This is one of the most exciting things i heard for a while...hope it gets released at some point

VIDEO: www.clashmusic.com/videos/premiere-lto-bodhran

Alberta

More breaks and beats at a weird BPM rate for your private journeys into bass.

All tunes purchased at www.hardwax.com


Tracklist:

ALIX PEREZ & MONTY_UNTITLED MALWARE
ECHO BROWN_CLARITY
ALIX PEREZ_BLANK PAGES
SAFIRE AND DRS_HOLDING ON
WHITE TRANSIT VAN_LET THE SEASONS DRIFT
INTERVIEWS_MIAMI STRING
INTERVIEWS_HIGH CLIMBER
JAPANESE TELECOM_BULLET TRAIN
BLOOD TRUST_TRANSPARENT WHITE
QZB_FUTURE COOL
QZB AND RIDER SHAFIQUE_PERFECTLY ALIGNED
D PALACE_LAST LINE
DJ DI’JITAL_RETURN OF THE HACKER
ALEX RANZINO_LV 246
VOYAGER_ENSO
CORTESE_FLOATY
ALYS_WORLDS FAILING
LEAVES FT IRON CURTIS_DREW’S SEQUENCES (SIGNAL 2 SIGNAL MIX)
DJ MEL G_TO BROKE TO COCE
AGENT ORANGE_GIVE A LITTLE MORE LOVE
SERUM_GATOR
MAIN PHASE_OUR STYLE
MAIN PHASE_BUSS IT
BAILEY IBBS_HELTER SKELTER
HYPNO AND ABSTRACT SONANCE_TAKE IT OR LEAVE IT
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EMERGENCY BROADCAST 12

Welsh artist Kelly Lee Owens has a special grasp on techno. She can make it sound wild and naturalistic, like wind blowing through a dense forest, or make it feel cold and sleek, like a gleaming slab of chrome. Either way, though, it's always full of emotion, thanks to the intricate textures and distinctive tones of her voice. You might even say she takes a singer-songwriter approach to techno, but that doesn't mean her music isn't suited for the dance floor.

Her most recent album, <a href=/reviews/34853 target="_blank"><i>LP.8</i></a>, marks a step away from the dance floor, however, and into a place a little more dark, more unpredictable. It's also some of her most gorgeous work, centering around "Anadlu," an eight-minute cut that feels perfectly pitched between ambient and techno, with heavy, lumbering drums but an otherwise lightweight, almost wispy feel.
 Owens' RA Podcast occupies this zone almost perfectly. Beginning with 11th century music from Hildegard von Bingen, it ties all sorts of traditions together, from Pan Sonic to Throbbing Gristle to Marco Shuttle to Oneohtrix Point Never & Rosalía. It floats, it accelerates, it loops and doubles back in on itself, an hour of gripping electronics from one of techno's most distinctive voices.

Read more at https://ra.co/podcast/841

RA podcast

RA.841 Kelly Lee Owens

downtempo b fly ambience.mp3

www.animanz.co.uk
www.tru-thoughts.co.uk

Watch ìExotic Otherî official video:
www.youtube.com/watch?v=rEqHjMO5gxQ
STREAM/BUY/PRE-ORDER FULL ALBUM: Linkfire:
www.truthoughts.lnk.to/ExoticOther

UPCOMING SHOWS:

Fri 17th Dec @ CLF Art Lounge, London

Press/promo enquiries:  pressassistant@tru-thoughts.co.uk 
animanzmusic@gmail.com

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Animanz - 12.11.2022

Rinse FM Podcast

Otik- 26 August 2023

@eichldn kicks things off with a signature 130bpm UK Bass opener.

Earful of Wavs - Vol.2

Eich - Brianna

@djlutsu and @reallyrazor team up for a heavyweight collab on ‘Certy’.

Taking elements from drill, grime, and a smattering of other UK club genres, ‘Certy’ outstrips the sum of its parts - on a foundation of Lutsu’s on-point production and tied together by vocals from East London’s Razor, it makes for a track that sounds equally at home in a club set, in headphones or on radio.

Buy:
https://scuffed.lnk.to/Certy

Certy

Lutsu & Razor - Certy

SWU Podcast

Sepia Presents LX One - 30 November 2023

Quilotoa return with ‘Sell Them Gold’, marking the pair’s first release while living in separate places, with KEPLR back in London and LTO in Bristol. 

They’ve always had a strong connection with both cities, with LTO’s infamous collaboration project, ‘Old Apparatus’ gaining notoriety on the Deep Medi label in 2011; and KEPLR’s formative years in the west country, escaping to Bristol to surround himself with the music of the city. This isn’t lost on Sell Them Gold, which has heavy influences from old-school Bristol trip hop and south London’s post dubstep era. 

Heavily compressed drums are paired with sparse melodic synths, found sounds and an eerie vocal. This marks the most coherent blend of the pair’s work to date, something which living in separate locations will not hinder in future works. 

“We’re aware that we won’t be able to work together as easily as we have in the past, but we’re still very tight, having shared so many great experiences since we first met in South America, and the 10 years following in Bristol. We became parents pretty much at the same time too and although that adds to the difficulty in finding time to make music, there’s so much we still share and a lot of enjoyment we get from creating something together as friends. It’s a really great way to spend time with each other catching up while doing something constructive.”

Sell Them Gold

From 'The Number From Which All Things Come' LP out now on Sullen Tone in vinyl/digital formats 
Buy: https://sullentone.bandcamp.com/
iTunes: hyperurl.co/LTO-TNFWATC

VIDEO: www.youtube.com/watch?v=i36WrKdnU1k

LTO returns with his debut solo LP ‘The Number From Which All Things Come’. Agrippa attributed the number ten to a sense of totality - the achievement - the return to the unit after the development of the cycle of the first nine numbers. It’s a complete number marking the full course of life.

This ‘life’ is what LTO has been growing for the past 10 years - a record including many re-visioned workings of early ideas along with off-shoots of the mysterious Old Apparatus collective. For many, he keeps remnants of that same mystery and wonder but for others he contradicts and flips this facade to give a sentiment of warmth and openness.

www.sullentone.com

Bodhran (from 'The Number From Which All Things Come' LP)

Enquiries/Bookings: ltomusicuk at gmail dot com

Based in Bristol, LTO first made waves as part of mysterious electronic collective Old Apparatus. As a solo producer, LTO has since attracted attention with three albums.

LTO's ambition to create ever more ambiguous and far-reaching sonic environments, whilst retaining something of the familiar and physical, have led him to take inspiration from imagined landscapes of the folklore of his Welsh ancestry and of the planet Mars. Both images of enchanted forests battling enraged giants from the underworld and unimaginably hostile planetary events guide this work of great magnitude.

In 'Daear', LTO explores an expansive sound pallet of swelling synths and noise, ambiguous string instruments, thunderous percussion, unearthly voices and his signature sound the piano, mostly processed beyond recognition. The result is a mysterious and deeply textured journey that could be set in both the distant past and uncertain future, on this planet or beyond.

“haunting and comforting in equal measure. 4/5" – MOJO

“like memory preserved in nostalgic aspic” – The Independent

“a beautiful collection that stands tall alongside the work of his contemporaries” – XLR8R

“Blurring the lines between the organic and machine-made... Takes nebulous sounds and crashes them with the clatter of machine rhythms… Brilliant.” - Hyponik

“An adventurous blend of hues grey and dark...Staggeringly rich.” - FACT

"Another great album by a real talent hugely deserving of even more attention. Remarkable. 9/10" - God is in the TV

Bodhran (from 'The Number From Which All Things Come' LP)

LTO

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