Lucas Kassoum - Sounds Creation

Yasuaki Shimizu - Umi No Ue Kara

Stranger Things, Vol. 1 (A Netflix Original Series Soundtrack)

Kids

Naran Ratan - Fanfare For Naran Ratan

Marshmallow

Dream Puppy

Sustain

Gigi Masin ‎– Tears Of Clown

Chassol – Birds, Pt. I

Oxygène

Oxygene, Pt. 4

Tumblers from the Vault

Hollywood Dream Trip

Boleros Valses y Mas

Flor de Azalea

the first album of infinite bisous, 'w/ love'

teen sex

(terminally) lovesick

The third album from Duval Timothy. Released on Carrying Colour 27 October 2017.

Recorded by Duval Timothy
London & Bath, UK
Freetown, Sierra Leone
Kyoto, Japan

Ball.WAV

Music for Saxofone & Bass Guitar

Spotify: https://open.spotify.com/track/7jQVmt73JiXr6ar7E60EB3
Bandcamp: https://loxbeats.bandcamp.com/album/too-late-for-that-lp

Too Late For That

Free Download

Skydive(Too Late For That out now)

Overworld

Rebecca's Theme (Water)

Unreleased Tapes 1981-1984

Five Hundred Miles

Following 2019’s release of Azymuth’s Demos (1973-75), two more home-recorded demo tracks by the Brazilian psychedelic jazz-funk masters have surfaced from a tape in drummer Ivan ‘Mamao Conti’s private archive. These five-decade old recordings by the young band show the maturity, musicianship and distinctive style that saw Azymuth become one of the most important groups in Brazilian history. 

Featuring an instrumental take on iconic pop song writing team Roberto Carlos and Erasmo Carlos’ 1969 Jovem Guarda hit “As Curvas da Estrada de Santos”, and spacey psych-folk oddity “Ze e Parana” on the b-side, the new 7” release via Far Out Recordings shines yet more light on this critical period for Azymuth.  

As is the case with many of Brazil’s most well-known artists, Roberto Carlos had been backed by Bertrami, Malheiros and Conti either on stage, in the studio, or with compositions (in Bertami’s case) since the late sixties. Conti notes that “As Curvas da Estrada de Santos” was a big hit in Brazil when it came out in ’69 and had already been covered by Elis Regina a year later. 

But where Elis’ version and indeed Roberto Carlos’ original were grand pop-rock ballads, Azymuth’s take is a moody, melodic jazz excursion, featuring Bertami’s incredible Hammond organ, Fender Rhodes and grand piano juggling, Ivan ‘Mamao’ Conti’s distinctively tough drums, and unusually, Alex Malheiros plays a double bass instead of an electric one.

As the title suggests, “Ze e Parana” is guitarist Joao Americo (Parana) playing alongside Bertami’s Rhodes comping, synth embellishments and dreamy wordless vocals. Aside from being credited as the composer and guitarist on “Linha do Horizonte” a track from Azymuth’s debut album which would become the theme tune for a famous novella, Parana has to this day, remained relatively unknown. 

Both tracks were recorded in Jose Roberto Bertrami’s house in Rio de Janiero at some point between 1973-75. These tracks were not recorded in a professional studio, meaning the sound quality differs from other Azymuth releases. At Far Out we take great pride and extreme care in ensuring our releases and reissues are produced to the best possible sound quality. In this case the original source material – the cassette tapes – had not aged well and were considerably damaged. The sound has been restored to the best possible condition but there is still some noticeable tape hiss and slight distortion on ‘Ze e Parana’. For this reason, we strongly advise listening to preview clips before buying this release.

Azymuth - Zé E Paraná

Comme ça

Le château de corail

Ethiopiques, Vol. 4: Ethio Jazz 1969-1974

Tezeta (Nostalgia)