Habanera is the popular name for the aria "L'amour est un oiseau rebelle" (Love is a rebellious bird) 

Quand je vous aimerai?
Ma foi, je ne sais pas,
Peut-être jamais, peut-être demain.
Mais pas aujourd'hui, c'est certain!

[sung]
L'amour est un oiseau rebelle
Que nul ne peut apprivoiser,
Et c'est bien en vain qu'on l'appelle,
S'il lui convient de refuser.
Rien n'y fait, menace ou prière;
L'un parle bien, l'autre se tait,
Et c'est l'autre que je préfère;
Il n'a rien dit mais il me plaît.

(L'amour est un oiseau rebelle) L'amour...
(Que nul ne peut apprivoiser,) L'amour...
(Et c'est bien en vain qu'on l'appelle,) L'amour...
(S'il lui convient de refuser.) L'amour...

L'amour est l'enfant de Bohême,
Il n'a jamais, jamais connu de loi;
Si tu ne m'aimes pas, je t'aime;
Si je t'aime, prends garde à toi! (Prends garde à toi!)
Si tu ne m'aimes pas,
Si tu ne m'aimes pas, je t'aime; (Prends garde à toi!)
Mais si je t'aime, si je t'aime;
Prends garde à toi!

(L'amour est l'enfant de Bohême,)
(Il n'a jamais, jamais connu de loi;)
(Si tu ne m'aimes pas, je t'aime;)
(Si je t'aime, prends garde à toi!) (Prends garde à toi!)

Si tu ne m'aimes pas,
Si tu ne m'aimes pas, je t'aime; (Prends garde à toi!)
Mais si je t'aime, si je t'aime;
Prends garde à toi! (Prends garde à toi!)

L'oiseau que tu croyais surprendre
Battit de l'aile et s'envola.
L'amour est loin, tu peux l'attendre;
Tu ne l'attends plus, il est là.
Tout autour de toi, vite, vite,
Il vient, s'en va, puis il revient.
Tu crois le tenir, il t'évite,
Tu crois l'éviter, il te tient!

(Tout autour de toi, vite,) L'amour
(Il vient, s'en va, puis il revient.) L'amour
(Tu crois le tenir, il t'évite,) L'amour
(Tu crois l'éviter, il te tient!) L'amour

L'amour est l'enfant de Bohême,
Il n'a jamais, jamais connu de loi;
Si tu ne m'aimes pas, je t'aime;
Si je t'aime, prends garde à toi! (Prends garde à toi!)
Si tu ne m'aimes pas,
Si tu ne m'aimes pas, je t'aime (Prends garde à toi!)
Mais si je t'aime, si je t'aime
Prends garde à toi!

(L'amour est l'enfant de Bohême,)
(Il n'a jamais, jamais connu de loi;)
(Si tu ne m'aimes pas, je t'aime;)
(Si je t'aime, prends garde à toi!) (Prends garde à toi!)

Si tu ne m'aimes pas,
Si tu ne m'aimes pas, je t'aime (Prends garde à toi!)
Mais si je t'aime, si je t'aime
Prends garde à toi! (Prends garde à toi!)

Andreas Scholl ~ Habanera ~Carmen

Werner Muller Orchestra - Zingaro - Gypsy - Gitano

Werner Muller Orchestra - Zorba's Dance

http://syntheway.net - Toccata and Fugue in D minor, BWV 565 (Johann Sebastian Bach) using Syntheway Organux, a antique, classic, vintage and modern virtual organs in VST, VST3 and Audio Unit plugins format plus EXS24 and KONTAKT Sample Libraries for Windows and Mac.

Website: http://organux.syntheway.net

* The Toccata and Fugue in D minor, BWV 565, is a piece of organ music attributed to Johann Sebastian Bach. First published in 1833 through the efforts of Felix Mendelssohn, the piece quickly became popular, and is now one of the most famous works in the organ repertoire. The attribution of the piece to Bach, however, has been challenged since the 1970s by a number of scholars.
Attribution: Some of the earliest publications to raise the authorship question were articles by Walter Emery (1966) and Friedrich Blume (1965), and Roger Bullivant's book Fugue (1971). Ten years after Bullivant's volume, a paper by musicologist Peter Williams was published, dealing specifically with BWV 565 and outlining a number of stylistic problems present in the piece.

Organux Description: Organux is a virtual instrument designed for creating a wide range of antique, classic, vintage and modern organs covering a vast array of sounds. From a metal or wood pipe type, going through a free-reed, to an electronic, analogue electronic and digital organ types. Versatile for any genre of music, be it classical, rock, jazz, blues, soul, liturgical, gospel, funk, R&B, pop, techno, electronic, dance, new age and world among others. Available as plugin in VST 32 bit and 64 bit and VST3 64 bit versions for Windows / Audio Unit, VST and VST3 for macOS. Also developed as EXS24 and KONTAKT Sample Libraries.

Features

• Quick selector to switch between 30 different preset sounds:

01 • Cathedral Organ
02 • Chapel's Baroque Organ
03 • Church Organ
04 • Medieval Gothic Organ
05 • Renaissance Pipe Organ
06 • Dark Dissonant Pipe Organ
07 • Portable Harmonium
08 • Pump Reed Organ
09 • Blues Organ
10 • Chorus Organ
11 • Mellow Rock Organ
12 • Percussive Organ
13 • Circus Steam Calliope
14 • Ethereal Organ
15 • Glassy Ambient Organ
16 • New Age Organ
17 • Organicus
18 • Organum
19 • Synthesizer Organ
20 • Vibraphorgan (Organ Vibes)
21 • Hammond B3 (Fast Leslie Speed)
22 • Hammond B3 (Slow Leslie Speed)
23 • Korg O1-W ProX Fantasy Organ
24 • Oberheim OB-3 Organ
25 • Yamaha CN-70 Organ
26 • Elka Panther (Transistor Combo)
27 • Farfisa Compact Organ
28 • VOX Continental (Transistor Combo)
29 • VOX Corinthian (Transistor Combo)
30 • VOX Jaguar (Transistor Combo)

• Low-Frequency Oscillator Controls.
• ADSR envelope generator.
• Pitch Bend.
• Reverb built-in.
• Filter Section.
• Amplitude Range.
• Panning potentiometer control.

Toccata and Fugue in D minor BWV 565 (J. S. Bach) Organux VST VST3 Audio Unit Plugins. EXS24 KONTAKT

Polyushko-polye (Russian: По́люшко-по́ле; IPA: [ˈpolʲʊʂkə ˈpolʲɪ]) is a Soviet Russian-language song. Polye means "field" in Russian, "polyushko" is a diminutive/hypocoristic form for "polye". It is known as Meadow land or Meadow lands in English.

The music composed was by Lev Knipper, with lyrics by Viktor Gusev in 1933. The song was part of the symphony with chorus (lyrics by Gusev) "A Poem about a Komsomol Soldier" (Поэма о бойце-комсомольце) composed in 1934. The original lyrics are sung from the perspective of a Red Army recruit, who proudly leaves his home to keep watch against his homeland's enemies.

"Kalinka" (Russian: Калинка) is a Russian song written in 1860 by the composer and folklorist Ivan Larionov and first performed in Saratov as part of a theatrical entertainment that he had composed.[1] Soon it was added to the repertory of a folk choral group. 

The refrain of the song refers to the kalinka, which is the snowball tree (Viburnum opulus). It has a speedy tempo and light-hearted lyrics. The main refrain (Kalinka, Kalinka...) increases in tempo each time it is sung. One of the best-known singers of this song was Evgeny Belyaev (1926-1994) who was considered to be one of the best singers of the piece.

André Léon Marie Nicolas Rieu (born 1 October 1949) is a Dutch violinist and conductor best known for creating the waltz-playing Johann Strauss Orchestra. Together they have turned classical and waltz music into a worldwide concert touring act, as successful as some of the biggest global pop and rock music acts

André Rieu & Trio St. Petersburg - Polyushko Pole and Kalinka (Live in Berlin)

Malaguena

Edith Piaf Sous Le Ciel De Paris

A Song to Remember

O Sole Mio

My Way Sinatra

Luciano Pavarotti (Modena, 12 ottobre 1935 – Modena, 6 settembre 2007) è stato un tenore italiano.
È stato tra gli artisti italiani più apprezzati in tutto il mondo grazie alle sue capacità vocali e musicali, nonché per una riuscita gestione del proprio look e della propria immagine mediatica. Insieme a Enrico Caruso, Franco Corelli e Carlo Bergonzi è stato finora l'ultimo dei cantanti lirici italiani di massima notorietà a livello mondiale. Con il Pavarotti & Friends e le sue numerose collaborazioni (fra le quali è da ricordare in particolare la costituzione del gruppo de Tre Tenori, con Plácido Domingo e José Carreras), ha consolidato una popolarità che gli ha dato fama mondiale anche al di fuori dell'ambito musicale

Luciano Pavarotti  quot;Volare quot;

Paco de Lucía Concierto Aranjuez - Adagio

Parole parole - di Mina e Alberto Lupo

Celebrity beyond the world of opera
Pavarotti History SUPPORT/DONATION BTC: 3GFYfddSMfBxqNjwfewA4u6E8ywGdFN7er

O Sole Mio

LucianoPavarotti

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