Aux sources de l'électro, les sorciers du son

REVOLUTION 9 (THE BEATLES) STEM PLAYER MIX

I Hear a New World -Joe Meek/The Blue Men Cover- (From BL▲CK▲MIRROR NOTEBOOK EP)

Elements absolutely used from Hugh Le Caine - Dripsody
[=DEMO VERSION=]

Hugh Le Caine - Dripsody (SCP5007DE Edit) [V.D.0.1].mp3

Bruce Haack - Electric To Me Turn

An edit / re-imagining i did of one of my favourite tracks from one of my favourite albums of all time. i wanted an excuse to play it in a smokey environment outside of my bedroom and the tops of clouds. 

Grab a free DL over at the BANDCAMP page :
https://dreemsdreems.bandcamp.com/album/ambi-edits

Cluster & Eno - Ho Renomo (Re - Dreamt By Dreems)

Equinoxe 4 - J.M Jarre (Remix)

Karlheinz Stockhausen - Gesang Der Jünglinge (Song Of The Youth)

Jean Jacques Perrey - E.V.A. (Grabowsky Edit)

Vaya Con Dios

How High the Moon

Forbidden Planet - The Original Motion Picture Soundtrack

Main Titles - Overture

This is a remix of a piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair.

Edgard Varese - Poem Electronique 1958 ( Remix)

http://www.strut-records.com/node/881

The Fac. Dance series on Strut collects sought after 12” versions and rarities from Manchester’s revered Factory Records imprint, including this hazy gem from Ad Infinitum. From the album's liner notes:

Determined to craft a pop hit of her own, Factory worker Lindsay Reade added original lyrics to The Tornadoes’ hit Sixties instrumental, then roped in a raft of Manchester luminaries including Andy Connell and Martin Moscrop from ACR, Eric Random, and a choirboy. Disaster struck when Joe Meek’s publishers refused to clear Reade’s lyrics. “I knew it wouldn’t be a hit in that event,” sighs Reade. “We salvaged things but it didn’t correspond to my vision at all. Hooky came in and remixed the whole track; it felt like a drastic haircut and sounded a bit disco when he’d finished. He put my voice through a Vocoder so the words couldn’t be distinguished. The sleeve was a bit state-of-the-art for its time. Each one had a hologram of a spaceship stuck to it. I’d managed to get a job lot of these holograms cheap. I called the band Ad Infinitum, inspired by something Tony had typed on the envelope of one of his letters - Lins Numero Uno Ad Infinitum.” A 12” maxi single was also issued by EMI in Portugal.

<i>Fac. Dance 02</i> is available from the following retailers:
<a href="http://itunes.apple.com/us/album/fac-dance-02/id551966143">iTunes</a> • <a href="http://www.amazon.com/Fac-Dance-02-Various-Artists/dp/B008GS7QUU/ref=sr_1_2?ie=UTF8&qid=1347484497&sr=8-2&keywords=fac+dance">Amazon</a> • <a href="http://boomkat.com/vinyl/562638-various-fac-dance-volume-2">Boomkat</a>

iTunes

Ad Infinitum - Telstar (from Fac. Dance 02)

Hi! Music is very important part of my life.
I am making music (all the time) from age of 14. Now I am 42 and I am stil learning new things, new techniques, production skills 
Yes I am still learning, how to make music, it could be fun.  I learned sound engineering at small school in Warsaw. 
I like this way of expression myself, trough the music. I can play several instruments. 
I liked to experminent, but I love melodies.
I use electronic instruments and computer plugins.
If You like my music, please, give me "like".
Warm greetings to all  listeners from Poland :) take care in this critical times and don't let the AI rule the world of creating music. Our work still is worth. 

Aux sources de l'électro, les sorciers du son

lsilanow Lucas' Sunny Day's Studio