The performative installation „An emological symphony“ is a lively hybrid literally joining human and technological organs. The outcome of this mixed form is a bio-musical score which is being breed -live on stage- not only by the human performers but also by the computers influence. The heart rate, breathing scale, and temperature of the performer is being measured and used as a parameter for sounds. esWith the action of the performer the music is changing its emotional layers, and with the modification of the soundtrack the performers reaction is being influenced. Who is the active performer within this installation- and who isn`t? And who is controlling whom? 

Langsamer Wendepunkt

1/5 of 'Singing Stones', a multichannel, site-specific sound installation created for MadeiraDig/MMiFF Festival 2014. Other parts of the installation by Jacob Eriksen, Jasmine Guffond, Martyna Poznanska and Gregor Pfeffer. Exhibited 10-13th December on the rooftop of the Cinema 'Sol' in Ponta do Sol.


Trade Wind Pattern

Soundtrack to ‘Walking Distance’ – an essay film by Gosia Lehmann about walking, getting lost and just wandering around. 

Walking Distance (excerpt)

Frog In No Hurry

blurry prospects

A generative piece accumulating sequences played on a Korg Monopoly, feeding them back into the system while gradually overwriting others. The synth is playing a duet with itself from the past.

Presented on Cashmere Radio as part of “Chronopolis live from Libken” (March 2018).

Time Lag Acid For Monopoly (Excerpt)

A first tryout with long sustained tones.
Camilla Vatne Barratt-Due (Akkordeon) / Lukas Grundmann (Modular Synthesizer)

Lukas Grundmann

Popular tracks