Name: O veículo que vai dar entrada no cais... by Lucas Rei Ramos
Duration: 22 s
Description: O veículo que vai dar entrada no cais... 1, tem com destino a estação... Hospital de São João.

Arrangement de la célèbre Marche Hongroise de Berlioz, pour 4 guitares. 
Partition disponible sur via les éditions Soldano
https://les-editions-soldano.fr/produit/marche-hongroise-ensemble-de-guitares

Marche Hongroise_Berlioz_Arr. 4 Guitares

Fragmento 2 Banda Sonora Original sin diálogos del cortometraje “Compañeiros” de KrakenFIlms - 2022

- Persecución hacia uno de los personajes principales.
Precedido de un ambiente principal de tensión(escuchar framento 1)

COMPAÑEIROS 2 (Fragmento) 2022

Kammerhääled, conductor Ingrid Roose
Concert recording from August 2014

Dona Nobis Pacem (2014)

O veículo que vai dar entrada no cais... 1, tem com destino a estação... Hospital de São João.

O veículo que vai dar entrada no cais...

Violin Solo - Lia Yeranosyan   

Work commissioned by Antena 2 - RTP for the 30th Edition of the Prémio Jovens Músicos

Chronostasis (2016)

Time Zero (2014)- Saxophone Quartet   
[Three movements]

Elle quartet
Soprano Saxophone | Rita Pereira  
Alto Saxophone: Tine van den Geest  
Tenor Saxophone: Sara Martins  
Baritone Saxophone: Susana Araújo   

[studio recording 2016]

Time Zero III (2014)

Premiered by Neue Vocalsolisten Stuttgart
October 5th 2018, at Festival Musica, Strasbourg

Three elements are present in Traum: text, painting and music. 
The text, written by Paul Klee, is a general reflection on dreams, describing a dream the artist had. Based on this text, resulted a painting composition that metaphorically supported the music – the pictorial lines, shapes, colours, etc., helped creating the musical form, gestures, rhythms, etc.. 
Thus, the conceiving of Traum was a combination of three types of composition that complemented each other in which the musical language is the binding element.

Text from Paul Klee
Traum (1906)
Ich bin bei einem Zauberer
im Garten zu Besuch.
Da steht eine Bank
ganz aus Crimsonrosen. 
Bitte!,
fordert er mich auf zum Sitzen.
Ich tue als ob.
Er setzt sich ohne Miene zu verziehen.
Meine Scheinstellung ist nachgerade peinlich. 
Vis-à-vis steht am Fenster
des Zauberers Tochter,
ich lächle verlegen zu ihr hinauf.
Entrüstet schlägt sie das Fenster zu, 
beobachtet mich aber
desto ungenierter hinter Gardinen.
Im Traum kehren oft
Momente des Lebens wieder,
die uns überraschten
und auf Augenblicke
hilflos machten.
Meist sind es Kleinigkeiten.
Große Eindrücke,
bei denen man sich beherrscht hat,
bleiben fern.

Translation
Dream
I am visiting a magician 
in his garden.
Stands there a bench
all made of crimson roses. 
Please!
He urges me to sit down.
I pretend to.
He sits down without batting an eye.
My sitting attitude gradually becomes painful. 
Facing me, stands at the window,
the magicians daughter,
I smile at her in embarrassment.
Irritated, she closes the window,
but observes me
all the more unabashedly 
from behind the curtains.
In our dreams
moments of our life often recur 
which have surprised us
and made us
momentarily helpless.
They are mostly trifling occurrences 
the great impressions of times
when one has exercised self-control
remain at a distance.

My painting is available in this link: https://www.facebook.com/photo.php?fbid=10213022421701837&set=a.4857021950019&type=3&theater

Traum - Neue Vocalsolisten Stuttgart (c) Musica 2018

Falling Indefinitely pt.3

Sonata III (I - Allegro moderato)- Manuel María PONCE (1882-1948)

Performed by Contemporary Music Ensemble Synaesthesis

Artūras Kažimėkas (bass clarinet)
Arminas Bižys (saxophone)
Andrius Rekašius (percussion)
Marta Finkelštein (piano)
Donatas Butkevičius (double bass)
Karolis Variakojis (conductor)

Mix and master by Nikita Shiskov

Invisible Light (2019)

Photo by ianaiare
http://www.flickr.com/photos/ianaiare/6992915149/sizes/l/in/photostream/

O veículo que vai dar entrada no cais...

Lucas Rei Ramos

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