"...Ich bin ein so winziger Teil eines großen, schönen Prozesses, den kein Mensch versteht..."
"...I am such a tiny part of a big, beautiful process that no human understands..."

ODD MAN OUT MIX #5

https://www.nts.live/shows/fergus-clark/episodes/fergus-clark-22nd-august-2022

Fergus Clark 220822

@acolourfulstorm label boss Moopie presents two hours of music each month, connecting the dots between club cuts, weirdo experiments, indie sensibilities and more.

Tune in for A Colourful Storm every 4th Thursday of the month, from 00h to 02h [CET] on rinse.fr

Rinse France Podcast

A Colourful Storm with Moopie and Lena Willikens - 03 Novembre 2022

https://soundcloud.com/dynamo-dreesen
https://soundcloud.com/finn_johannsen

TASCAM DR-40

2022-12-03 Live At SUED Release Party (Dynamo Dreesen, Finn Johannsen, SVN)

The recording of what was heard the morning of October 22nd 2022 at Have A Nice Day, Berlin.
Much love and respect to @the-nation for making this possible.

H.A.N.D. Have A Nice Day - TRAXX (Nation) live recording Oct 2022 (part1)

Intergalactic Gary @ The Lot Radio 01 - 02 - 2023

Manchester's Jon K explores the spaces between monthly for 120 mins.

https://www.nts.live/shows/jon-k-presents-peking-spring/episodes/jon-k-presents-peking-spring-14th-february-2023

Peking 313 / Detroit Techno - The Soul Of Resistance w/ Jon K 140223

Cosmo Vitelli & DJ Sundae head up the monthly hour-long slot for No Weapon Is Absolute, direct from Paris...

https://www.nts.live/shows/no-weapon-is-absolute/episodes/no-weapon-is-absolute-5th-april-2023

No Weapon Is Absolute w/ Interstellar Funk 050423

Roza Terenzi - zzonked out stargazing

The Toronto producer eases in with a tranquil blend of fresh Australian electronica.

Interview with @cl_lit:

melbournedeepcast.net/portfolio/ciel/

About the mix:

"I had toured for the first time in Australia late 2018 and it made a massive impression on me. In many ways, it reminded me of a warmer version of Canada. People were incredibly kind and welcoming and I was blown away by the hospitality the promoters and local artists showed me. I also absolutely adored the incredible nature I saw in Australia, having played in Hobart and Brisbane and Melbourne and Sydney and Adelaide and Hopkins’ Creek Festival in a volcanic crater, I fell in love with the landscapes I saw and the animals local only to this part of the world. So when I first sat down to think about this mix, the bushfires had just started raging and the news was beyond depressing to see. Everywhere I saw online was just videos and pictures of burned animals and ash that was once blooming flora & fauna. A fan from Australia sent me a DM on IG, telling me how my song “Terracotta”, as it’s a track that talks about the sea and land, was able to give them a lot of peace during a time that was anything but.

And so I decided I wanted to make a mix that not only paid tribute to this incredible music scene and country and its amazing artists, but was musically able to provide a sense of solace to people who perhaps feel hopeless about our time on this planet. That is partly why I began the mix with music by indigenous tribes from East Timor—as “modern” people it’s sad to see that we’ve lost touch with the roots of our life on this planet as we know it, and I think we have so much to learn from indigenous cultures and their respect for mother nature. I also chose a lot of dub music, and music that featured lots of organic drums for similar reasons, as these styles of music owe as much to indigenous folk music as they do to modern electronic music. Ultimately I wanted the mix to feel like slipping into a warm bath. Hope it was successful. 🙂"

www.melbournedeepcast.net

Read the interview

MDC.238 Ciel

“For Scott Zacharias’s No Way Back: Streaming From Beyond set we asked him to bridge the 24 hour continuous NWB into the Outer Space room, coming on directly after Mozhgan’s deeply mesmerizing set. At the physical event, No Way Back has 2 rooms. The No Way Back room, and the Outer Space room. Scott has a unique function unseen anywhere else in the world, coming on at dawn in the Outer Space room after a night of ambient and experimental music, taking an audience that is often laying on the mats on the floor in a blissed out state, and elevating them first in mind, and then in body as he channels his own freeform take on the sleaze tradition. He starts formless and then begins to bring in compelling and psychedelic gems, inching the tempo up so slightly over the course of many hours until the whole floor is pulsating in an under 110 bpm heaven. After nights of major psychedelic experiences, this allows for a kind of mental freedom. This is so crucial, the weekend is a marathon, and you come in to hear Scott to be recharged, it is food for the mind and soul, as he goes from ambient to everywhere you need to be. For the stream, we asked our favorite dharma bum to do this in reverse, since it was a one room stream, starting with NWB and ending in Outer Space, he began with the deep groove and slowly disintegrates it into oblivion, leaving you in Outer Space as only he can. We asked for a 3 hour set and got 4 hours, and we couldn’t edit one out, it's just too pure.” — BMG

video: https://youtu.be/iIoy4x8USF8

No Way Back: Streaming From Beyond

A 36+ hour take on No Way Back, with 24 hours of the No Way Back room residents and 12+ hours of the Outer Space room immediately following. An excess of the mindmelting wormhole dance experience followed by many hours of floating in space and beyond. When we considered podcasting some sets, we decided to just release them all, one week at a time, in an order different than their original broadcast, with the concept of bringing further ideas with the continuum to light.

For us the toughest moment of the pandemic shut down was the thought that we could not gather on Memorial Day weekend for our annual rite of No Way Back. We need our community now more than ever, to connect and to feel free, in a world of shifting real and unreal realities, sequestered in isolation, how can we get together? Time feels different now, we have more patience for everything, so we applied that space for exploration to the sets at No Way Back, extending them to 3 hours so the DJs can fully explore their ideas.

The Electrifyin' Mojo would say "if you reach the end of your rope, just tie a knot and don’t let go" and this stream and podcasts are our knot. This was the first ever NWB without a defined space, without the transformational art of Amber Gillen and crew, let's hope we can get together in the future safely. Grab a little bit of netting or a parachute, turn on some red lights, move into another dimension. Please stay safe and live to dance another day.

ODD MAN OUT MIX #5

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