Buzbebop is the sole creative force behind the CREATING SH!T OUT OF FREE SH!T PRODUCTIONS, BUZBEBOP CRAP COUTURE FAR-FETCHED MERCH and BUZBEBOP RECORDS.
I'm somewhere between 'The Shaggs with a broken Casio, James Murphy having a nervous breackdown, and Jandek on MDMA, minus the melodic landscapes of Lou Reed's 'Metal Machine Music'.
I am the one and only Cacofonix of EDM.

3 - Aura Don't Stop (body Can't Keep Up)

4 - Digital Punk Rock

5 - Donald Trump Is A Prick

6 - Brian Eno, Cop A Load Of This!

9 - ADM (abstract Dance Music)

Buzbebop is the sole creative force behind the CREATING SH!T OUT OF FREE SH!T PRODUCTIONS, BUZBEBOP CRAP COUTURE FAR-FETCHED MERCH and BUZBEBOP RECORDS.
I'm somewhere between 'The Shaggs with a broken Casio, James Murphy having a nervous breackdown, and Jandek on MDMA, minus the melodic landscapes of Lou Reed's 'Metal Machine Music'.
I am the one and only Cacofonix of EDM.


10 - Anton Newcombe, I Love You Since You Told Me To Fuck Off

11 - Gloryhole In A Glasshouse

12 - Deaftronica (reprise)

DEAFTRONICA

7 - Fuck me it's only Tuesday

8 - Smegma are raving in my house

Equipped with a 95$ computer and Jack shit in my pocket, one fine day I decided to become an internet scavenger and collect as much free stuff I could find online. Free domain, creative commons, royalty free, you name it I collect it then recycle it. All the free samples, no DJ/Producer/Mixer/Musician/Juggler worthy of a name, would dare put their reputations on the line by using it. That's my scrapyard and go to workshop. 
Armed with a master plan to disguise the fact that I have no musical abilities what soever, I decided to make an album. 

Now the only way to pull this one off, is by creating my own style and genre. Now the genre is IDN (ignorant dance noise), and the style is DEAFTRONICA, because I'm not a composer, but a decomposer, all my pieces are decomposed in total deafness. I pick samples randomly and then cut/paste on a song editor (Audacity, my poor computer can't handle much more than that) and a vast amount of free VST effects (too backwoods to figure out how to use the VST Synths), which apply in complete abandon without having a fucking clue what they do. When I am tired of drawing geometric soundscapes while I am listening to decent music, comes the painful part, in which I have to listen to it to remix the finished masterpiece. Take as much shit out as I can to make it sound less horrid. If it's just about bearable, it's a club classic, if it's fucking dreadful, it's Nouvelle Vague/Avant Garde/Belle Epoque/Be bop a lula/Kiss my ass/Techno/Free Jazz, and if you're not into it yet, go fuck yourself, you're not worthy of kissing my hand. 

At first listen, it becomes quite apparent I didn't spent much time polishing my mixes for this album, which is in fact absolutely true, my entire life, creativity and me always had a fickle relationship. But what's also true is, even if I had spent more time, effort and above all listen to while I was making it, wouldn't make any fucking difference. 


What people are saying about this album 


"DEAFTRONICA is painfully pleasurable; Like root canal with no anesthetic and a blowjob simultaneously" Buzbebop 

"You have to be a complete fucking idiot to be a fan of my music" Buzbebop 

"I dare anyone to remix one of my tracks, and make crap sound good" Buzbebop 

"If ISIS hears my music, the'll send me an application form" Buzbebop
credits
released April 13, 2016 

Buzbebop

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