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Voice sample graciously provided by my friend Karl.

Anti-Belantamab Mafodotin Antibodies

My friend Naomi commissioned me to write a “jazzy anime opening” for an animatic she made to celebrate the ending of her DnD campaign.

Brightest Lights, Darkest Shadows - A City of Spires and Shadows Theme

A piece(?) I wrote for my sound design class in college.  I'm not sure what the hell this is, I'm sorry.

Totally Not Summoning Cthulhu Right Now

My friend Anna and I wrote a musical murder mystery for our alma mater's 24 hour theater event.  This is the soundtrack for that musical (with Anna singing/speaking the parts).

I'm Sad But I'm a Detective - Hemlock Jones singing
I'm Sad But I'm a Detective (Reprise) - Used for a few clues
Clue Fanfare - Played whenever Hemlock and Junior find a clue
Revelation Song - A spoken word of the plot reveal
Clue Fanfare (extended version) - Original version, unused in the play

(I will try to update this with the video recording if I get one.)

I'm Sad But I'm a Detective

The battle music for the final boss of the Adventures in God-sitting campaign!  It was played on loop for about 2ish hours while the party battled Lillian - they didn't hate it by the end so I count that as a win in my book.

I had a lot of fun writing this one, although it took me a few months to figure out what I wanted from it.  I started with the bass line and then had a serious case of writers block because I loved the bass line so much I didn't want to screw up the rest of the song and just kinda.. put off writing it.  Once the final session was becoming closer to being a reality, I finally just drew up a roadmap for the song on my whiteboard.  After bouncing ideas off of a friend over coffee (thanks Cotter!) I was able to get past my writers' block and ended up sticking pretty close to the roadmap.

Music nerding out section:
To try to represent the battle between Cecilia and Lillian (or, more accurately, Cecilia's friends and Lillian), I wanted to pull both Cecilia's theme and Lillian's theme and use them throughout the song.  I ended up splitting the song in half and assigning each theme to an instrument.  The first half of the song is a rearranged version Cecilia's theme played on saxophone, with the initial bass groove providing a lot of the energy of the piece.  Then, after a piano interlude and drum break, the second half of the piece consists of an electric organ solo over the new groove - the solo starts with Lillian's theme!  As the solo keeps going on, Cecilia's theme starts sneaking back in until the saxophone and organ finish out the solo by playing the latter half of the lullaby.  The track then loops back on itself.

DnD nerding out section:
One of the party members for this campaign was also in the campaign I played Bardo in.  When the party was asked who to call in for help, she decided to call up Bardo - so I got to actually play in the session I composed the music for as my bard character!  It was a lot of fun playing him again, and I very much enjoyed the meta aspect of having my bard play in-game the music that I composed out of game for the session.

Ascension Fight

This was the track that played once the party reached the Point of Ascension.  At this point, Cecilia had quickly aged to become an old woman.  She hobbled over to a bench with Mark Nightmare (super edgy character with a heart of gold - please don't ask), where both she and Mark said their goodbyes to the party and ascended to become new gods in the pantheon of the world.

Music nerding out section:
Once I got the opening section started, writing this track went pretty smoothly.  I knew I wanted to end with a restatement of the lullaby but played all bittersweet-and-beautiful (hopefully) on piano.  So I made the song in the relative major (Eb) of the lullaby's key (Cm) and made it so it slowly builds with hints of the lullaby until mid-way through, where it takes off with a more intense piano solo that culminates in a melody that combines the main motif of this song with the lullaby motif.  It then fades back down to a quiet piano where I threw in my hopefully bittersweet-and-beautiful restatement of the lullaby, this time ending on a major chord instead of a minor.

DnD nerding out section:
The actual playing out of the scene took about 15+ minutes, which Nathan (the DM) and I figured might happen but didn't figure out soon enough for me to break the song into loopable chunks.  So I just manually looped sections of the song by fading down, jumping back, and fading back up.  I figured the party was busy enough being emotional about the scene to not notice.  I was right.

The Ascension

An instrumental about wishing it was spring.

Thanks to my friend Anna Little for playing acoustic guitar on this!

If you wish to buy and download this track, you can do so here if you wish: https://looseleaftea.bandcamp.com/track/the-coming-spring

The Coming Spring

I'm probably a level 3 bard.

I like making music :)

Profile Pic Credit: Kendra Petersen Kamp (https://www.facebook.com/photo.kendra)

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