Djazzism

Fantaisies_89	(init: 2021/03/27, last modif: 2021/03/31)
								   uploaded
									----
1	Eta Ceti "Sumeru"       -       -       -       15 d		Music for Tapes
2	ReEazy "Smoothation"	-	-	29 d	Atmospheric Philly Club
3	Dream Rec.Machine "Rubikon"	-	1 Y		Ambient
4	form • null "All The Best.."		-	1 mo	Ambient
5	Aiden Ayers "Blue jean shoes"	 -	1 Y		[]
6	Xquisite Releases (oxhy)	-	-	19 d		[]
7	Marzena Majcher Trio "TransMission 5" 1 Y	Ambient
8	earsheltering (Filmy_Ghost)	-	11 mo	Ambient
9	luis codera puzo "Compression...(Pt 5)" 1 Y	Clásica
10	Raðulfr Maganhar "Don't know.."	8 d		EXCUSES
11	Noriya Iwata "qtj"	-	-	-	-	1 Y		Electronic
12	Soul Feeder  (dj bingo)	-	-	6 d		BCAAsystem
13	Best2s (Brian Close)	-	-	-	3 mo	Electronic
14	TERKEL HØNGAARD "Bing"	-	23 d	[]
15	Lyn "Plight"	-	-	-	-	-	4 d		Business
16	Wicked Wax "Outro (Vital Rep)"	8 d		ambient
17	Hirosaki Sakata "CUT UP M.."		11 d		Ambient
18	mudubovik "Glinka & Sviridov Tribute" 1 Y	Classical
19	TERKEL HØNGAARD "til alle f..."	8 mo	[]
20	lui c. puzo "aproximación a lo ind..."	6 Y		contemporary music

HK_Fantaisies_tracks_89

ContempJz7

A new selection from the collection playlists Anders 1 to 9 and new Tracks.

Anders I

xquisite releases presents 'woodland dance' the first album by @oxhy

texture of millet
sweet song and laid out sweet on the bed
hours without rest and billowing like the night
god entered into my body
like a body my same size
like me floating into you
or you floating into me
commandments that met their fate
and crumbled like warm foetus
chained around their neck
fresh from birth
wriggling for the morning
like we were my god
like all that crumbles
flayed to the touch as a foal
now in the woods i hear silence
and what it once was commands me
i couldn’t grieve the birds but i mimic
like the lyre bird
a toy gun or the sound of machines
fickle objects whose breath now permeates the woodlands
vain cries that covered up the silence
and smothered your word oh god
i miss the morning star
oh fever dream
dream of prolonged moments
coagulated spit and pus on the floor
washed and washed again

oxhy - Scratches

Clinical Voodoo

Time is a sliding door –  but if so, what does it mean?

“Time is a Sliding Door” is a variation of Ralph Waldo Emerson’s saying that “Reality is a Sliding Door”. As if that wasn’t tricky enough, substituting ‘reality’ with the noun ‘time’ unravels a kaleidoscope of meanings and implications that turns the ground of our presumptuous existence into a wobbly pudding. If Time is a Sliding Door, and we push it aside, what happens beyond the threshold? The act of sliding means that the other side is only slowly revealed. As well as with a thud, thunder and roll. As radio is a medium which transgresses our notion of time and space, both naturally and effortlessly, how does it come into the picture? If the door opens onto a 5th dimension, and/or still others, how could this be ‘enlistened’ into a radiophonic scape? To be honest, the author of these lines doesn’t actually know, and how could she?

As humans we continue to be tethered to time as a condition of our communication, our perception, our being. It just seemed fit to start with a speedy panorama of the “Swabian-Alemannic Fasnet”. Fasnet (or “Fastnacht”) is also called the “fifth season of the year”, and is recorded in central Europe at least since the 13th century. Its presentation of an inverted world, the parades of Jesters, Fools and Witches, the almost deafening onrush of drums, ‘Fools Cries’, trombones, trumpets and bells truly create a different time horizon.Other acoustic inhabitants of this composition are the cuckoo-clock and clocks in general, as this region of Germany is famous for its clock-makers since the 17th century. And after all, it is not just the shamans of the Northern Tunguska who believe that the cuckoo’s call presages the number of years one has left to live…

 Time is a Sliding Door sticks to the human dimension, playing with the acts of acceleration and deceleration, with the notion of journeying (we shall be travelling from the Black Forest to New Mexico and from there to Slovenia – at least), spellbound by folk tunes, with the whisperings of shortwaves captured in open and discreet places. Hidden stories keep on drifting through radio space, sites and signals keep travelling, and wherever they may go, eventually an alien molecule, touched by radio might spark off the impulse for that door to open up into the unforeseeable. Meanwhile, we’ll keep hanging around this auditory doorstep.

Credits:

Accordion: Olsen auf Aldebaran

Musical Saw: Mimosa Pale

Singers: Sanne Drouhin-Kok, Ulrike Stoehring and Lilli Moors, Fernando (guest appearing for “Adopta una planta”/Datscha Radio, Madrid).

Drums: Paddi (Patrick Guderitz), Toni Brokoli (Pascal Dinser aka Kalle Dinsko) & Junk (Thomas Jank)

Special thanks to: Global Forest e. V., Black Forest!

Gabi Schaffner works as a trans-disciplinary artist within the realms of radio art, composition and performance. Her artistic practice is determined by the methods of poetic ethnography in connection with fluxus-like mise-en-scènes, radio-making and sound art performances. Much of her work originates from journeys. Next to her radiophonic productions, Schaffner creates speculative musical genres and inserts them into music history in order to raise awareness for cultural, gender-related and/or geographical conditions.

Schaffner has been realising award-winning productions with Deutschlandfunk Kultur, radia.fm, Hessian Cultural Radio and ABC Australia. Since 2012 she maintains “Datscha Radio”, a nomadic transmission project that links the medium of radio to current ecological issues.

As a writer and translator, she has published numerous texts; most recently: “RevoltenDiaries”, in: Radio Revolten, 2019. She holds a MA in literature and ethnography and a diploma in visual communication. Gabi Schaffner lives in Berlin.

Current work:
Fazzoletto per un eternità. Performance and vinyl edition, 2020
Rapid(s)Trains: Geolocated audio walk for Open Gorey, Wexford, Ireland. 2020-2021

https://schaffnerin.net

Gabi Schaffner - Time Is A Sliding Door

from the 2021 reissue of Eukaryotik's 2006 album "Zoological Pardons" (https://listen.rubbercitynoise.org/album/zoological-pardons)

Zoological Pardons

Lw Bdgt Actn Mv 1992

Eukaryotik ~ Lw Bdgt Actn Mv 1992

Duo piece for Piano + Dispositive (eccentric rotating mass vibrating motors - amplitude: from 6G to 13G} & MIDI Keyboard.

Piano & MIDI Keyboard: Henrique Vaz 

"In 1947, the composer Conlon Nancarrow—frustrated with human pianists and their limited ability to play his rhythmically complex music—purchased a device which allowed him to punch holes in player piano rolls. This technology allowed him to create incredibly complex musical compositions, unplayable by human hands, which later came to be widely recognized by electronic musicians as an important precursor to their work.

A similar interest in seemingly impossible music can be found today in a group of musicians who use MIDI files (which store musical notes and timings, not unlike player piano rolls) to create compositions that feature staggering numbers of notes. They're calling this kind of music "black MIDI," which basically means that when you look at the music in the form of standard notation, it looks like almost solid black"

- MICHAEL CONNOR {http://rhizome.org/editorial/2013/sep/23/impossible-music-black-midi/}

Score Follower:
https://www.youtube.com/watch?v=hxhIoxRU0xk

Samples from the score:
https://www.facebook.com/henrique.vaz/media_set?set=a.10203245645969268.1073741833.1452650501&type=3

░▒▓█ Black MIDI [2013] - for piano & MIDI keyboard {or disklavier}.

One more.  :)

Decided to go outside, and record a clip.  The SQ-64 is just sending some triggers over, and one pitch CV.  The rest is all done on the synth itself.  Reverb and Delay from ZOIA.

StrohModular-OneMoreOtherThingHeeHeeHee

This is an edit I made some years ago, played it in many bboy battles, thought I'd share it!

Τάκης Αντωνιάδης feat. The Sounds - Μη Με Παιδεύεις (DJ Kid Stretch Edit) FREE DL

Cast of Characters:

TexMex Shaman–@texmex-shaman –Stephen–guitar, mix, and production

J.J. Terrell–@j-j-terrell –electric piano, organ, and arrangement

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

Llanpsych–@llanpsych –Tez–guitar

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–four string fretless bass, guitar, arrangement

  This is a song that began as a drum track that Ken came up initially as a beat for another SoundCloud user, who respectfully declined it. Instead of letting a solid go to waste, Ken set it loose with JJ and Josh, who came up with an arrangement for the music over top of what they felt was a very killer beat. What was originally a jam, turned into a showcase of the entire Eclectic Collective. Josh also did some guitar work in this one, and with Stephen's brilliant harmony, came up with the opening theme that reoccurs about halfway through. His guitar can also be heard briefly right after the opening theme. Along with Stephen's other half of the theme, he is also responsible for the dynamic, climactic leads through most of it. Tez added his incendiary guitar to the final section, when all else was said and done, as a cherry on top. After all the tracks were in the digital can, we were lucky enough to have Stephen produce and mix it for us. 
  We hope you all had a wonderful Thanksgiving and are looking forward to the winter holidays. We also hope you enjoy this ride as much as we enjoyed assembling

Helium Weights - The Eclectic Collective

Old modular sounds and tunes that weren't created on my own modulars.  :D

216 - NoiseRingCV

13 SESSION(Live)

Capturing the sound of one of my favorite bands of all time. Recorded and mixed in Logic Pro X.

Kalima - That Twinkle (Logic Pro Edit)

...just after he met Dr. Livingstone, Stanley met the great PARPAR duo in their civilizational mission through the jungles of the IBERIAN PENINSULA...
...when he said the famous sentence "PARPAR? I presume..."

(Composed, Produced & Performed by Leonel Cardoso)
For more real live adventures check:
Documentary featuring H. M. Stanley:
https://youtu.be/8Z4KOGXTAIw
and more:
https://www.youtube.com/channel/UCIqHg6-f1dHi0jY4vreaHVg/featured

Disclaimer: I'm in no way affiliated or connected with PARPAR, just a fan...having fun...

When Henry Morton Stanley Met PARPAR In The Iberian Peninsula

PAIPAI perfomed on the LAST date of our TUKTUK tour in the Iberian Peninsule. As in all perfomances, PAIPAI is one of the last tracks and features Jorge (André Calvário, from "Cardíaco", "Signs of the Sillouette", "Ácidos" and other bands) on the bass!
...
New release on BANDCAMP soon!

PAIPAI (featuring Jorge) @ Armazém 22 (Gaia)

Disruptive Mantra

COMPRESSION MUSIC (2018, Luis Codera Puzo)

Check a video about the piece here:
https://vimeo.com/275076906

Sarah Maria Sun, voice
Neus Estarellas Calderón, piano
Feliu Ribera Riera, percussion
Santi Barguñó, sound engineer
Luis Codera Puzo, modular synths, samplers, composition

ENG
Compression Music is a full concert piece which deepens the very idea of sound. The piece raises the question of how the omnipresent current aesthetics of compressed sound in modern music (characterised by homogenising dynamics and the construction of a compact sound) can meet a classical music criteria based on opposing principles such as realistic acoustics, natural instrument colours and wide dynamic ranges.

The text of the piece is a reconstruction of a multitude of fragments of lyrics of pop songs that I liked when I was younger

Project supported by Fundación BBVA

ESP
Compression music es una pieza-concierto que plantea cómo la omnipresente estética actual de sonido comprimido, caracterizada por homogeneizar las dinámicas y construir un sonido compacto se enfrenta a un criterio y tradición clásicos basados en principios de acústicas realistas, timbres naturales y amplios rangos dinámicos.

El texto de la pieza es una reconstrucción de multitud de fragmentos de letras de canciones de música pop que me gustaban cuando era más joven.

El proyecto cuenta con el soporte de la Fundación BBVA

Compression Music (part 5)

Blue jean shoes

Rubikon

The Joy Of Cherry Picking

FORM NULL

All The Best Memories Are Hers

We proudly present our 19th Lunatics Jazz collab ! with big thanks and appreciation to my friend Cosmic Ratzzz !
>> tenorsax by me - all funky goodness, groove 'n stuff, mix 'n master by C.R. <<

Veröffentlicht von: Deutsche musikalische Hilfsmittel Gesellschaft.ev aka https://soundcloud.com/cosmic-ratzzz

Catzebriolon // Cosmic Ratzzz & joerxworx / lunatics 19

Smoothation

composer
modular synths and electric guitar performer
cultural manager