[VR003] "Come Round" is available to download here: https://visceralityrecords.bandcamp.com/album/life-model-come-round

Limited edition cassette can also be pre-ordered for a January 27th release. Comes with newly recorded b-side "East Coast" (online Jan 20th): https://visceralityrecords.bandcamp.com/album/life-model-come-round

Life Model online: 
facebook.com/lifemodelmusic
twitter.com/lifemodelmusic
http://lifemodelmusic.com

Life Model - Come Round

ne of Chicago’s brightest new bands, Lightfoils pushes the shoegaze genre into new territory. Formed in 2010, the band is comprised of Neil Yodnane and Zeeshan Abbasi on guitars, Jane Zabeth on vocals, Cory Osborne on bass and John Rungger on drums.
 
Lightfoils mean business. Building on the promise of their EP, Hierarchy arrives and does not disappoint. “Polar Waves” welcomes you with guitars that chime and ring, before the track slowly lifts you blissfully into space. Immediately following is “Last One”, which seethes with a simmering intensity and propulsive rhythm section, and you’re hooked. Only two tracks in, Lightfoils already own your soul.
 
Hazy soundscapes, ringing guitar, icy synth, feather-light vocals, and actual compelling tunes, Lightfoils use Hierarchy to serve notice: their EP was no fluke, and they will no longer be ignored. If you’re new to Lightfoils, drop the needle on “Diastolic”, “Last One”, or the strangely compelling “alovetodestroy” and you’ll begin to understand what all the fuss is about. But there’s more than just three tracks to this album. Once you get inside, it’s a beautifully rich and textured world to explore.

Lightfoils - Passage

"The Jangling Man", from Number Thirteen
Cleaners From Venus Vol. 3 4xLP/CD Out 6/24!
Preorder the LP Box: http://www.capturedtracks.com/shop/_ct-release/ct-202-203-204-205-cleaners-from-venus-vol-3-vinyl-box-set/
Preorder the CD set: http://www.capturedtracks.com/shop/_ct-release/14113/
Individual LPs:
Living with Victoria Grey: http://www.capturedtracks.com/shop/_ct-release/ct-202-cleaners-from-venus-living-with-victoria-grey-lp/
Number Thirteen: http://www.capturedtracks.com/shop/_ct-release/ct-203-cleaners-from-venus-number-thirteen-lp/
My Back Wages: http://www.capturedtracks.com/shop/_ct-release/ct-204-cleaners-from-venus-my-back-wages-lp/
Extra Wages: http://www.capturedtracks.com/shop/_ct-release/ct-205-cleaners-from-venus-extra-wages-lp/

Cleaners From Venus // The Jangling Man

From the forthcoming debut album 'Lowtide' -
Out Friday 18th July 2014 through Lost & Lonesome

Album Tour Dates:
Melbourne | Friday 25th July 2014 | The Tote
Adelaide | Saturday 2nd August 2014 | The Metro
Sydney | Friday 8th August 2014 | Roller Den
Brisbane | Saturday 6th September 2014 | 2pm Tym Guitars Instore & 8pm Brightside w/ Roku Music, Cassette Cathedral, and Kigo

lowtidemelbourne.bandcamp.com/
www.facebook.com/pages/Lowtide/153003311393665
www.lostandlonesome.com.au/


Held

Side A

https://www.youtube.com/watch?v=XN8UkYnsvn0 : )

7" Vinyl and digital release through Häxrummet Records available on Bandcamp: https://starhorse.bandcamp.com/album/slower-now

Slower Now

Evelyn

Please confide in me
I'll be your shade
I'll turn to ash
To remind you
That you're alive

Evelyn, talk to me
About what it's like to be loved

You're trying to find
Some comfort in this strange embrace
We can drain 
All the bad blood in your veins

Evelyn, talk to me
About what it's like to be loved

Evelyn (feat. Blush Response)

The City Gates  Checkpoint Charlie

Honey

From the Big Swell EP. Find the rest of the tracks at https://visitingdiplomats.bandcamp.com

Music and Lyrics by Sarah Van Horn and Michael Lynch 

Sarah Van Horn: Vocals 
Michael Lynch: Guitar, Bass, Trumpet, Vocals 
Andrew Sherbondy: Drums 

Mixed by Colin Christian @ Wires and Noise 
Mastered by Justin Weis at Trakworx

Big Swell

Buy on

Let Go

Recorded and Mixed by MJ [Hookworms] at Suburban House Studio
Mastered at Blank Studios

Available on 7" [black vinyl]
Purchase here: http://bit.ly/2BmLdto

Band Contact: whoaredose@gmail.com
Artwork: Peter Williams

Furniture

Peel Dream Magazine is the musical vehicle for NYC's Joe Stevens, who launched the band in 2018 with the critically acclaimed album "Modern Meta Physic." With it Stevens created a mysterious, liminal tribute to the hazy end of ‘90s dream-pop – a masterful mix of first-class songwriting precision and train-window sonic impressionism that duly found its place on numerous "Best of 2018" lists.

After 18 months of writing and live shows with a shifting cast of band members, Peel Dream are back with "Agitprop Alterna," an album that pushes the group's dreamy, motorik-heavy sound to a deeply melodic and beautifully discordant place. The album pays homage to a strain of mod-ish U.K. pop that spans early My Bloody Valentine and Talulah Gosh, up through early Stereolab, Belle & Sebastian, and even Broadcast. It's also indebted to stateside pop bands that were cut from a similar cloth -- Rocketship, Lilys, Yo La Tengo, and even "Nevermind"-era Nirvana.

Where the creation of "Modern Meta Physic" was a solitary pursuit, "Agitprop Alterna" found Stevens channeling the collaborative spirit of the band's ever-rotating live incarnation in the studio. The album is ultimately defined by the tension of difference: between itself and its predecessor; intertwined male-female vocals; the music's languid dreaminess and concrete sonic immediacy.

Deeply rooted in the Brechtian ideas of art as a tool to spur action, "Agitprop Alterna" deepens the connection between the existential and the interpretive first explored on "Modern Meta Physic," giving the listener space to find their own meaning in shimmering guitars, fuzzed-out synths, and buzzing organ drones. It is a rejection of manipulation in all its forms and a buzzsaw against complacency – soft-focus pop whose clear-cut message is that you get to decide the message. It's a rare trick to agitate without being obvious: perhaps that makes "Agitprop Alterna" the most Peel Dream Magazine-like statement yet.

Held

Lowtide

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