Here we are with our sixth exhibition! The talented French producer Adhémar and the super hypnotic Italian duo Primal Code will star in it. All of this will be framed by an incredible painting by Vincent Van Gogh.

The Starry Night is a painting by the Dutch painter Vincent van Gogh, made in 1889 and kept in the Museum of Modern Art in New York. A true icon of Western painting, the painting depicts a nocturnal landscape of Saint-Rémy-de-Provence, just before sunrise.

You will find more information about the painting on our social pages.

Tracks by:
@adhemarmusic
@primalcodemusic

Mastered by Kaelan
www.suboscrecords.com

Adhémar - Notte Stellata (Incl. Primal Code Remix) [DFE006]

Integration EP [The Bunker New York BK048]

Sarah Wreath - Mala

PREMIERE : Marek Bartůněk - Every Planet We Visit Stays Dead  [Inzajeano's Transistor Remix]

https://platformminimal.bandcamp.com/album/the-viking-program

In the vast expanse of our cosmos, each human encounter forms a constellation—a fleeting alignment of stars illuminating the darkness of our solitude. We traverse these celestial bodies, orbiting others, drawn by the gravity of shared experiences and emotions. Yet, how often do we land upon these planets—these people—only to find barren landscapes devoid of the life we once imagined? The air is thin, and the soil yields no harvest. Every planet we visit remains dead.

This is not a physical death, nor the finality of existential cessation, but a death of potential, of growth. It is the realization that those we once thought vibrant have remained untouched by the currents of time, unchanged by the flux of experience. In these moments, we confront the stillness of their being and the immobility of their thought. The life we anticipated finding in their presence is a mirage, a projection of our desire for meaning and connection.

Roland Barthes spoke of the “death of the author,” suggesting that the interpretation of a text lies in the hands of the reader, not its creator. In the same vein, we might be complicit in these lifeless encounters. As the readers of others’ lives, we impose narratives upon them, expecting evolution, change, and enlightenment. When we find none, when the text of their existence remains unaltered, we are confronted with our disillusionment. It is we who have authored the expectation of their transformation, and it is we who must reckon with their inertia.

In his reflections on seeing, John Berger reminds us that “the relation between what we see and what we know is never settled.” When we meet those from our past, what we see is coloured by the knowledge we have since acquired—the awareness of our becoming, our transformations. We have journeyed and changed and look to others to affirm our evolution. But what if they are blind to their potential? What if the world remains flat to them and the stars are fixed in the sky?

To encounter these static souls is to confront the possibility that they are always dead. It is to acknowledge that not all who breathe are alive in the truest sense. Some are mere echoes, reverberating in the chambers of our memory, lacking substance in the present. They are the shadows on the cave wall, the ghosts of what might have been unanimated by the light of experience.

Thus, every planet we visit remains dead, not because they have failed us, but because they have remained themselves. They are the fixed points around which we orbit, measuring the progress of our voyage through the contrast of their stasis. In this realization lies the paradox of human connection: to see others is to acknowledge their limitations, and in doing so, we come to see ourselves more fully. The death we observe in others reflects the death we fear in ourselves—the death of growth, change, and the capacity to become more than we are.

To leave a planet behind, then, is not an act of abandonment but of survival. It is to recognize the necessity of moving forward and finding those rare celestial bodies where life does flourish, the soil is fertile, and the air is filled with possibility. Only in these living encounters can we continue to evolve, learn, and truly inhabit the brief span of our years.

Platform Minimal / PM002
Written and Produced by Marek Bartůněk 
Mastered by Beau at Ten Eight Seven Mastering
Artwork & Copy by Inzajeano

Release date - 16th September 2024

Marek Bartůněk
Soundcloud : @marekbartunek
Bandcamp : marekbartunek.bandcamp.com
Instagram : www.instagram.com/marekbartunek_/

Inzajeano 
Soundcloud : @https://soundcloud.com/Inzajeano
Instagram : https://www.instagram.com/inzajeano_sounds/

Platform Minimal
Soundcloud : @platform-minimal
Bandcamp : platformminimal.bandcamp.com
Instagram : www.instagram.com/platform_minimal/

The Viking Program

PREMIERE : Marek Bartůněk - Every Planet We Visit Stays Dead  [Inzajeano's Transistor Remix]

2 Buben und 1 DJ-Setup, viel Spaß beim hören

Vinyl Only :)

Inlinerrunde mit ACIDESSENZZ durch die Weiten der Acidburger Breaklandschaft

We continue podcasting after an extended summer break, flowing into autumn vibes with a row of great hypnotic techno artist…we are looking forward to what is in the paktcast pipeline.

The opening act is SPCTR, a talented artist with his own very special style.
His mix starts with soft hypnotic sounds, lifts up the energy with a more technoid mood to psychedelic dance stimulating sound carpets.

SPCTR is a Cape Town-based electronic music artist known for his captivating soundscapes and immersive performances. 
By blending richly textured styles with infectious basslines and groove-driven rhythms, he crafts a unique auditory experience that resonates deeply with audiences. 
With a strong emphasis on Deep and hypnotic music, SPCTR aims to transport listeners to a state of mesmerized captivation, inviting them on a journey of self-discovery and musical exploration. 
His impressive portfolio includes appearances at esteemed events such as VAULT, Hotboxed, Analog-underground, and RAVECLUB, as well as a coveted residency at the popular Nocturn series.

@spctr_music
instagram.com/spctr__

Paktcast 045 / Spctr

MEOWWWW ( I wanna fuck)

LIVE 260 W/
MITT • Median
https://www.instagram.com/mc_wowweak/?hl=it
https://www.instagram.com/medianbfghdg/?hl=it

COMEINTHEBACKSIDE

Instagram:
www.instagram.com/backsideradio_official/?hl=it
Youtube:
www.youtube.com/@BacksideRadio

LIVE 260 | MITT | 14.11.2024

Feikomusic - cut it (Free DL)

Buy Now: https://www.beatport.com/release/oblivion-ep/5182726

Midas Field - Oblivion

All Night Long

www.trainwreckspodcast.com If you like what you hear, head to the official site above to see more episodes or subscribe on iTunes!

Ryan Elliot is a "DJ's DJ" who seems to ride the line between house and techno with relative ease. Recently, the Panorama Bar resident released his second mix CD for the Fabric series. The Fabric mix acts as more of a techno-influenced successor to his widely received Panorama Bar compilation which came out two years earlier.

In this episode, Dustin chats about Ryan's process for his compilations and how he chooses the tracks for them. He explains why he'll never stick to just house or techno. The two also go into detail about what makes mixes a bit less disposable and how to ask for a gig or a record deal without being a total jack ass.

MEOWWWW ( I wanna fuck)

Luciferwithcurls

Related tracks