oh man. this intro is 🔥🔥🔥👌🏽

Playlist converted by Soundiiz from another music platform ! https://soundiiz.com

Jazz/Lo-Fi/Funk

"We improvised this song at a live session. We liked it. We recorded it." - Okvsho

In other words: Okvsho venture even further into the universe on their latest Track "Astral Movements". A sonic odyssey of fast paced drums layered with all kinds of floating sounds.     "

Love, Always.

Astral Movements

SUPPORT

Okvsho - Astral Movements

Dj Cam Quartet - New York New York - [MP3JUICES

Order the 7" and get instant download: https://bastardjazz.bandcamp.com/album/montreux-sunrise-trans-alpine-express
Official remix: https://soundcloud.com/bastardjazz/04-montreux-sunrise-tee?in=bastardjazz/sets/bastard-jazz-presents-hear-no-evil-vol-3

After the dynamo sophomore release that was 2013's "Curiosities", New Zealand's Lord Echo returns to Brooklyn's Bastard Jazz label, this time producing Kiwi trio The Elder Statesman comprised of twin brothers and Wellington fixtures Christopher (piano) and Daniel (double bass) Yeabsley with Lord Echo himself on percussion and drums.

On the "A" side, Montreux Sunrise is mellow meander through a laidback early 70s souljazz vibes, while "Trans Alpine Express" picks things up on the B side with a deep, spiritual piano groove, upfront doublebass, and Echo's percussion perfectly in the pocket.

A timeless gem of a 7" from Bastard Jazz, releasing their own namesake for once!


Buy 7"

The Elder Statesman - Montreux Sunrise

Drop It (Menu)

More Humble

Pre-order: https://jakartarecords-label.bandcamp.com/album/speak-thru

We have been fans both of Blu and Flofilz for years and we always thought it would be perfect to have them together on a track and with no surprise we can confirm it's perfect indeed. But have a listen yourself. Taken off FloFilz forthcoming release on Jakarta Records....

soundcloud.com/flofills

artwork / photography by Dennis F. Arnold 

Itunes

FloFilz - Basement Jazz Feat. Blu

"I love The Expansions their futuristic leanings inject new life into the form. Fresh material!" Ian Merchant (Black Acre)

“Exudes all the qualities I cherish most in music, warmth, integrity and a dedication to the groove… it’s a hard road to travel when you step in the footprints of giants, The Expansions are treading that path with ease and assurance.” Patrick Forge

"Coming off something like the UK's more jazz-funk fueled answer to BBNG, all four quarters of this monstrous unit are on point on this hugely anticipated release. There's got to be a very special long-player in the works, and I for one can't wait to immerse myself in that!" Dom Servini (Wah Wah 45s) 

“The Expansions, very funky! Headhunters/Weather Report inspired, and definitely worth checking out. My new favourite band.” Steve White (Style Council, Paul Weller)
=========
When The Expansions self released their first single in 2013, the laid-back jazz funk of Lavender, it quickly gained strong support from soul and rare-groove aficionados including Kenny Dope, Dom Servini, Patrick Forge and Andy Smith. A run of shows followed and before long, when someone was asking if there was a soul-jazz band around to play with, “The Expansions” was the answer. 

Although this popularity meant a hiatus in releasing music, the band have been constantly busy, playing around Europe with legendary British-Ghanaian soul singer, Andrew Ashong and the exceptional, upcoming talent Connie Constance. 

Murmuration, recorded over three days at Big Noise in Southend, is constructed of single takes, with minimal overdubs, as the band attempt to capture the feeling and energy they create live. 

Debut single Breakthrough introduced the insanely catchy but deeply soulful blend of synths and groove, but here on the album that is explored to the fullest with longer breakdowns and more expansive, experimental solos. Pocket 5 displays the, possibly unexpected, influences of broken beat and almost combative rhythm playing – particularly in the complex guitar and keys breakdown where Koor and O’Keefe layer conflicting time signatures and battle to ride it out to the heavy drum return. 

Cannonball brings warm mellowness that delicately evolves through beats, touching on bossas alongside their fundamental hip-hop sensibilities. But even here there is a raucous zenith before the band sublimely recede into the silence of the a-side ending. 

Colossal album highlight Ivory Mountain is truly an epic. Evoking moments of 4Hero, there is a lightness of groove in the first half of this soulful exploration. But at the halfway point, all restraint is let go as a live string section joins the four quarters of the band for three glorious minutes of soulful disco. Evoking sounds of Quincy Jones, George Benson and Johnny Hammond, all the way through to a beautifully cacophonous finale. 

Dragonfly undoubtedly reflects on the work of Herbie Hancock and is the most direct throwback to the band’s earlier work, which is a welcome marker of how far they have come. A quintessential jazz funker. 

The album closes with the thoughtful and introverted shuffle of Miles Away. In the final eight minutes of Murmuration, The Expansions allow space and time to take precedence, with once-more-restrained peaks and developments. It becomes clear though, that the band cannot resist one last explosive finale, as they rise with screeching synths, strings and dubs for a perfect race to the finish line. 

You can hear the influences of Idris Muhammad, Grover Washington, even parallels with South London peers Yussef Kamaal and Ruby Rushton. But The Expansions have tirelessly worked to create a sound of their own and are very proud, along with label Albert’s Favourites, to finally share it.

Murmuration

The Expansions - Cannonball

Order vinyl / CD / digital: https://bbemusic.lnk.to/SaturdayNightSpecial
In association with DJ Amir’s 180 Proof Records, BBE is honoured to present another gem from the small yet significant Strata catalogue. A precursor to New York’s Strata East, Detroit’s Strata Records was founded in the late 1960s by former Blue Note artist Kenny Cox. Starting life as a music-led community organisation, coffee shop studio and venue, Strata released only a few titles as a record label, gaining the imprint a cult following among record collectors and jazz lovers across the globe.
Possibly the best known of Strata’s releases, The Lyman Woodard Organization’s ‘Saturday Night Special’ is rightly heralded as a jazz fusion classic. Recorded in 1975, ‘Saturday Night Special’ features organ, electric piano and Mellotron by bandleader Lyman Woodard alongside guitar and bass by Ron English, with drums and percussion by Leonard King, Bud Spangler & Lorenzo “Mr. Rhythm” Brown respectively. Despite the fairly sparse instrumentation, ‘Saturday Night Special’ lays down an impressive wall of sound, powerfully atmospheric in its almost low-fi aesthetic. Hinting at more traditional jazz, rhythm & blues, afro-cuban styles and more, the uniqueness of this album is surely in its feel: summoning up images of a vast industrial landscape, assembly lines and urban decay. In other words, this record sounds like Detroit.
No great album artwork is complete without a good story to match, and ‘Saturday Night Special’ does not disappoint. Snapped by photographer and political activist Leni Sinclair (responsible for seminal pictures of Miles Davis, Fela Kuti and John Coltrane and many others), the cover image shows the contents of Lyman Woodard’s pockets placed on the hotel bed after a show: cigarette papers, cash and a pistol.
Following Woodard’s death in 2009, this incredible album was reissued in highly limited numbers by Wax Poetics; now just as hard to come by as the original pressings. It’s our pleasure to make this important and influential chapter in the story of contemporary jazz available on vinyl once again.

The Lyman Woodard Organization - Belle Isle Daze

The rising mega talent, multi-instrumentalist, striking bandleader and *actually* ambidextrous musician and producer returns to deliver Ley Lines – a true showcase of her talents. From the horns, to the choir, to the drums, to the rest, everything was written, produced, laid down and mixed by Emma-Jean.

“I wanted to step away from my work as a band leader and do something self-contained. I love improvising in the moment with a band, but wanted to take the chance to create at my own pace and be true to my own vision,” she says.

As a producer and musician, Emma-Jean’s work defies genre boundaries yet still holds deep roots in jazz. As well as being tipped “one of the UK’s most exciting new jazz artists” by Red Bull Music Academy, the one-woman-band production style of Ley Lines has been compared to Stones-Throw heavyweight Madlib.

Just as at home working with the London Symphony Orchestra as she is tearing it down at Total Refreshment Centre, Ley Lines follows Emma-Jean’s acclaimed Walrus EP and maintains her trajectory as one of the most talented young musicians in the business.

Ley Lines EP

Red Bush

Emma-Jean Thackray - Red Bush

Taken from the debut Kamaal Williams LP 'The Return'
Buy / stream here: www.smarturl.it/kw-thereturn

The Return 

Kamaal Williams - High Roller

Multi-instrumentalist, composer and producer @peter-beardsworth will release his new EP Pour Un Homme Seul via Nottingham-based label Running Circle this September.

Read more @  https://wp.me/p471L0-98z

Pete Beardsworth - To The Place (TS Premiere)

@abasemusic delivers groove and sateen sweetness on this eight-minute stunner via @cosmiccompositions.

Read more: http://www.stampthewax.com/2018/11/30/premiere-abase-align-feat-wayne-snow/
Listen on Youtube: http://bit.ly/abase-snow

Dj Cam Quartet - New York New York - [MP3JUICES

Luca Manfroni

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