Sawtooth - Boy

Slow skin kissing

I’ve been a huge fan of Dead Limit since it first started being played in sets. The carefully crafted high-stakes tension building towards the drop makes it an ideal peak time dance floor destroyer. This deliberate focus gave me the idea that it might also work really well as a Hardcore track. At first attempting to make this was mostly an “out-there” experiment and as such I ended up posting a small snippet to Explorers of the Internet (a collective for silly audio ideas me and some other producers have). Unexpectedly, it was received with much love and enthusiasm, giving me the confidence to clean it up and send it to Thijs. Given that it was such an abrasive take on the original I never expected him to like it in the slightest, but he did! And it ended up being played in the last few Noisia sets ever. Unreal to see, and getting to release it now is icing on the cake!

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Noisia & The Upbeats - Dead Limit (Koarse Final Tour Gabber Edit)

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DESTINY'S CHILD - SAY MY NAME (ALIAS UKG FLIP) {FREE DOWNLOAD}

Als je voelt dat je hier ook zo naar verlangt, welkom van harte! Ik kijk naar je uit! ♥️

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Spraakbericht voor jou ♥️

Een nieuw seizoen, een nieuw overkoepelend thema: 'verandering'. Elke maandagavond van seizoen '24-'25 heeft een ander deelaspect als thema, maar beginnen doen we door het te hebben over 'verandering' in het algemeen. De teksten zijn van Suzanne Grotenhuis, Mieke De Groote en Ellis Meeusen. De muziek is van Luca Loops. 

Maandagavond#43 - verandering

Im confused, i think.

Volledige soundtrack voor Stadsparadijzen door KunstZ.

Daniel's Song

Relations between surface, form and material was the basis of this track.

Buy vinyl: https://jonahsegers.bandcamp.com/album/amber
Artwork by Studio Alles (http://alles.studio/)
Released by ALLES (https://alles.bandcamp.com/)
Contact: info@alles.studio

Amber

Amorphe

vocalist & painter
Boss 505 loopstation user
a bit of keys
a bit of beats
most of it in harmony

instagram.com/lucaloops_miluci

Slow skin kissing

MILUCI_Lucaloops

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