Amazing atmosphere! Dreamful & beautiful!...

Ambient 6

Somewhere, something incredible is waiting to be known

Dive into a world teetering on the brink with "Outbreak Origins," a compelling collection of 10 meticulously crafted music tracks designed for survival video games. Each composition within this anthology encapsulates the haunting echoes of desolation, the unwavering pulse of hope, and the relentless grit necessary to endure against all odds.

"Outbreak Origins" carries players through the chilling breeze of abandoned ruins, the eerie silence of forsaken cities, and the heart-pounding dread of unseen dangers lurking in the shadows. Each track is a high-quality audio narrative, embodying the essence of survival amidst relentless adversity.

Crafted with a fine-tuned sense of atmosphere and emotive resonance, the music within "Outbreak Origins" is more than just a background score; it's the unseen companion of every survivor, the rhythmic heartbeat of persistence that propels players forward through each challenge thrown their way. With a blend of orchestral richness, ambient textures, and modern synth elements, this collection traverses a wide sonic spectrum, ensuring a deeply immersive experience for players.

Tailored for game developers and content creators, "Outbreak Origins" is a royalty-free treasure trove, ready to be seamlessly integrated into your projects. Its thematic resonance and auditory depth are engineered to enrich the narrative and atmospheric essence of your game, ensuring a harmonious marriage between visual and auditory storytelling.

Whether your game narrates a post-apocalyptic struggle, a harrowing journey through uncharted lands, or the desperate fight against an unseen menace, "Outbreak Origins" provides the sonic canvas to paint your narrative with shades of fear, hope, and the indomitable spirit of survival. Let the haunting melodies and resilient harmonies of "Plagued Bastion" escort your players through the harrowing yet exhilarating journey of survival that defines your game.

2 - Phat Phrog Studios - Outbreak Origins - Zombie Zest

Twelve gentle, melodic and ethereal electronic pieces. 


Awake the Lotus

Liquid Magenta

Nowhereland lullaby

Those Fanzine Days is collection of 6 songs and 1 bonus track collated as a mini LP.  3 songs* had a limited release, as part of another project, and have since been remixed and remastered.  Lyrics below.
Bandcamp download:  https://theaffectionatepunch.bandcamp.com/album/those-fanzine-days

1.  Papercuts
2.  Now You’re Not Here
3.  Always Standing in the Same Place*
4.  Not Everything Is About You*
5.  Leaving Bohemia Behind*
6.  Will We Ever Know?

Bonus track
7.  Papercuts (A5 edit)

Videos:
Papercuts:  https://youtu.be/xbklqZouSRI
Now You're Not Here:  https://youtu.be/a0cevyCVTSI
Not Everything Is About You:  https://youtu.be/9MU91N3TC0s
Will We Ever Know?:  https://youtu.be/D8ptoTcmVic

Thanks are due:
CZ for the inspiration, support and song titles.
G for patience and support.

Living in the past in a fanzine daze
Losing all the time with our ‘winning’ ways
Everyone will buy one just wait and see
Our fingers on the pulse, just 50p!

Pen, Paper, Scissors and Glue
Pen, Paper, Scissors and Glue

Sighs of disinterest from our social scene
They really want to buy one but can’t - you see …
There’s a hundred million things that they have to do
Before spending 50p on unlucky you

Pen, Paper, Scissors and Glue
Pen, Paper, Scissors and Glue

If I had a Kross it’d be pink, I think?
If I had a Spacehopper I’d hop, I think?
If I were a Stanley I’d die happy.
If I were a Sister, I’d be cool, probably?

Pen, Paper, Scissors and Glue
Pen, Paper, Scissors and Glue

Those Fanzine Days

Papercuts

Sonopoetry and field recording by https://soundcloud.com/ilaria_boffa

Field recording: recordings taken at the 'Anello dei Colli Euganei'. The deafening noise is the sound of leaves (only) rustling in the wind.

Sonopoem: 
'Translations

A clear geography of silver poplars 
ashes and maples surrounds this fluvial area.
A narrative of rustles, chatting loudly.
Translations. What we hear and the language
that makes it audible imply investigations 
on others’ listening modes.
We question affectivity, objects’ reverbs 
crashing into beings beyond us.
Inside those cubic metres of soil and air
noise spacialises, builds and hits. 
It neuroshapes and impacts the plasticity 
of things.
We translated our voices into exact
references and wording. Now, hear.'

Translations

Yōkai's Visit ~ Ambient Music

Sieving

I see you walking down the street
Your summer eyes, they're shinning down on me
I'm moving fast but you make time move slow
It's hard to think baby when I'm losing control

Those Friday nights in the circus
Have me acting like a fool
I swear I'm really funny
When I'm not trying to act too cool

Baby, I'm just trying to say
I'm doing the best I can
Hold on, it's gonna be a bumpy ride
So take ahold of my hand

My little hunny pie
yeah my little hunny pie

They city sleeps like an angel
when you're laying next to me
can you feel it like I feel it
I need you to see that it's me you're looking for


Thanks to:
Sean Sweeney - drums
Adrian Filangi - bass

Best I Can

Hope

Dancing with the white tree's bones

Boson Spin - Vouceratio

Extended version of the track "Catedral", composed for the original soundtrack of the film "La Nevada", directed by Anna Tyurina and Juan Matías Musa.

Composed and performed by Matteo Mariano (2020) 

MAGNETIC SERIES – Album – Format: CD, Digital – Releases September 20, 2024

“I’ve always had a deep connection with magnetic tape. Since the end of the ’80s, when I was just a kid, musical experimentation was inextricably linked to that medium, to the tapes that filled my days. Every recording, every edit, every sound etched onto those tapes represented my first naive steps into the world of music. It was a way to explore, to get to know myself and the sounds I could create.

Then, in the late ’90s, the introduction to Minidiscs and, later, HD recording changed everything. Daily interaction with tape seemed like a thing of the past, forgotten in favor of newer, more immediate, and versatile technologies. But that magic, that physicality, was hard to replace.

Over the years, I’ve watched with curiosity as magnetic tape made its return to the tables of ambient and experimental music creators. I realized that many had already rediscovered and embraced this medium, while for others, it had never really gone away. I, on the other hand, was much slower to return. But it was precisely through the works of other artists that I found the drive to immerse myself once again in this dimension, more convinced than ever.

Since 2020, after some attempts to incorporate tape elements into my compositions, I began to explore this path more seriously. I started creating tracks where the use of magnetic tape wasn’t just an accessory, but an expressive end in itself. “Magnetic Series” is not a concept album in the traditional sense, but rather a collection of tracks created between 2020 and 2024, united by a common thread: the manipulation of tape in various forms, from cassette loops to reel-to-reel, from slowed-down/speed-up tracks to entire mix passed through tape.

Beyond the allure of nostalgia and the fun that this medium provides, magnetic tape offers something unique: an intransigence that digital lacks. While digital allows you infinite possibilities, tape forces you to make definitive choices, pushing you into a creative process that permits no compromises. And perhaps it’s this very unyielding nature that makes it so fascinating and valuable.“

Music by: Matteo Mariano (macrogramma.com)
Mastereing: Andrea Porcu
Photo & Desig: Moreno Pirovano
Record label: Lᴏɴᴛᴀɴᴏ Series
Publisher: ROHS! RECORDS

Cat.#: LONTANO-S-CD47
Release date: 20/9/2024
Format: CD, Digital

Copyright © 2024 ROHS! RECORDS, All Rights Reserved

Magnetic Series

Catedral (extended Version)

Catedral

the seamy side (storm-centre)

Boii

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out


Loo(p)cy is a project by Italian multi-instrumentalist Lucia Caiazza. She began studying classical piano then she fell in love with  electric guitar, becoming a rock guitarist and singer during her teenage years and beyond.  During the  last 8 years, Loo(p)cy has released 11 albums, alone and collaborating with other musicians.  Her style has evolved into electronics, noise, post rock with oniric soundscapes.

https://loopcy.bandcamp.com/

https://youtube.com/@luciacaiazza?si=xh1sUtf36R4m7Yrt

Nowhereland lullaby

Loo(p)cy

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