This is closest to country style with a hard hitting commentary on climate change. It is rated in top 20% on Songbay. You will want to hear it again and again.

All or Nothing Rain

Sometimes you just have a lot of fun writing a song and nothing more. Lots of 9th chords and crazy changes. One of my favorites.

Temptation

“Fifty Aeons Long” by The William Altig Choir is a hauntingly beautiful folk-blues meditation on time, freedom, and perception. The song explores how our suffering often comes from clinging to minutes, regrets, and imagined futures—when the truth is timeless and already here. With finger-picked acoustic guitar, slide accents, upright bass, and a baritone voice that feels both ancient and intimate, the track unfolds like a prayer at sunrise. It’s blues for the soul awakening, a sound that dissolves the weight of the clock and lets eternity breathe through every note.

Lyrics: 
[Verse 1 – The Clock and the Soul: Solo guitar + voice—dry, intimate]
I woke before the whistle, sun still hid its face,
Coffee burned my tongue, dreams vanished without a trace.
Been fightin’ every minute like a war I can’t outlast,
But time just grins and slips away, laughin’ at my past.

[Chorus – Half-Day Blues: Add bass + light slide]
I’ve been countin’ fifty aeons, thinkin’ they were just half a day,
Got my mind all tangled in hours that fade away.
If I could see like the Buddha sees, I’d know the moment’s never gone—
I’d drop my watch and hum this tune, fifty aeons long.

[Verse 2 – The Ground Opens Up: Full rhythm section enters softly]
The dirt beneath my worry cracked and let some light shine through,
A thousand golden faces rose from everything I knew.
They whispered, “Child, your prison’s built of minutes and desire—
Step outside the ticking hand, and walk right through the fire.”

[Chorus – Half-Day Blues:]
I’ve been countin’ fifty aeons, thinkin’ they were just half a day,
Got my mind all tangled in hours that fade away.
If I could see like the Buddha sees, I’d know the moment’s never gone—
I’d drop my watch and hum this tune, fifty aeons long.

[Bridge – The Shift: Organ pad swells, drums drop to heartbeat pulse]
All my fears are echoes in a jar of borrowed time,
I finally saw that silence ain’t a void—it’s the rhyme.
Now I breathe in every second, let the whole world sing along—
The blues of now forever, fifty aeons long.

[Final Chorus + Tag: Choir + harmonica lift to E major for transcendence.]
I’ve been countin’ fifty aeons, thinkin’ they were just half a day,
Now I’m laughin’ with the sunrise, all my debts of time repaid.
When I see the world on Buddha’s scale, my heart beats calm and strong—

[Last line sung a cappella → single guitar harmonic fading out]
One breath, one song, fifty aeons long.


Fifty Aeons Long

Games

Minimalist string composition evoking the vastness and mystery of space. Calm yet powerful, ideal for sci-fi, exploration, or emotional cinematic scenes.

Deep Space Theme

I am such a big fan of Bonnie Prince Billy. I had to do a little impro on his track Even if Love. I slowed it way down cause I thought that would reflect the mood of the track even better. Then build a unique synth setting for it. Hope you like it. 
Here you can find the original song by BPB: https://on.soundcloud.com/iz7xoR0Fd5nvRHGezN

Once again in the world
Of twelve hundred feelings
All in electric lights
We see what we can
And I love the sound of wind
Blowing at night through trees
From the roof I can see tombs
Past the houses of the city
And I have been yours
In foul and in praying
And I loved to look at you
From the side at night with music playing
And love will protect you
To the edge of the wood
Then a monster will get you
And love does no good
And even if love were not what I wanted
Love would make love the thing most desired
Quelle

12 hundred feelings

The Cure I Couldn't See | The William Altig Choir

A blues-folk meditation on the physician's parable from the Lotus Sutra. This song tells the story of a soul searching desperately for healing, only to realize the remedy was offered all along—but pride and delusion kept them from believing.

Inspired by ancient Buddhist wisdom translated through the language of Delta blues and Appalachian folk, "The Cure I Couldn't See" explores themes of suffering, recognition, and the bittersweet moment when we finally accept the truth that's been waiting for us.

Raw acoustic guitar, mournful harmonica, and vocals that carry the weight of the journey from darkness into light.

For those who wander, for those who doubt, for those who finally see.


lyrics: 
Verse 1 I've been walking these roads with a poison in my veins Searching every hollow for someone to ease my pain Knocked on a thousand doors, cried out a thousand names But the remedy was sitting right there in my father's hands

Chorus Oh, the cure I couldn't see Was waiting there, waiting there for me Too proud, too blind, too lost in my disease To believe in the cure I couldn't see

Verse 2 He showed me the medicine, said "Son, just take this pill" But I shook my head and wandered off across another hill Thought I knew better, thought his words were just old tales While the poison kept on spreading and my body growing frail

Chorus Oh, the cure I couldn't see Was waiting there, waiting there for me Too proud, too blind, too lost in my disease To believe in the cure I couldn't see

Bridge Now I'm falling to my knees in the dust Everything I thought I knew just turned to rust And I hear his voice calling through the years: "Child, I never left you, I was always here"

Verse 3 So I took the medicine, felt it burn and then turn sweet Recognition flooding in like mercy at my feet All that wasted time, all those miles I roamed alone When the doctor was beside me, trying to lead me home

Final Chorus Oh, the cure I finally see Was waiting there, always there for me No more running, no more disbelief I've found the cure, and the cure has set me free Yeah, I've found the cure, and the cure has set me free


The Cure I Couldnt See

Ambient soundscapes for your pleasure. Exploring new ideas in science and science fiction.

SFS - STARDUST AND WONDER

Memories - YTSMSC (Original Mix - Preview)

A lost rider and a singing companion are swept into the oldest story ever told.

After a desperate ride through a midnight storm, Buck Ramble and his faithful tenor companion arrive on the outskirts of Bethlehem just as the angel appears to the shepherds. They were never meant to be there—yet somehow they are. Their arrival shifts the story, and the angel turns to confront them. If they want the world to remain whole, they must remain and make it right.

What follows is a sacred western journey seen through the eyes of a man and his horse who never expected to witness a miracle. They follow the angel’s command to Jerusalem, where the Festival of Lights fills the Temple with fire and song. There, in the arms of an old man named Simeon, they behold the Child who would someday call Himself the Light of the World.

The encounter changes everything. They ride back not with answers but with peace—carrying a quiet flame that was never theirs to earn. The final songs are not about what happened, but what remains: light for the weary, mercy for the broken, and peace for every stranger still out on the road.

Part Christmas album, part biblical epic, part sacred western myth, Festival of Lights is the story of men who stumbled into prophecy by accident—and stayed long enough to be transformed.

Summary Themes:

Doubt & faith

Accident & providence

Smallness & glory

Light carried through darkness

The gentleness of redemption

The way God works in ordinary men

Tone:

Cinematic, reverent, frontier, mid-century hymn, sacred Americana, biblical poetry, quiet emotional catharsis.

This isn’t just a Christmas album.
It’s a pilgrimage.
And somewhere in its journey, the listener finds themselves in the story too.

When the Wind Stood Still

«The World We Knew (Over and Over)» es una canción grabada por Frank Sinatra en 1967. Se basa en una composición de Bert Kaempfert.

Apareció por primera vez en el álbum de 1967 de Sinatra The World We Knew y fue lanzada como sencillo ese mismo año. Alcanzó el puesto treinta en la lista Billboard Hot 100 en septiembre de 1967.[1]​ En la lista Easy Listening de Billboard, pasó cinco semanas en el número uno y fue el sexto y último sencillo de Sinatra en encabezar esa lista.[2]​

Over and Over Frank sinatra

Luis Fernando Agea Amador

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