ch 3 ✧ sunny discovers fl studio

Ben - Yes? [edit]

why i died

dariacore speedrun

all in all

@meet1020 + @pinkmouse remix
my part starts at 1:07
@yaaa03

@yaaa03☆★☆@d4dd048

https://soundcloud.com/dltzk/otw-2021?si=b7f4170e3f994746b2a3cfad430aeeae&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
@yaaa03

❤︎#006 w/yax03

❤︎#007

"REVERSE COWGIRL " 
SONGWRITER : KELLY HECTOR 
COMPOSER: KELLY HECTOR

Raw mix for underground sets, 
Relentlessly Intense And Hypnotic 
 Built for a sweaty late-night warehouse rave, powerful rock, floating atmosphere, dynamic contrasts, melodic, kick drum, hard kicks.


WATCH THE VIDEO ON YOUTUBE 
https://www.youtube.com/watch?v=jTUWYxOiFo4&list=PL1ssENa_m59R9uUiyPUfr57zu5J9AO2ak&index=1

If you’re pitching “REVERSE COWGIRL” as a raw, sweaty, late-night warehouse weapon, you’re not overselling it — the track basically says the same thing with its sonics. 

 And at 3:49, it’s tight enough to hit hard, mix cleanly, and get out before the floor gets bored. 
SoundCloud

Style-wise, this sits in that peak-time warehouse techno pocket with a cheeky, electro-brat attitude. 

It’s not chasing glossy “mainstage” euphoria; it’s chasing pressure. The low end is the headline: the kick/sub relationship feels deliberately deep (the weight lives way down low), so on a proper rig it’s going to feel physical — chesty, dark, and relentless.

 The groove is functional and DJ-friendly: steady drive, minimal fuss, and a sense that the track’s job is to keep bodies moving rather than show off clever chord changes.

What I like most is the discipline. 

The mix is mostly mono-strong where it matters, which is exactly what you want for club translation, and the arrangement is paced like a tool: intro/build up, lock into the pocket, then energy shifts that feel like “DJ moments” rather than random scene changes.

 It’s got that Berlin-by-way-of-bedroom-studio vibe — think the utilitarian stomp of modern warehouse techno, but with the kind of mischievous title/attitude you’d expect from electroclash lineage.


Now, the blunt (helpful) bit: because the track is so sub-dominant, you’ll get better translation on phones, cars, and smaller speakers if you add a little more audible bass information in the 80–120 Hz zone (harmonics, gentle saturation, or a parallel layer). 


And if you want it to feel a touch more “expensive,” give the tops a controlled lift: a little extra air/hat sheen and some micro-movement up top can make the groove read louder without actually smashing the limiter.

Bottom line: it’s confident, dark, and built for the floor — a no-apologies club cut that knows exactly where it belongs.

" I WANT TO RIDE YOU REVERSE COWGIRL  " 
SONGWRITER : KELLY HECTOR 
COMPOSER: KELLY HECTOR
https://soundcloud.com/kellytranscend/i-want-to-ride-you-reverse-cowgirl


Trance And Techno Music 

Listen to TRANCE & TECHNO  MUSIC KELLYTRANSCEND, a playlist by kellytranscend {Kelly Hector} on #SoundCloud
https://on.soundcloud.com/E6L0gLWJVhJzSLMer7



Note: All music on the linked SoundCloud is original and owned by Kelly Hector (aka kellytranscend).

dariacore speedrun

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