what a loss, i still can't believe that we lost ryan... rest in peace ryan, you mean a lot for us

Luffley...got a touch of a Thom thing going on with yer voice wot?

paradise

The track 'Fuel To Fire' is taken from Agnes' new album 'Aventine' released 30th September and available to pre-order here: http://www.agnesobel.com

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Aventine

Fuel to Fire

'Dorian' is taken from Agnes Obel's second album 'Aventine'. Available here: http://www.agnesobel.com

Dorian

vox and casio. weird late night half assed attempt at a great song.

DANCING IN THE DARK (casio cover)

Agnes Obel's new single 'The Curse' is now available from iTunes: http://smarturl.it/thecurseitunes

The track is taken from 'Aventine' the new album out now and available order here: http://www.agnesobel.com

The Curse

The Danish-born Berlin-based singer-songwriter Agnes Obel landed a pan-European hit with her disarmingly beautiful debut album ‘Philharmonics’. After seven weeks at #1 in Denmark and hitting the Top 10 in both France and the Netherlands, the deluxe double CD version of the album will be released in the UK on May 2nd on Play It Again Sam.

Entirely self-produced and performed, ‘Philharmonics’ opens with the instrumental piano piece ‘Falling, Catching’ which sets the tone for Obel’s classically inspired songwriting. The next track, ‘Riverside’, flows with a depth of emotion embedded with further character by Obel’s love of combining her sweet melodies with carefully considered lyrics that evoke the song’s innate sound. ‘Just So’ works a similar trick, its blend of melancholy and optimism perfectly encapsulated into the opening line ‘Black turns beat me bright.’ Elsewhere, with ‘On Powdered Ground’, ‘Brother Sparrow’ or her interpretation of John Cale’s ‘Close Watch’, she melds different moods and atmospheres, all indelibly linked by the brittle majesty of her music.

The deluxe edition of the album adds a second CD featuring six tracks recorded at Obel’s recent acclaimed residency of sold-out shows in Copenhagen and five instrumental piano performances.

As a child, Obel was subconsciously guided into music by the influence of her mother and father, who would play and listen to a blend of the classical greats, folk music like Jan Johansson and the timeless sounds of Roy Orbison. After discovering the likes of Portishead and Elliott Smith as a teenager, she began writing her own piano-based songs, but it wasn’t until she moved to Berlin in 2006 that she began recording an album.

Many of the songs on ‘Philharmonics’ have subconsciously found an audience through their use in film and television. ‘Just So’ soundtracked a Deutsch Telekom advert, which gave Obel the unusual combination of having a song that everyone knew while having almost no profile as an artist herself. But soon opportunities presented themselves and continue to do so. One of Obel’s earliest breaks came when three of her demos featured in cult director Thomas Vinterberg’s film Submarino – ‘Riverside’ earned her a Robert Award (Denmark’s equivalent of the Oscars) for Best Song of the Year. Her music also reached a bigger North American and international audience when ‘Riverside’ was used in Grey’s Anatomy.

iTunes extended Obel’s profile further by requesting an exclusive release of ‘Philharmonics’ and highlighting Obel on the home page of their North American website. The attention of the press has been consistently positive with Vogue and culture magazine Telerama producing in-depth features in France, while Obel will also feature in both the North American and European issues of TIME.

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Agnes Obel - Riverside (Lulu Rouge Remix)

Aventine (Deluxe)

September Song

Field Of Dreams

holdon2me ( prod. miercoles)

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Greet Death

Low Roar - Give Up

Once in a Long, Long While…

St. Eriksplan

He Has Left Us Alone But Shafts Of Light Sometimes Grace The Corner Of Our Rooms

Stumble Then Rise On Some Awkward Morning

Early version of Without You from Once in a Long Long While by Low Roar. 
needed a SC upload

FOG (radiohead cover)

LOW ROAR

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