VIBES

TIRZAH - I'm Not Dancing EP

Following releases from Disclosure, Vampire Weekend’s Baio and Hot Chip’s Joe Goddard feat Boris Dlugosch, London via Berlin collective Greco-Roman release the ‘I’m Not Dancing’ EP by Tirzah (produced by Micachu) is OUT NOW.

Get I'm Not Dancing EP here: http://smarturl.it/ImNotDancingiTunes
Get the Vinyl here: http://bit.ly/1eoORNK

Get Tirzah's - No Romance EP: http://smarturl.it/NoRomanceiTunes

Follow: 
https://www.facebook.com/Greco.Roman 
https://twitter.com/GrecoRomanMusic 
http://instagram.com/grecoromansoundsystem

www.greco-roman.co.uk


I'm Not Dancing

Tirzah - I'm Not Dancing

TIRZAH - NO ROMANCE 

Taken from the No Romance EP, out now via Greco-Roman.

Get the No Romance EP here: http://smarturl.it/NoRomanceiTunes

Get the I'm Not Dancing EP here: http://smarturl.it/ImNotDancingiTunes
Get the Vinyl here: http://bit.ly/1eoORNK

Follow: 
https://www.facebook.com/Greco.Roman 
https://twitter.com/GrecoRomanMusic 
http://instagram.com/grecoromansoundsystem

www.greco-roman.co.uk


Tirzah - No Romance

Follow : www.twitter.com/Mickeyofficiel
Like : www.facebook.com/Mickeyfanpage
Instagram : instagram.com/mickeypictures
Bookings : kai@jackmode.de

Early Support by Nic Fanciulli, Anja Schneider, The Magician, Busy P., Noir, Maxxi Soundsystem and many more... 

Let’s start with a bit of a cliché: 
We all know Belgians for their chocolate but Mickey takes the sweetness of this track to a higher level. And not in a corny way. On the contrary, in a delicate, elegant, thoughtful way just as we know the Belgian producer. For „Sweet Baby” he carefully doses the beeps and clicks with a bit of a dreamy vibe, topped of with intriguing vocals from heaven.. 

Yes, Mickey is back on Exploited. His labeldebut „Walk Away" went straight into the Beatport Deephouse Top 10. „Sweet Baby” is definitely one that will stick, figuratively of course.

Mixmag 'House Track' of the month! 

Mickey 'Sweet Baby'

We are over the moon to announce the first new original Peter Bjorn and John track to be released since 2011 is premiering TODAY on @SteroGum - It’s EXCLUSIVELY featuring on Ingrid Vol. 2 compilation, taken from our forthcoming album-sessions written with Patrick Berger.

The new album Breakin' Point is OUT NOW! 
Check it out on Spotify here: smarturl.it/BreakinPointSpotify
Purchase from our store here: smarturl.it/BuyBreakinPoint

Sign up for updates: http://smarturl.it/PBJSignUp
Follow our playlist on Spotify here: http://smarturl.it/PBJSpotifyPlaylist

Follow Peter Bjorn and John:
Facebook - smarturl.it/pbjfacebook
Twitter - smarturl.it/pbjtwitter
Spotify - smarturl.it/pbjspotify
Instagram - smarturl.it/pbjinstagram
Soundcloud: bit.ly/1LhOuV8
iTunes: bit.ly/PBJiTunes
Bands In Town: bit.ly/BITown

www.peterbjornandjohn.com/

Buy on iTunes

High Up (Take Me To The Top)

After years apart, we've finally got the boys back on our screens later this month. What better way to celebrate than by marking another return, to the label of their post-breakout "Stash" victory lap. Aus, Belfast and Boiler Room: there's no place like home.

"Just" wastes no time locking the brisk rhythm into place before a wriggling earworm of a lead pans across the channels. Atmospheric swells are pieced by gatling-gun snares; the tension builds but never releases, making this a surefire precursor to the bulk of heavyweight set climaxes you're likely to hear this summer. As ever, the aural equivalent of 20,000 bicep emojis.

Grip the wax May 25th.

Beatport - http://btprt.dj/1KhNMbE
Juno - bit.ly/1K4d9R4

Bicep "Just" - Boiler Room Debuts

SWS001 - Greg Wilson Featuring The Reynolds 'Summer Came My Way', the first release on the new Super Weird Substance label - release date June 22nd 2015. 

Vinyl & Digital available here: http://bit.ly/SWS-001
Compilation CD available here: http://bit.ly/SWS-CD001

This is the full length Luxxury club mix, you can hear the radio version on YouTube: https://www.youtube.com/watch?v=MynCxEQ4DyI

Having been one of his biggest festival tunes in the summer of 2014, the Luxxury mix of Greg Wilson’s 'Summer Came My Way' - which originally surfaced on last year’s 'Schooled In The Classics' 12” - was put on the back burner throughout the winter in readiness for a full 2015 release. Juxtaposed by Walter Ego’s equally sublime take on the track, the release marks the first of eight records to be issued over the summer months.

Sometimes composition is a long and arduous process, other times a song arrives fully formed. The latter was the case for Greg when he imagined 'Summer Came My Way' as a vehicle for hitherto unknown vocal forces of nature, The Reynolds - twins Katherine and the song’s lead singer Carmel - who, by beautiful serendipity happened to live within a mile of Greg’s Merseyside home.

Bursting out of LA with a lavish twelve-part re-edit series last year, Luxxury’s brand of hazy, slo-mo reworks - a West Coast Balaeric fusion - has catapulted him onto the world stage. Opening his mammoth eight- hour Berghain set in 2013 with Luxxury’s 'Hotel California' rework, Greg helped bring his Los Angeles vibes to wider attention, bolstered by his subsequent support of other reworks; 'Night Fever' and 'Riders On The Storm'.

A victim of his own success, 'Hotel California' gained Luxxury a little too much notoriety and, after a Wall Street Journal interview began circulating, Warner came down on him like a ton of bricks on finding out he’d used The Eagles’ multitracks. All was resolved however and he’s currently recording his forthcoming album, with great things expected for 2015 and beyond. The Luxxury approach perfectly fitted Greg’s vision of the song and the result is a glorious nine-minute epic, just in time for the summer.

With releases on the legendary Ninja Tune, San Francisco’s murky Symbols and Kerri Chandler’s jackin’ MadTech, Walter Ego’s appeal stretches across the board; from forward thinking house to rough and ready grime. Having got to know the Sheffield musician during recent years, Greg was impressed by what he heard, especially an as yet unreleased project he was working on in collaboration with London singer, Obenewa. Inviting him to remix the track, Walter returned an ethereal yet mechanical take on 'Summer Came My Way', his delicately decaying synths and cold hydraulic rhythm giving the track a brooding quality and placing The Reynolds in an entirely new context.

Check out our Super Weird sounds at: https://superweirdsubstance.bandcamp.com
Stay up to date with the latest at: http://www.superweirdsubstance.com

Greg Wilson Featuring The Reynolds 'Summer Came My Way' - Luxxury Club Mix

Innovative house-wizard Medlar has given Andreya Triana's relfective track a slinky re-work.

Read more here.


Lullaby (Medlar Remix) - Andreya Triana

Pre-order the new album 'It Is What It Is', released 3 April on Brainfeeder: https://thundercat.lnk.to/it-is-what-it-isSo

Ninjashop: http://found.ee/giantsroam
iTunes: http://found.ee/giantsroam-it

'Them Changes'
Written and Produced by S. Bruner / S. Ellison
Bass, Vocal - S. Bruner
Keyboards, Programming - S. Ellison
Saxophone - Kamasi Washington
Piano - Dennis Hamm

Virtuoso bassist and singer-songwriter Stephen Bruner aka Thundercat returns to the Brainfeeder fold with his first solo material in two years, having already made outstanding contributions to not one, but two, of the greatest albums of 2015 - To Pimp a Butterfly and The Epic - by fellow Los Angelians Kendrick Lamar and Kamasi Washington. 

Mini-album 'The Beyond / Where the Giants Roam' will be released digitally on Monday 22nd June via Brainfeeder.

http://brainfeeder.net/thundercat

iTunes

Thundercat - 'Them Changes'

Collab with https://soundcloud.com/ellamaesueref

Ella Mae x slim - Stop.Rewind

For a different take on the main mix of 'She Can't Love You' Kermit Leveridge put together a Disco rap ('C'mon Sway') evocative of the original party style that first defined the genre. More about 'She Can't Love You' here: http://www.gregwilson.co.uk/2015/07/covering-a-cult-classic

Vinyl & Digital available here: http://bit.ly/SWS-002
Compilation CD available here: http://bit.ly/SWS-CD001

This is the Greg Wilson rap mix, you can hear the radio version on YouTube: www.youtube.com/watch?v=MvNt2fcqMhM

When disco was declared dead in 1979, dance music was forced back underground, leading to one of its most creative periods. Moving into the eighties, post-disco producers were allowed to explore the new technologies emerging at the time with little corrupting influence from the mainstream and New York became a hub for the new electro-funk and boogie sounds.

Having built his reputation playing the latest US dance imports at Wigan Pier and Manchester’s Legend and Haçienda in the early eighties, DJ Greg Wilson is indebted to that sound and has paid homage to many of the cult hits of the era through his reworks and edits.

Greg had originally intended to edit Chemise’s 1982 underground cut 'She Can’t Love You', cherry picking the best parts from the original and dub mix. However this proved unsatisfactory, so instead he decided to take on a full cover, approaching Tyrrell; the guy who did such a brilliant job of recreating Massive Attack and the Rolling Stones - mashed up with Amerie - on his 2005 P.T.A release, which Greg then reconstructed into 'Two Sides of Sympathy', one of his most enduring edits.

Having recorded the backing track back in 2011, he needed to find the right vocalist. His first thoughts were to approach Adeline Michele, the singer from Brooklyn disco outfit, Escort. This never materialised and, apart from a fleeting fancy for recording it with NYC based Lady Miss Kier, formerly of Deee-Lite, the track was put in mothballs for a couple of years, until he dug it out just a few months ago to play it to The Reynolds, who’d sang so superbly on his track 'Summer Came My Way'. Katherine Reynolds took on the lead and Greg instantly knew the song had found its voice. Not only that, Katherine also expertly weaved lyrics from Triple X’s 1999 'Feel The Same' into the track to give it a new twist.

Greg road-tested the recording in a club for the first time in London last December and it’s since become a crowd favourite - the release is greatly anticipated by DJs and dancers alike. Kermit Leveridge, who has worked with The Reynolds on his Blind Arcade project chipped in with the rap section the girls add and also features on a further mix of 'She Can’t Love You', this time coupled with his own 'C’mon Sway' lyrics. Sweet Tooth T is a project channeling the hallowed sounds of New York in the early eighties but - like with Greg’s DJ sets - the sounds from this groovacious past have been reimagined in a contemporary manner.

Check out our Super Weird sounds at: https://superweirdsubstance.bandcamp.com
Stay up to date with the latest at: http://www.superweirdsubstance.com

Sweet Tooth T Featuring Kermit Leveridge - 'She Can't Love You / C'mon Sway' - Greg Wilson Rap Mix

'Make It Up' is out now!

Buy: smarturl.it/TirzahMIUiTunes

Follow Tirzah:
facebook.com/TirzahMusic

Follow Greco-Roman:
www.facebook.com/Greco.Roman 
twitter.com/GrecoRomanMusic 
instagram.com/grecoromansoundsystem
www.greco-roman.com

Tirzah - Make It Up

Crew Download

C.love - Say A Little [Preview]



Riotvan no. 10 – what a nice jubilee! And a perfect catalogue number to take a look at our back catalogue up to now and at the same time look ahead at the things we might cast in vinyl at some point in the future. Riotvan isn’t just a reflection, but also an inherent part and impulse in the electronic music scene of Leipzig. Gathering the inner circle of the Riotvan cosmos on one record for the first time, thus, seemed like a very logical step.

So RVN010 is the first so-called Various Artists in our roster. At the same time it marks the beginning of a new series, which will regularly lead our close and new friends on the field from now on.

This issue features: Good Guy Mikesh, who buffs up tapered sound sequences into the little slo house gem “Sparkles”. This is also the first new track on Mikesh’s release account ever since his EP “Year of The Horse”, which came out on Riotvan as well.
Then there is the hyper-dynamic “Marque Di Yard” by routine sidestepper Panthera Krause, which ogles with broken beats and should whet the appetite for his second Riotvan EP, due to be released soon. With “Perlenkette”, Filburt drops his first solo work in the label history – a tenderly whispered track from alien spheres with hit potential not to be underestimated.
Afterwards, Jennifer Touch, who recently released a project with Keinemusik’s own Adam Port on Pets Recordings, returns to her solo roots, delivering sleepwalking synth pop melancholia. Here, too, a new artist EP on Riotvan is in the making. If there’s one label which can be ascribed a certain like-mindedness towards Riotvan, it’s undoubtedly Permanent Vacation. Therefore, their puppet master Benjamin Fröhlich rounds up this compilation with “Star Fox”, which steers a middle course between direct and self-forgotten house bounce. Finally, on “Walking In Melbourne” Llewellyn plays out those house sketches which might be a bit too stringent for his alter ego Lake People, obviously not without infusing a fathomless deepness to its floor aptitude.




https://pro.beatport.com/release/familiar-faces-n-1/1665489

Sparkles (RIOTVAN | Various Artists - Familiar Faces Nº1)

Exclusive new Ghost Culture track 'More'.

I'm DJ-ing the official Lovebox after party After Dark for Percolate at Oval Space this Saturday. 

TICKETS HERE: http://bit.ly/1TjZpCy



MORE

Bandcamp

Hindi Zahra - Kiss & Thrills (Dandara Remix)Free Download

More info: https://www.xlr8r.com/news/2016/09/premiere-hear-a-groovy-cut-from-the-banoffee-pies-camp/

@banoffee-pies

BPBL01.2

More info

Premiere: Unknown - Bet Your Life

As we're getting closer to finishing our 2nd album, we thought we would feed out the edits that have fuelled our DJ sets over the past couple of years.

We've made quite a few and there's been requests for us to put them up online - so here's one of the most recent ones...

More to follow!

MS x

Funkadelic - Maggot Brain (MS Edit)

OUT NOW!

some early feedbacks:

Maya Jane Coles – “...I really like the Mowgli record, thanks for the link J”
Jonny (Art Department) – “Solid track...I’m sure will do quite well on Defected”
Noir – “Yeah I’ve been playing this in the clubs ever since I got an early promos. It’s a really nice track and it works in the clubs. Great release on Defected”
James Talk - “This is a great track!”
Round Table Knights – “Great new stuff by Mowgli! Love the track and the video!”
Hardsoul – “Nice!!!”
MK – “Hellz yeah, shit is dope. I love it!!!!! Will def play”
Roy Davis Jr – “I like the record i will chart this one on my next chart.”
Cevin Fisher – “Full Support on this ..Pure Quality .. Great Vocals/Message...”
Soul Purpose – “This is massive, full support!!”

Beatport
http://www.beatport.com/release/back-in-the-day/869918

Traxsource
http://www.traxsource.com/index.php?act=show&fc=tpage&cr=titles&cv=140883

D-Store
http://www.defected.com/store/details/Mowgli+featuring+Amber+Jolene/Back+In+The+Day/2354/3542

Mowgli makes his debut release on Defected records & he’s certainly making his mark with Back In The Day. This record marks a departure from Mow’s normal style as he turns his attention to stunning simple yet effective house music with a rather large bassline! After hearing Amber Jolene on Timo Garcia’s Lady Luck record he got in touch & she recorded the stunning top line. A match made in sonic heaven.

watch video: http://youtu.be/ulnSIrierFE

Back in the Day feat. Amber Jolene

UK: Everything Is Embarrassing EP out April 8, pre-order now at http://smarturl.it/SKYEEITUNES

Pre-order from iTunes

Sky Ferreira - Everything Is Embarrassing (Krystal Klear Remix)

Melba Moore was born in 1945 in New York City, New York to parents Teddy Hill and Gertrude Melba Smith, later known as Bonnie Davis. She initially was raised in Harlem, New York until the age of nine when her mother remarried a jazz pianist named Clement Mooreman. Moore attended Newark Arts High School in Newark, New Jersey.[2] Her mother, Bonnie Davis had a No. 1 R&B hit with "Don't Stop Now", prior to Melba's birth. Although her biological father was Big Band leader and saxophonist Teddy Hill, it was her stepfather Mooreman (who played on "Don't Stop Now") who became a prime influence and encouragement in Moore's musical pursuits and talent, insisting she learn to play the piano. Initially, Moore graduated from college and worked as a music teacher, but soon opted to switch careers. Moore chose her stage name by shortening her stepfather's surname from Moorman to Moore and using her middle name, "Melba".

VIBES

LUCY W