Paid Reach-Faird trade dark (68)Kassem Mosse-7am Pearson Sound played it often back in the days! (76)Kassem Mosse-Aluminosilicate Mirrors (83)Fit Siegel& Kassem Mosse-Saboten (87)Kassem Mosse-Untitled (93)Kassem Mosse-578 (100)Kassem Mosse–MPCDEEPLIVEDIT

what a mix!!! KM is the best, also is LOWTEC <33

Thanks to @dj-bigos https://www.mixesdb.com/w/2023-02-02_-_Lowtec_-_Kassem_Mosse_Needs_to_Feel_Mix

I was goner skate today but after listenimg to this i want to make music. KM is ✊

https://soundcloud.com/dynamo-dreesen
https://soundcloud.com/finn_johannsen

TASCAM DR-40

2022-12-03 Live At SUED Release Party (Dynamo Dreesen, Finn Johannsen, SVN)

Our friend in Berlin, Flørist, also known as his moniker Pavilion, sent us a special one. It’s an hour-ish mix of a few vinyls he collected over his summer travels. Chuggy, bouncy, some great basslines, spiritually it’s somewhere between the pacific west coast and Anjuna Beach. Enjoy your trip.
Thank you all for listening to our mixes this year. Stay warm, and see you again next year!
@fl-rist

DREAMING 018 : Flørist

PLO Man @ The Lot Radio 01 - 23 - 2023

On the occasion of the release of WORKSHOP 32 LP I put a mix together with some of my favourite KASSEM MOSSE tracks. Enjoy the ride...
x
LOWTEC

WORKSHOP 32 INFO
by Pjotr Jezernitski
Stripped back and bony funk. The residue and distant memories of a party.
Closing your eyes, still not dark. A lighting rig under your lids. A night lasting 20
years, falling asleep with your favourite song on repeat. The deconstructed,
untangled memory lingers in your system. What you hear are the remnants of a
social gathering and its body movements.
KMOS. The fog machines are gone, the free deconstructed thinking laid out bare.
Fourth album. The white noise funk still here, 4 to the floor and gnarly basslines.
The jazz but the tight, the funk but the taut. The austere but the flow. The
instruments, sinuous and intricate. The deconstructed dancefloor. Sawed up bits,
sawed up pieces. The drums the strings the claps the sharpness. Rearranged,
picked apart. organized for a new day. A new idea. A new blueprint. A brave
new clear elusive promise. The love in the strict. The strict but the mess. The strict
but the lie. A promise.
Drifting through a sleepless world. The rent, the eyes, the mirror the scrolling the
daylight, and the gravel in your eyes. Sounds of endless nights long lasting days,
reality and visions, blurred and frazzled. The eavesdropping the neighbour the
conversations the sleep. The fear and the joy and the new that I project onto you.
The loopy sound of sirens. The joy of the sun. The field, the horizon, the light, the
smoke. Xeroxed memories are now our new. The love the dream. The sleep the
wake. The wish the longing. The promise the fear. What once was promised
We will reclaim

03.02.2023

KASSEM MOSSE NEEDS TO FEEL MIX

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

As the world tosses and turns, continuously coping with loss and burns, we continue to take and churn. It’s a full-time job living inside of a bubble, inside of a bubble, but we do it well, and boy is it nice here. Let’s take a moment and appreciate the space we have created for ourselves and the people that make that possible, one of those people for me is our next guest, Maryos Syawish, one half of Sleep D, f.k.a Sleepy Dino, and one of the founding member’s of Butter Sessions Records. 



I think the best place to start with Maryos is at the beginning, the beginning being the one love forums (tip of the hat;)) "frAnk" (cannot disclose real name due to legal issues) as he was called used to trawl the forums like he was Tank from the matrix, collecting every bit of vital information (I.e peak 08 -10 bangers), which would ultimately set him on his path to musical enlightenment and thus creating the foundations of the omnipresent ‘Butter Sessions’. Bringing underground Australian electronic music not only into the present but pushing it forward into the future. Where we used to follow, we now lead. Watching Maryos go from strength to strength over the last 15 years has been nothing short of inspirational, the amount of work Maryos and Corey (the other member of Sleep D/Butter sessions) have put into refining their craft and creating something truly amazing. Butter Sessions has been such an incredible platform for the Australian scene, carving out a place for all of us to call home, championing the local scene on a worldwide stage. They’ve come a long way from train-wrecking mixes at miss libertines all those years ago. Amazingly, Maryos has stayed humble this whole time, weird I know, but I’ve tested it time and time again. In an effort to fully embody the idea of being an artist, Maryos sunk himself into the graphical element in a heavy way, through pure ‘fuck around and find out’ he has established his own way of doing things via album artwork, poster design, logo development, and even sculpture work, and no one should be surprised that his work is beyond exceptional (I know sweet fuck all about art, but I do know what I like). Maryos’ star will continue to shine bright for many years to come and I cannot wait to see all the multifaceted fruitions. 



Keeping with the theme of ‘exceptional constructs of site and sound’ Maryos has delivered an interstellar submission. Fully embracing his middle eastern roots through a modern bypass and technical finesse, producing something that truly taps straight into the soul. Layers upon layers of perfectly structured sonic explorations, laced with haunting vocals and rhythm-based static, resulting in this beautifully melancholic love letter from the other side of the world. The mix dips and trip’s in and out of consciousness via waves of absolute hypnotism to put you under, then come the big hits from reality-driven synths to bring you back up for air. Maryos has created something truly powerful and moving here and it’s an honour to be able to bring this into the world. This is the point you take the red pill (not the one with the Mitsubishi logo on it).

Be kind to yourself. X 

his sounds >>>> https://soundcloud.com/sleepd

FHUO # 81 // Maryos Syawish

Manchester's Jon K explores the spaces between monthly for 120 mins.

https://www.nts.live/shows/jon-k-presents-peking-spring/episodes/jon-k-presents-peking-spring-14th-february-2023

Peking 313 / Detroit Techno - The Soul Of Resistance w/ Jon K 140223

On 11 June 2022, we had PLO Man and Hashman Deejay at Club Daphnia in Osaka. Our 20th mix is a part of their B2B live at that night.

DREAMING 020 : PLO Man & Hashman Deejay Live @Club Daphnia - 11 June 2022

The chop of Cousins guest mix on Otologic Monday Morning program - Stream the full show on NTS with great selections from @otologic in the first hour.

https://www.nts.live/shows/otologic/episodes/otologic-10th-april-2023

Underwater Photograph By Sherry Zheng

NTS Radio - Otologic w/ Cousin (10/04/23)

For Trushmix 206 LNS and DJ Sotofett are back!  This time in full effect as a joint force. A mix they originally did for Bleep, called "The Reformer Mix Vol. 1". This is one hour of extravagant mixing, vinyl and edited into a exciting and genre spanning trip, full of energy and strong twists. As the artists states themselves:

For "The Reformer Mix Vol. 1" we wanted to change it up a bit from our other mixes that are either straight forward, or live recorded in the club. We used two Technics 1200's and recorded a longer mix session, then edited everything down, mixed in live overdubs with turntables, added vocoder melodies, and also a proper amount of shout outs. The idea was to present a highly condensed mix that still has the raw live feeling we love from playing records in the club. With more than 30 tracks in about 55 min we're using some of our favourite cuts, moving through our biggest influences from House, Techno, and Electro, mixing all with a solid base in Hip-Hop. 
- LNS & DJ SOTOFETT, March 2023

Enjoy this mix!
Music from the top!

Trushmix.com

Trushmix 206 - LNS & DJ Sotofett "The Reformer Mix Vol. 1".

In SZ’s own words: I’m pleased to present a lil’ slice of my nearly 7hr set from No Way Back 2022.  A wild ride that began with Vangelis and somehow meandered onto the CISCO hold theme?

NWB, by far, is my favorite room to play as I get to truly stretch out and see all my friends at once. Year after year. A humble ty to everyone for letting me do my thing. Whatever the hell it is. If you ever figure it out, pls let me know. 

I hope to share a dance w you all v soon — Love is the message

KASSEM MOSSE NEEDS TO FEEL MIX

lowtec

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