들국화 1집

김현식 - 가리워진 길

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Download the EP. https://peacocks-tale.bandcamp.com/album/another-side-of-the-freewheelin-bobbed-peacock-the-peacocks-sing-dylan

WRITTEN BY: BOB DYLAN
 It ain’t no use to sit and wonder why, babe
 If you don't know by now.
 An’ it ain’t no use to sit and wonder why, babe
 It don't matter anyhow.
 When your rooster crows at the break of dawn
 Look out your window and I’ll be gone
 You’re the reason I’m trav’lin’ on
 Don’t think twice, it’s all right
 
 It ain’t no use in turnin’ on your light, babe
 That light I never knowed
 An’ it ain’t no use in turnin’ on your light, babe
 I’m on the dark side of the road
 Still I wish there was somethin’ you would do or say
 To try and make me change my mind and stay
 We never did too much talkin’ anyway
 So don’t think twice, it’s all right
 
 It ain’t no use in callin’ out my name, gal
 Like you never did before
 It ain’t no use in callin’ out my name, gal
 I can’t hear you anymore
 I’m a-thinkin’ and a-wond’rin’ all the way down the road
 I once loved a woman, a child I’m told
 I give her my heart but she wanted my soul
 But don’t think twice, it’s all right
 
 I’m walkin’ down that long, lonesome road, babe
 Where I’m bound, I can’t tell
 But goodbye’s too good a word, gal
 So I’ll just say fare thee well
 I ain’t sayin’ you treated me unkind
 You could have done better but I don’t mind
 You just kinda wasted my precious time
 But don’t think twice, it’s all right
Copyright © 1963 by Warner Bros. Inc.; renewed 1991 by Special Rider Music

Reprising our Joan'n'Bob act ( see Diamonds and Rust Gareth-calway – Diamonds-and-rust) with a return fixture, Bob's trademark protest song against one of his early women. His second album but the first to feature a more or less complete sweep of his own songs, unlike the first which mainly showcased him as a performer of other people's. In other words, the real Dylan. Who was the discarded lover? Some internal evidence suggests this may even be pre-New York with its rustic setting of roosters and dark roads and sense of setting out and travelling' on in which case it might be a memory of some Mid Western affair rather than Suzi Rotolo but who knows. "You just kinda wasted my precious time" is pretty damning but mild compared to some of his later accusations and restless attacks on whoever was upsetting him at the time. We both bought this album about 8 years after it came out probably on the strength of Blowing in the Wind as one of those must have vinyl classic albums from one of the masters of folk rock and Americana and fellow architect of the 60s (with the Beatles) first heard as children but now understood as teenagers and were sent back to it recently by the brilliant film about Dylan's early years (up to 1966) 'A Complete Unknown' which ends with him roaring away from Pete Seeger type folk on a rocknroll motorbike. Around the time of Hendrix there was a rumour that Dylan couldn't really play guitar but made up for it with a unique dramatising voice and the poetry of the lyrics but one listen to the original will banish that thought: his guitar picking (honed by all those folk club performances) is astonishingly good and drives the song.. And contrary to most people's recall, this is not a solo track but has a band behind him playing drums, two bass guitars, piano and a second guitarist. Our version concentrates on the heart-yearning pretty tune. We have a female lead vocal, bass, percussion and add some vocal layers. On the liner notes Dylan protests that it isn't a (slow and easy going) love song. And so of course that's exactly the way we do it.

Don't Think Twice It's All Right (Dylan)

이제는 모두 돌아가 제 자리에 앉는다 
불타는 열정에 가리워졌던 고운 얼굴들어 미소를 보내는 시간

떠나간 착한 연인들 서로 안부를 묻고
다락방 전설이 끝나기 전에 그리운 손을 잡고 고맙다 인사를 하네

해는 유리 거울로 달은 그림자 너머 별은 벌거벗는 이 가슴에
깊어지라고 더 깊어지라고 평화롭게 반짝이면서 안으로 뜨네

사랑, 아름다운 길 용서를 만드네
드높은 하늘 모든 것 이해하며 감싸 안아주는 투명한 가을날 오후


이소라 - 가을시선

봉우리 - 김민기

사람들은 손을 들어 가리키지
높고 뾰족한 봉우리만을 골라서
내가 전에 올라가 보았던 작은 봉우리 얘기 해줄까?

봉우리
지금은 그냥 아주 작은 동산일 뿐이지만
그래도 그때 난 그보다 더 큰 
다른 산이 있다고는 생각지를 않았어
나한테는 그게 전부였거든

혼자였지
난 내가 아는 제일 높은 봉우리를 향해 
오르고 있었던 거야
너무 높이 올라온 것일까?
너무 멀리 떠나온 것일까?
얼마 남지는 않았는데

잊어버려
일단 무조건 올라보는거야
봉우리에 올라서서 손을 흔드는 거야 고함도 치면서
지금 힘든 것은 아무 것도 아냐
저 위 제일 높은 봉우리에서 
늘어지게 한숨 잘 텐데 뭐

허나 내가 오른 곳은 그저 고갯마루였을 뿐
길은 다시 다른 봉우리로
저기 부러진 나무등걸에 걸터앉아서 나는 봤지
낮은 데로만 흘러 고인 바다
작은 배들이 연기 뿜으며 가고

이봐, 고갯마루에 먼저 오르더라도
뒤돌아서서 고함치거나 
손을 흔들어 댈 필요는 없어
난 바람에 나부끼는 자네 옷자락을 
이 아래에서도 똑똑히 알아 볼 수 있을 테니까 말이야

또 그렇다고 괜히 허전해 하면서
주저앉아 땀이나 닦고 그러지는 마
땀이야 지나가는 바람이 식혀주겠지 뭐
혹시라도 어쩌다가 아픔 같은 것이 저며 올 때는
그럴 땐 바다를 생각해
바다

봉우리란 그저 넘어가는 고갯마루일 뿐이라구

하여, 친구여 우리가 오를 봉우리는
바로 지금 여긴지도 몰라
우리 땀 흘리며 가는 여기 숲속의 좁게 난 길
높은 곳엔 봉우리는 없는지도 몰라
그래 친구여 바로 여긴지도 몰라
우리가 오를 봉우리는

김민기 - 봉우리

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