> mixed for high-volume headphone listening <

Performed by Charlotte Mundy and Marina Kifferstein

Max Murray | Szilárd Wept / for soprano, violin, and electronics

Lauren Redhead, organ

So, 14/11/2021, 18:00 Uhr
Taborkirche
Taborstraße 17, Berlin

OSC (2021) - for organ and four coupled oscillators

Constructing Realities (unsupervised machine performance 1)

Programme Note: 

"It's certainly not really about development, such as the word is usually defined. Nor is it really about contrast. In one way I suppose it's more like watching an earwig or a mountain goat weave its way across different planes - some steep, some high, some tight, some sprawling - and watching that same creature accommodate such different lands in its gait. And yet, in another way, it's about the land itself. A mountain not just as a relief but as an imprint in the sky. And how - just like the "Gestalt Vase" (is it a vase or two opposing faces?) - one's impression oscillates between foregroundings of these different states. Relief/imprint. Pitch/noise."

Written for renowned trumpet virtuoso and ELISION Ensemble member, Tristram Williams. This is an excerpt from the first performance.

[terrains] (2016, for solo quartertone flugelhorn with preparations) - excerpt

AUDITIVVOKAL DRESDEN & ENSEMBLE IBEROAMERICANO,
Olaf Katzer

Live performance. 29th October 2016 at Tonlagen Festival (Hellerau, Germany)

RUINAS

'Gray Winter Grimes' by David Pocknee performed by Kathryn Williams at Royaumont Abbey in September 2017. 

Main aim of the piece:
Either complete as much of the piece as possible in one breath
Or
Complete the entire piece in as few breaths as possible

Performed as a set of single-breath pieces from 'Coming Up for Air' (http://www.kathryngwilliams.com/coming-up-for-air.html)

Gray Winter Grimes - David Pocknee

Pneumatic drones for acoustic technologies. 
Focused studies in pressurized air. 

Euphonium by Weston Olencki 
Tuba by Max Murray 
Recorded & mixed by Weston Olencki 
Art by Beñat Olaberria
released October 5, 2018 
Released by Dinzu Artefacts; DNZ34

of porcelain

Temporary Residing (2017, rev. 2021): This is a piece that explores a myriad of moments, and movements that bridge them. These movements are sometimes enacted through sudden ruptures and at others, subtle leakages and transitions. The piece invites listeners to move through various residences, temporarily inhabiting each space, while exploring diverse sound behaviors and listening situations. It is messy, it is plural, it is always situated.

Temporary Residing

Translation

recorded during the live performance @ Villa Elizabeth - Berlin (29/05/2019)
Schallfeld Ensemble:
Lorenzo Derinni, violin
Myriam García Fidalgo, cello
Margarethe Maierhofer-Lischka, double bass
Davide Gagliardi, live-electronics

Sistema di Prossimità - Trio

> mixed for high-volume headphone listening <

Performed by Christopher Otto
Samples recorded by Christopher Otto, Ashleigh Gordon, Kevin McFarland, and Edward Kass.
With thanks to Christopher Botta [recording], and Sam Wolk [patching].

OSC (2021) - for organ and four coupled oscillators

Luc Döbereiner

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