Name: "Blows" by Elisabeth Murawski by The Southern Review/LSUP in TSR Spring 2018 Audio Gallery
Duration: 59 s
Description: From the spring 2018 issue of The Southern Review. Please visit http://bit.ly/2HFJ7IL for more information.

Selected readings from the spring 2018 issue of The Southern Review. Please visit http://bit.ly/2HFJ7IL for more information.

TSR Spring 2018 Audio Gallery

"Order" by Til Punto

"Palace Guards" by Til Punto

"Ornithomancy" by Maureen Alsop

"Eromancy" by Maureen Alsop

"Necromancy" by Maureen Alsop

Rasaq Malik Gbolahan’s "Here, God" is an elegiac poem for every homeland wrestling with unrest and war. It's also a memorial, a way of remembering the victims of this unrest and war.

https://www.thesouthernreview.org/issues/detail/Spring-2025/272/

“Here, God” by Rasaq Malik Gbolahan

"Stutterfied" by Adam Giannelli

"Emotionally Self-Aware Adoptive Parent: Contract for Service" by Nik Chang Hoon

"She-Bear" by Evgenia Nekrasova trans. Marianna Suleymanova

"The Wind Will Take Us" and other poems by Forough Farrokhzad; Read and Translated by Arash Saedinia

The confluence of politics and a board game becomes a recipe for upheaval in Andy Plattner’s story “Landslide.” 

From the spring 2018 issue of The Southern Review. Please visit http://bit.ly/2HFJ7IL for more information.

"Landslide" by Andy Plattner

From the spring 2018 issue of The Southern Review. Please visit http://bit.ly/2HFJ7IL for more information.

"Blows" by Elisabeth Murawski

In her essay “Holy Body,” Courtney Zoffness discusses Jewish ritual baths and the complicated dynamics of becoming a surrogate mother. 

From the spring 2018 issue of The Southern Review. Please visit http://bit.ly/2HFJ7IL for more information.

"Holy Body" by Courtney Zoffness

In “Nojuku” and “On the Outskirts of Matsumae,” Freeman Rogers patches together a language of surprising connections while traveling through Japan. 

From the spring 2018 issue of The Southern Review. Please visit http://bit.ly/2HFJ7IL for more information.

"Nojuku" by Freeman Rogers

Benjamin Morris sends us spinning in his readings of “Palindrome,” about a lover, twirling, and “Gravitron 3000,” about a ride at the fair. 

From the spring 2018 issue of The Southern Review. Please visit http://bit.ly/2HFJ7IL for more information.

"Gravitron 3000" by Benjamin Morris

"Palindrome" by Benjamin Morris

The Southern Review is one of the nation’s premiere literary journals. Hailed by Time as "superior to any other journal in the English language," we have made literary history since our founding in 1935. We publish a diverse array of fiction, nonfiction, and poetry by the country’s—and the world’s—most respected contemporary writers.

Established at Louisiana State University, The Southern Review immediately became a literary tastemaker. The launch of The Southern Review came about "On a bright Sunday afternoon in late February, 1935," when Louisiana State University’s president drove his black Cadillac to Robert Penn Warren’s house in Baton Rouge to invite him, his wife, and their friend Albert Erskine on a drive to discuss creating a magazine of "distinctive character and quality." Cleanth Brooks and Charles W. Pipkin were consulted; both joined the editorial staff. The Southern Review’s first series ran 1935 to 1942 before closing due to the war. In 1965, the journal was revived under the editorship of Lewis P. Simpson and Donald E. Stanford, who launched the second series to great acclaim. LSU Press became The Southern Review’s publisher in 2011, allowing the journal to undertake new initiatives, such as reaching readers through a digital version in addition to the print quarterly.

"Blows" by Elisabeth Murawski

The Southern Review/LSUP

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