Richard Wagner / Lohengrin-Prelude (Act I) - all VSL (strings are DS, Solo and Orchestral Strings)

Interview with Amy Wilson - Atlanta Philharmonic Orchestra

A demonstration of the exquisite VSL Synchron Strings pizzicato patches, using just the out-of-the-box Room-Mix mic blend - this time with some VI PRO humanisation for a bit more "diffusion" in the overall orchestra sound.

With MIRacle on the mix output.

Tchaikovsky Pizzicato Strings_VSL Synchron Strings (Room-Mix)- with VI PRO humanization

J. S. Bach - Harpsichord Concerto 5, in f minor, BWV 1056 - I. Allegro 
Servando Valero (Vienna Symphonic Library)

- Chamber Strings 
- Cembalo

Mix: Vienna Konzerthaus - Schubertsaal (VSL - MIR)

J. S. Bach - Harpsichord Concerto 5, BWV 1056 - I. Allegro (MIX A)

Another selection of Rossini's "Barber of Seville." This is an Interlude depicting a storm prior to Figaro's and the Count's entrance to the balcony via a ladder.

COPYRIGHT NOTICE:
Copyright (c) 2019. Notice to any copyright claimants - The "Storm" from Rossini's "Barber of Seville" is in the public domain and the recording was performed and created by me using Vienna Instruments samples using Notion 6.

ROSSINI - Storm from "The Barber of Seville"

VI. Life And Death

V. Emily

Recorded with Embertone Intimate Strings and Josh Bell Violin using Notion and Studio One.

Grainger - Ye Banks And Braes O Bonnie Doon Embertone T1

composed by Conrado del Rosario - A tribute to my shopper wife, Annie and to 1950s light orchestral music. Written on Staffpad and rendered by its instrumental libraries. Spitfire Woodwinds, Brass and Chamber Strings. Berlin Harp and Cineperc.
Copyright © 2020 by Conrado del Rosario - All rights reserved

Mrs. Del Rosario Wants To Go Shopping

Beethoven-Happy Birthday

Have always wanted to conduct an orchestra. Had my chance during a soloist competition in college as a freshman and made it past the first round, sadly not the second.

The next best thing to conducting an orchestra is to acquire DAW (Digital Audio Workstation) some MIDI software and sampled orchestral instruments. The sampled orchestral instruments used are from the Vienna Symphonic Library.

This time-consuming process requires the performance of each instrument and part, one by one and usually by phrase or phrases, so we're looking at a minimum orchestra example of of about 16 parts.

Whenever I get some free time, I'll devote several hours at a time to lay down and clean up tracks.  Hopefully will have more completed works as the years go by.

Enjoy!

Ted Sladovich
Atlanta, Georgia, USA

ROSSINI - Storm from "The Barber of Seville"

Ted Sladovich

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