Featuring the hi hat voice on the Pulsar 23.

Cuvette

Short bit of band practice with the Pulsar 23 from SOMA Electronics.

Electroplating

Same chords as a previous upload and probably the same tempo, but an all new iteration.

OM Work

Hybrid Orbital

Calorimetry

Post Transistion Metals

Acidulant

March Fourth

Sequencing with Squarp Pyramid and recording live direct to track with SONY PCM-D50.  No DAW was used.

Stereoisomer

Live direct to two-track snippet of a longer sequenced improvisation.  The Squarp Pyramid is the fulcrum of the endeavor.

Delocalization

I could spend more time finessing this in a DAW, but what's the use?  Rather record live to two track and be done with it.

Denticity

Raoult's Law

"We have also sound-houses, where we practice and demon-strate all sounds and their generation. We have harmony which you have not, of quarter-sounds and lesser slides of sounds. Divers instruments of music likewise to you unknown, some sweeter than any you have; with bells and rings that are dainty and sweet. We represent small sounds as great and deep, likewise great sounds extenuate and sharp; we make divers tremblings and warblings of sounds, which in their orig-inal are entire. We represent and imitate all articulate sounds and letters, and the voices and notes of beasts and birds. We have certain helps which, set to the ear, do further the hearing greatly; we have also divers strange and artificial echoes, re-flecting the voice many times, and, as it were, tossing it; and some that give back the voice louder than it came, some shriller and some deeper; yea, some rendering the voice, differing in the letters or articulate sound from that they receive. We have all means to convey sounds in trunks and pipes, in strange lines and distances."  --Francis Bacon 1627


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