Progressive visual melodic

This demo was primarily created with the virtual instrument: "1969 Steinway Legacy Piano" - exclusively available at www.8dio.com

Music by Bill Brown

For licensing information go to: www.billbrownmusic.com

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©2014

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8Dio 1969 Legacy Piano: "In 1969" by Bill Brown

 demo track(All the work by takashikashikura)


Demodemodemodemo

This set primarily contains samples from 8Dio Upright Studio PIano - a deep-sampled Upright Piano virtual music software instrument (VST/AU/AAX) by www.8dio.com

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8Dio 1901 Upright Piano: "Towers" by James Everingham

Keyboard Track . Arr. Of The Jaco Tune Portrait of Tracy in 7/8 . Keyboard Fun. 



Andre Sims -Jaco's Portrait Of Tracy Arrangement 7/8 Keyboard track

On “X”, the members of Tribal Tech, Scott Henderson, Gary Willis, Scott Kinsey and Kirk Covington once again throw convention out the window, entering the studio without a set list of heavy arrangements. Instead each member brought musical sketches to the table and they turned on the tape machines and bravely set out to play together as a unit.

Scott Henderson, bassist Gary Willis, keyboardist Scott Kinsey and drummer Kirk Covington are each critically acclaimed on their instruments, culminating in a sound that is uniquely their own. As well, each artist keeps busy working on their own individual musical projects.

Tribal Tech have delivered perhaps the most phenomenal recording of their impressive 25+ year history as a band. This album embraces the group dynamic. Only when you have a rich band history forged by virtuoso musicians, can you achieve the kind of synergistic genius that Tribal Tech reach on “X”.

03 Time Lapse

ANDRES BEEUWSAERT  acoustic piano, voice, keyboards, Glockenspiel, guitar
JUAN PABLO DI LEONE picollo, flute & bass flute
FERNANDO SILVA cello, bass
SANTIAGO SEGRET bandoneon

guest:
GABRIEL GROSSI harmonica (11)
LOLI MOLINA voice (6)
PABLO PASSINI guitar, voice (11)
RAMIRO NASELLO flugelhorn (2,11)

Produced and arranged by Andrés Beeuwsaert
Recorded October 2010 by Juan Belvis at Los Elefantes Studio, Bs As, Argentine
Mixed by Andres Beeuwsaert at NSB Studio
Mastered at Steps Ahead Sound Mastering by Gustavo Fourcade

Released Dec 12, 2012
Céleste Co. Ltd

01 Pasan (Andrés Beeuwsaert)a Lea Freire

02 Salida (Andrés Beeuwsaert) feat: Ramiro Nasello

03 Chorinho (Lyle Mays)

04 Sonora (Andrés Beeuwsaert)

06 Reinicio (Andrés Beeuwsaert) feat: Loli Molina

07 Milonga Gris (Carlos Aguirre)

08 Entre a terra e a agua (Mário Laginha)

09 Vento Em Madeira (Lea Freire)

INICIO
Loli Molina: voz.
Victor Carrión: saxo soprano.
Juan Pablo di Leone: flauta en Sol.
Ezequiel Dutil: contrabajo.
Nico Cota: percusión.
Andrés Beeuwsaert: voz, piano, teclados,guitarra

DOS RIOS
Victor Carrión: saxo soprano, flauta.
Dana Najlis: clarinete.
Juan Quintero: guitarra.
Fernando Silva: cello, contrabajo.
Mariano Cantero: percusión.
Andrés Beeuwsaert: piano.

MADRUGADA
Loli Molina: voz.
Fernando Silva: cello.
Lucio Balduini: guitarra eléctrica.
Ezequiel Dutil: contrabajo.
Martín Lambert: cymbals.
Nico Cota: percusión.
Andrés Beeuwsaert: piano, teclados.

TRAS DE TI 
Loli Molina: guitarra (nylon).
Matías Zabaljauregui: guitarra eléctrica.
Ezequiel Dutil: contrabajo.

CARACOL
Silvia Perez Cruz: voz.
Ezequiel Dutil: contrabajo.
Matías Mendez: bajo eléctrico fretless.
Fernando Silva: cello.
Nico Cota: percusión.
Andrés Beeuwsaert: piano, teclados.

NAZUK 
Tatiana Parra: voz.
Victor Carrión: saxo soprano.
Fernando Silva: cello, contrabajo.
Andrés Beeuwsaert: piano.

A.M.
Fernando Silva: cello.
Andrés Beeuwsaert: piano.

LA MAMA VIEJA 
Hernán Segret: guitarra acústica.
Fernando Silva: cello, bajo 
eléctrico fretless.
Facundo Guevara: percusión.
Andrés Beeuwsaert: voz, piano.

NOCTURNA
Victor Carrión: saxo soprano, flauta.
Fernando Silva: cello, contrabajo.
Facundo Guevara: escobillas.
Andrés Beeuwsaert: piano, 
glockenspiel, cymbals.

UMBRAL 
Aline Gonçalves: flautas.
Fernando Silva: cello.
Andrés Beeuwsaert: piano.

ENCUENTRO
Tatiana Parra: voz.
Fernando Silva: cello, contrabajo.
Andrés Beeuwsaert: piano.

Bonus Track
12  ADAGIO 
Victor Carrión: saxo soprano, flauta.
Dana Najlis: clarinete.
Fernando Silva: cello, contrabajo.
Andrés Beeuwsaert: piano.

Todas las músicas arregladas y producidas por Andrés Beeuwsaert.

Grabado en Estudio Los Elefantes por Juan Belvis.
Grabaciones adicionales:
Estudios ION por Paul Acedo.
Estudios Fort Music por Norberto Villagra.
NSB Music por Andrés Beeuwsaert.

Mezcla y edición de audio en Pro Tools: Andrés Beeuwsaert (NSB Music).
Masterizado por Gustavo Fourcade en Steps Ahead Sound (abril 2009).
Foto de tapa: Andrés Beeuwsaert.
Hecho en Buenos Aires, Argentina, (2006-2009).




03 Madrugada (Andrés Beeuwsaert)

06 Nazuk (Mário Laginha)

07 A.M (Andrés Beeuwsaert)

11 Encuentro (Andrés Beeuwsaert)

One of the most formidable fretless electric bassists in the post-Jaco Pastorius era, Texas native and current Barcelona resident Gary Willis joins forces with Catalan keyboardist Albert Bover and Budapest-born drummer Gergo Borlai on this exhilarating take on the electric piano trio. Co-founder (with guitarist Scott Henderson) of the premiere fusion band Tribal Tech and former member of Wayne Shorter’s band, Willis and his highly interactive crew shift deftly from slamming funk (“Old School”) to percolating fusion (“Disconnectivity”) to aggressive swingers (“Change Agent,” ”Move”) while embracing quiet ballads (Paul McCandless’ “Amaryllis,” Milton Nascimento’s evocative “Tarde” or Willis’ aptly-titled “Dream”) with uncommon sensitivity and a lyrical touch. They also turn in expressive interpretations of the Lennon-McCartney classic “Norwegian Wood” and Bill Evans’ “We Will Meet Again.” And the album closes on a poignant note with Willis’ tasty, subtly reharmonized rendition of the Depression era standard “For All We Know,” a tune famously covered by the likes of Billie Holiday, Nat King Cole, Nina Simone and Donny Hathaway.

Says the great bassist of his impressive sidemen on Retro: “Gergo is an incredible drummer. I had done some playing with him in Budapest, and since he moved to Barcelona Albert and I have been able to work up some nice chemistry as a trio with him.
This new record is about us playing together. It’s not about big productions or anything, it’s just Rhodes, bass and drums. It’s a totally different direction from what I did last time (on 2007’s Actual Fiction, also on Abstract Logix). It shows what can happen when you just make it about the interpretation of the material and how we play together. And for that reason it’s maybe more personal than anything I’ve done before.”

From the modal opener “Change Agent” to the bubbling “Old School” (which recalls the old school funk-fusion of Herbie Hancock’s Headhunters) to the atmospheric “Tarde,” these three kindred spirits demonstrate a remarkable capacity to groove in loose-tight fashion throughout Retro. They collective burn through a labyrinth of chord changes on the uptempo romp “Move,” which is fueled by Willis’ urgent walking bass lines, and settle into on mellow accord on Oregon’s floating “Amaryllis” and a chill 3/4 take on the Beatles’ “Norwegian Wood.” Bover proves to be both a consummate accompanist and accomplished soloist from track to track while Borlai’s crisp, polyrhythmic pulse and supple brushwork fuel the proceedings. Willis’ virtuosic solo contributions here, particularly on “Disconnectivity” and “Move,” show why he is regarded as one of the most outstanding bassists on the scene today.

“I just wanted to feature the fun of playing together and the expression that comes out in this stripped-down setting,” says Willis of his fifth album as a leader overall and second for Abstract Logix. “Whatever direction it’s going, we’re going to try to get into it pretty deep.”  They’ve succeeded in brilliant fashion on Retro.

 

Progressive visual melodic

Lowstringer