Vivaldi Summer

La Maritza" is a song by Sylvie Vartan from her 1968 album Sylvie Vartan (also known as La Maritza). It was also released as an EP and as a single.

Sylvie Vartan (born 15 August 1944) is a French singer known as one of the most productive and tough-sounding yé-yé artists. Her performances often featured elaborate show-dance choreography, and she made many appearances on French and Italian TV. Yearly shows with then-husband Johnny Hallyday attracted full houses at the Olympia and the Palais des congrès de Paris throughout the 1960s and mid-1970s. In 2004, after a break in performances, she began recording and giving concerts of jazz ballads in francophone countries.

La Maritza, c'est ma rivière
Comme la Seine est la tienne
Mais il n'y a que mon père
Maintenant qui s'en souvienne
Quelquefois
De mes dix premières années
Il ne me reste plus rien
Pas la plus pauvre poupée
Plus rien qu'un petit refrain
D'autrefois
Tous les oiseaux de ma rivière
Nous chantaient la liberté
Moi je ne comprenais guère
Mais mon père, lui, savait
Écouter
Quand l'horizon s'est fait trop noir
Tous les oiseaux sont partis
Sur les chemins de l'espoir
Et nous on les a suivis
À Paris
De mes dix premières années
Il ne me reste plus rien, rien
Et pourtant les yeux fermés
Moi j'entends mon père chanter
Ce refrain

sylvie vartan la maritza

Swan Lake - Tchaikovsky

Johann Strauss II - The Blue Danube Waltz

March of Steel Torrent

Aus meinem Herzen

Second Waltz

The 'Waltz of the Flowers' from Tchaikovsky's esteemed ballet 'The Nutcracker', appears towards the end of the second act. Attention can be drawn to the melodious cadenza of the harp, then to the horns that eventually make way into the riveting melody of the strings.

Waltz of the Flowers from 'The Nutcracker' - Tchaikovsky

George Bizet - Carmen - Habanera - Instrumental

Dmitri Shostakovich wrote his Symphony No. 2 in B major, Op. 14 and subtitled To October, for the 10th anniversary of the October Revolution. It was first performed by the Leningrad Philharmonic Orchestra and the Academy Capella Choir under Nikolai Malko, on 5 November 1927. After the premiere, Shostakovich made some revisions to the score, and this final version was first played in Moscow later in 1927 under the baton of Konstantin Saradzhev. It was also the first time any version of the work had been played in Moscow.

The Second Waltz

Lucian Wang

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