Gun Fingers

Calling All Dancers

October 2025 marks exactly ten years since the first broadcast of Radio Punctum. It was an episode of the show Altershapes that aired live from a makeshift studio, shared as a Shoutcast streaming URL on forums as it seceded from the now-defunct Radio Streetculture to found its own station.

To celebrate this special occasion, we are releasing a massive compilation featuring music from our station's past and present residents, friends, and collaborators.

The curatorial aim was to capture the breadth of our musical programming.

Expect anything from ambient to goregrind, ambitious experimental pop to outsider songwriters, and meticulous digital soundscapes to electro and gabber bangers, as well as electronic post-punk stylings — all mastered with great care by Yukimura at Mustakillah Studio.

And so concludes the first ten years of this traveling circus.

Drop out, turn on, tune in!

@martin-kraj-r

Butterfly Effect (10 Years Of Radio Punctum)

BUY NOW

Teapot Funk

RTK - Level 1 [AROMATIK003]

• 𝗕𝗹𝗶𝗻𝗸𝗱𝘂𝘂𝘀 𝗗𝗶𝘀𝗰𝗵𝗲𝘁𝘁𝗼, 𝗝𝗶𝗺𝗺𝘆 𝗕𝗮𝘁𝘁 ─ Offside Tracks #1 | 𝗗𝗶𝗴𝗶𝘁𝗮𝗹 𝗙𝗶𝗻𝗲𝘀𝘀𝗲 •

Premiere Track → 6. Blinkduus Dischetto - A Viulenza di a Malincunia 

🛒 Buy: 
https://digitalfinesse.bandcamp.com/album/offside-tracks-1

🎧 Artist:
✦ Blinkduus Dischetto
https://soundcloud.com/blinkdisc
https://www.instagram.com/lenylouislabbe
https://blinkdisc.bandcamp.com

💿 Label:
✦ Digital Finesse
https://www.instagram.com/digital.finesse
https://digitalfinesse.bandcamp.com/music
https://www.youtube.com/@digitalfinesse

EP Title: Offside Tracks #1 
Artists: 𝗕𝗹𝗶𝗻𝗸𝗱𝘂𝘂𝘀 𝗗𝗶𝘀𝗰𝗵𝗲𝘁𝘁𝗼, 𝗝𝗶𝗺𝗺𝘆 𝗕𝗮𝘁𝘁
Label: 𝗗𝗶𝗴𝗶𝘁𝗮𝗹 𝗙𝗶𝗻𝗲𝘀𝘀𝗲
Formal: Digital

Artwork: Og_Nick_K
Master: Justin Drake
Release Date: September 5, 2025. France

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Bandcamp

Blinkduus Dischetto ─ A Viulenza di a Malincunia [Digital Finesse]

Objekt #4

Buy on Bandcamp

Theme From Q

3AM Spares is a new compilation of Australian Electronic Dance Music selected by Andras and Instant Peterson, encompassing the darker sounds and later nights of the 1990s and beyond. Following on from forerunner compilation Midnite Spares, this double LP draws from local 12” releases, CDRs and the archives of community radio station 3RRR FM to make a diverse and pumping scene audible once more. No longer confined to beer barns and back rooms, this generation of producers, DJs, clubbers and ravers spilled out into pavilions, warehouses and paddocks, embracing a new culture of machine-metaphor and chemical love.

Future Sound of Melbourne’s warehouse triptych Resist The Beat embodies a time when the country’s youth united with juggernaut stamina, partying beyond the long arm of the law. Restored from the ARIA award-winning trio’s original DATs, this debut 12” incited label offers from Jeff Mills, Frank De Wulf and Carl Cox.

Released by the likes of Clan Analogue, Creative Vibes, Volition, DanceNet, Juice and Psy-Harmonics, this era’s material has evaded sufficient digital documentation until now, some lost in the decommission of Angelfire, Tripod and Geocities websites. Often these bedroom experiments and one-off collaborations existed solely for compilation inclusions, a plausible scenario for the mysterious Inner Harmony. In the case of Tetrphnm, graphic artist Jeremy Dower’s glacial sub-bass was digitised from the only known CD-R copy, preserved by the 3RRR FM library.

Many key figures of this narrative have deep roots in the DIY/post-punk family tree. Third Eye, the impressive evolution of Whirlywirld founder and industrial legend Ollie Olsen, finds common ground with I Will Go, a hypnotic concoction by Adrenalentil and Poets of the Machine associate Jandy Rainbow, a transgender artist whose liberated electronics trace back to 1978.

The most unique take on this new wave of dance music comes from Turrbal-Gubbi Gubbi woman and Stolen Generations survivor Maroochy Barambah. Recorded in New York, Mongungi incorporates two lines of a traditional Gubbi Gubbi song Gurri Nina Nami with the sound palette of tribal house, highlighting the broadening ways that identity and culture were being negotiated and manifested within club music.

A lesson in intelligent appropriation, Artificial’s Sobriquet remix bends one of the most looped samples of all time to fit a wired new generation’s interrogation of that thing called disco. Artificial’s ingenuity was vital impact to the scene, releasing three influential albums as one half of B(if)tek and establishing the WINK Awards - a music prize that recognised and encouraged subversive electronics. Her playfulness is mirrored in Blimp’s frisky garage house, recalling Paul Johnson, while Ian Eccles-Smith’s borrowing is comparatively more discrete on the chillout sampledelic collage The Slaughtering Eye.

Andy Rantzen returns to Efficient Space in two incarnations - as one half of Itch-E + Scratch-E ambient alias Screensaver, and in collaboration with General Electrik on Leather Lover, a cocked and loaded glimpse at the bottom end of Oxford street, originally recorded for the Club Kooky compilation Gay In The Life: Adventures in the Queer Underground. Reinventing himself as Hypnoblob, fellow Sydney Oz Wave artist Ian Andrews also gives us his pneumatic-drill-step Deep Down.

3AM Spares: Compiled by Andras and Instant Peterson

B1 General Electrik Meets Andy Rantzen - Leather Lover 5:53 (ES009)

READ > inverted-audio.com/premiere-rudolf-c-deep-sea-survivor

@rudolf-c returns to @x-kalay with 'Deep Sea Survivor' - a sweeter than sweet quartet of laid-back but dancefloor-optimised jams folded in monoi-scented pacific flavours. One to sip your mojito to and dream away to idyllic places.

Rudolf C - Deep Sea Survivor [X-Kalay]

Just Want Another Chance

Just Want Another Chance (Original Mix)

Tangerine

Sesame

Want

Bossman at Klasse Wrecks - ZODIAC44 - Grafiti Tapes - Planetluke.com

Enjoys Acid House, 1970s Graffiti styles and rooting for the underdog...looking to meet similar. 

For more please visit:
www.lucalozano.bandcamp.com
www.facebook.com/lucalozano
www.klassewrecks.com
www.planetluke.com

Calling All Dancers

lucalozano

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