woow, these synths are absolutely stunning 💗 in love! ✨

interesting track very lively ambiance [via https://sc.repostexchange.com]

Nice work with the vocals where did you get them from

The vibe is insanely good, this is feels very cinematic. I really like the progression throughout the track with the synth carrying everything until the end. High quality stuff!

#ambient #electronica #dj #downtempo #chill #chillout #chilled

NAKED DANCE Ian Parker

Meditative ambient music to unwind.  
Aphex Twin + Brian Eno inspired.

Room 501

My new collection: something nearest to be called an album. 
Mixed moods from dynamic to contemplative in a warm main context.

Enjoy!

Starry Sand

This is a cover of the song Blinding Lights by The Weeknd featuring Evan Parrish of Rock Island

Blinding Lights (feat. Evan Parrish)

The Night Delight (16042021)

Looney Tunes
Duration: 16'
For More Information: https://robertpaterson.com/looney-tunes
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1428
Perusal Score: https://issuu.com/robertpaterson/docs/looney_tunes_-_fs_bound_perusal

Instrumentation: flute (doubling piccolo), alto saxophone (doubling baritone sax), violin, cello, electric guitar, electric bass guitar (not acoustic contrabass), percussion (drumset, bongos, xylophone, amplified Udu drum and misc. small instruments) and piano (doubling synthesizer). All players doubling misc. small percussion instruments, bird whistles and sound effects.

PROGRAM NOTES (SHORT VERSION FOR PROGRAMS)
(Long version: http://robertpaterson.com/looney-tunes)
In Looney Tunes, each movement uses a specific well-known cartoon character as a musical influence and point of departure. The first movement, Taz, is inspired by the Tasmanian Devil character and plays upon all of Taz’s traits with loud, dissonant outbursts, gyrating transitions, quiet, reflective sections and a few references to his attraction to music. The second movement, Foghorn Leghorn, is inspired by this character’s loud, vocal disposition. The ‘Foghorn’ part of his name makes me think of real foghorns, and a foghorn-like interval begins this low-sounding, baritone sax-heavy movement. The third movement, Tweety Bird, provides contrast with a somewhat high tessitura and includes prominent parts for piccolo, violin, xylophone and alto sax. Although the entire movement only abstractly references the animated Tweety, I try to make all of the high instruments sound bird-like from beginning to end. Two of my favorite cartoon characters of all time are the Road Runner and Wile E. Coyote, so it seemed appropriate to end the work with a fastRoad Runner movement. I have always been fascinated by the seemingly infinite array of ACME inventions the Coyote uses to try and capture the Road Runner, and the last movement reflects this and incorporates a number of exotic, gizmo-like sounds and instruments.

Guerilla New Music

Looney Tunes - IV. Road Runner

10 - Goodnight

Ambient ethereal soundscape celebrating Sci-Fi from the past, present and future.

NEXUS 22 LIFE UNDER GLASS

Yadrutas Worromot

Roswell

stupefy
mesmerize
spellbind
induce
lull
control

Destroy

Mind Control

Very obscure electronic music composer from Europe. Mostly brings forth ambient, edm, chillwave with rare offerings of classical ♬
Follow me:
https://open.spotify.com/artist/0IU5KRakrRP8wrIEohlGR1

Mind Control

LPa7

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Nado

JGSHD

Cohds

Aimée Britannia

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