Performance Introduction︱ Nan-Hai . Appreciate sound
Both fascinated by traditional Indian culture, Pei and Chun started their art experimentations soon after they met in a circuit bending-workshop in 2010. The first of these results is a musical duet between them, mixing Indian Ragas and Pd Patches, sitar and noise circuits, sympathetic strings and pulse wave modulations. 

表演簡介︱南海.觀音
工作坊中相識，沛元與李駿因為共同於印度文化的學習而產生了這次演出的發想。西塔琴與電子聲響的實驗。將電子聲響包函在印度古典音樂Raga的旋律結構當中，也為西塔琴的音色融入脈衝調變的可能性。試著將兩者合一，並與大家於南海一同觀音。

L43 Nirvāṇa + 0xA ( 陳沛元+李駿 )

Performance Introduction︱LUPONEGRO YINGFAN PSALMANAZAR solo
When I was not on stage before, I had got so much wishful thinking, and there was no any result. Afterwards, I got on stage, and there was once my musical instruments were too many to be carried, so I thought of gathering topics and centralizing the table of organization. In the recent years, I don’t even think about presenting specific concept, instead, I think immediately how to continue after the first sound appears. Someone asked me if I am oppressive, I can only respond with a forced smile.

表演簡介︱黑狼solo
以前還沒實際上台表演的時候，心存太多妄想，沒有任何結果。後來不但上得了台，一度演奏的樂器還多到搬不動，才想到集中主題跟集約編制。最近幾年甚至不再想表現什麼特別的觀念，上台發出第一聲後，才在想要怎麼接下去。有人問我是不是平常就很壓抑，我只能苦笑。

LSF-Taiwan