMENDED

Barton BMC018 Kick Demo

Drip sound created by Lower West Side Studio's M401 Multimode Filter Resonator

- M401 is triggered (ping'd) by M712 Sequencer Sidecar's OR output.
- M401 1V/Oct coming from M710 Sequencer's CV output
- M401 CV Freq swept by Oakley Dual LFO triangle wave (slightly sawtooth'd)

Background sound created by Hexinverter Jupiter Storm through CGS77 Serge 73 VCF.

For more information visit http://lowerwestsidestudio.com

M401 Multimode Filter Resonator -Drip

Short demonstration of the M401 Multimode Filter Resonator and the CGS57P BI-N-TIC VCF Pro .

00:05 - Frequency on M401 being turned up
00:26ish - Wiggling M401 Resonance and Final Q
00:38 - Wiggling CGS57P Bandwidth, Damping and Feedback Level

For more information visit lowerwestsidestudio.com

M401 Multimode Filter Resonator - https://richsstudioproject.wpcomstaging.com/product/m401/
CGS57P BI-N-TIC VCF Pro - https://richsstudioproject.wpcomstaging.com/product/cgs57pro/

M401 MFR and CGS57P BI-N-TIC

Back beat created with Duo-Bop drum module and M401 Multimode Filter Resonator.

Poppy snare sound is pink noise from Q110 Noise module into M401.  The output of EG triggering the beat is attenuated and fed back to the CV Q input of the M401.

Filter settings are as pictured

No other effects are used to obtain that hollow, reverb-like effect..

M401 Pop Snare

Very basic test of a Moogah (Jeff Farr) SEM VCF.  This Oberheim work-alike is an excellent add-in for any MU format Modular Synthesizer.

The test was done using a Synthesizers.com Q106 VCO.  The Square Wave output was used, set at 16' and tuned to C2.  The Pulse Width knob was set to 5.

There are 4 samples in this file;  Low Pass, Band Pass, High Pass and Variable.  These are each of the outputs on the VCF.  The Resonance knob was set to the 3:00 position.  In terms of zero to ten (the panel has no numeric labeling) Frequency was swept from position 5 to 10 to 0 and back to 5.  For the Variable Output Control I started with the 12:00 position then repeated the tests at the 3:00 and 9:00 positions.

Module is available at: https://richsstudioproject.wpcomstaging.com/product/moogah-sem-voltage-controlled-filter/

Moogah SEM VCF

Inspired by Tangerine Dream this ambient track is great for driving in the sun.

Whiskey Business

This is a track Fizzbin recorded using a variety of different synthesizers and modular gear including;
Korg MS2000 w/Vocoder
Korg MS-20 Mini
Moog Sub 37
Yamaha Motif XF-6
SWAN Modular with components by - 
    Synthesizers.com
    Oakley Modular
    Cat Girl Synthesizers
    PAiA

and... some bitchin' guitar licks and drums

The track was mixed down in Reaper using tools by Native Instruments and Waves Audio at Lower West Side Studio

Particle Accelerator

Small improvisation in the Pink Floyd style on the OB6.

OB6 Floyd genre

Improvised Dark Ambient track performed live in studio in a single take with no edits.  Paul Stillwell (Intrepita) and David Sutherland.

Imaginarium

Sugar Sugar the archies

Oblivious of oblivion (Rumblin Cynth Rampo)

No I didn't smoke weed before recording this...
Prophet REV2 (sequenced bass line), Sequential OB6 (Strings/Brass), Minimoog D (melody), Univox SR-95 (rhythm machine)

Pot Problem

Demonstration of Lower West Side Studio's Oakley Discrete Ladder Filter.  This demo features 2 patches each featuring its own DLF

- Patch 1: MFOS VCO + Oakley VCO through DLF.  Modulated with Oakley VRG and wiggled live.

- Patch 2: Hexinverter Jupiter Storm through MFOS 8 Stage Phase Shifter through DLF through Q115 Reverb.  Modulated with 3 Hexinverter SympleSEQs and wiggled live

Both tracks ended were processed through a Yusynth VC Panning mixer and gently panned with a CGS114 DUSG.

Oakley Discrete Ladder Filter demonstration

Mainly using the OB6 for all sounds except doubling the bell lead with the flute sound from the System 8 (Jupiter 8 Lunar Breeze) at the end and the formant sound with the Waveaura patch on the JX8P.
The OB6 is so great sounding. It is hard not to use it for everything and I have to refrain from overuse. The other ingredient in this piece is the Klark Teknik 3rd Dimension BBD-320. A clone of the Roland Dimension chorus.

Gideon's Altar

Lower West Side Studio is a Canadian manufacturer of of MU format synthesizer modules.

Visit http://lowerwestsidestudio.com for more info...

Oakley Discrete Ladder Filter demonstration

Lower West Side Studio

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