Name: Brad Fiedel - Terminator Style Test by Luke Clarke
Duration: 1 min 4 s
Description: As a huge fan of the synth soundtracks of the 1980's, I spent an hour or so whipping up some presets based on "The Terminator" mixing in a hint of the lead synths Vangelis used in "Blade Runner"

nice! a touch John Carpenteresque, which is good!

As a huge fan of the synth soundtracks of the 1980's, I spent an hour or so whipping up some presets based on "The Terminator" mixing in a hint of the lead synths Vangelis used in "Blade Runner"

Brad Fiedel - Terminator Style Test

Music/instruments played & tracked by Jess Lemont 2/11/14 - (Artwork - J. Lemont) This basically is what I think a reptile dance party might be like. 

It's a Reptile Dance Party

Song/Lyrics by J. Lemont - All instruments played/sung and recorded by J. Lemont.

There's A Point To Crying [2014]

...and to be added to a mini-set. Or, it's technically a set, but, I'm just emphasizing it's mini-ness.

Never Want To Be A Broken Soul (Uploaded again for clearer vocals)

Space Creeper-EFC Challenge April 2014

Software: WaveLab LE7, Reason 4.0.1 build 973
Controller: mouse

Time to complete: approx 3 days [one day thinkin about it; 3 full days + 2 half days]. Again, I am notoriously slow.

Details:
The idea behind this track is how mundane actual space travel would be for humans. To represent this assumption I have about how boring space travel would be, I used repetition and then automated parameters to give sense of movement or specific parts of time individuality.

Reason: This piece consists of 28 tracks.
17 sound source devices, 32 FX units
The rack included:
1 NN-XT sampler;
7 Subtractor Synths;
8 NN19 samplers;
2 Redrum drum machines; 
2 MClass Compressors;
1 RV7000 Reverbs;
2 Scream4 Distortions;
6 CF-101 chorus/flangers;
10 DDL-1 Delays;
2 RV-7 Reverbs;
4 D-11 distortion units;
3 Comp-01 compressors;
4 PEQ-2 parametric EQs;
1 PH-90 phaser;
4 reMIX mixers (again, 3 for tracks; 1 for output bus);
1 MClass Mastering Suite set to default;
There is a lot of parameter automation! (157 parameters automated- and to what end???).

Originally I wrote the drums with factory presets. So I remade the sample with trash can drums, boxes of matches and shaking some keys.

This piece has a crazy stack of effects in which I have created a massive delay unit which has 7 delay units 4 of which are set to prime number delay times. That signal chain also has a flanger, 2 distortions, a comp & parametric EQ. 

Space Creeper (EFCMC3)

Single Off Ryan Vasons Upcoming Album SubXulture  

Cadillac [ Produced By. L.A Chase]

Made for EFC Music Challenge #4 - Cop Show Theme
https://soundcloud.com/groups/music-challenge

Opening music for a gloomy, dark detective series, ala The Killing, Wallander, or perhaps GracePoint.

Three recorded tracks of piano, panned separately and slightly offset, create their own ambient delay. Reverse reverb and reverse samples of the piano track, both distorted/delayed and smooth, play in and out of the mix.

Copyright 2014 Kim Rueger

SeventhState

STRAFE's full 23 track OST is available at 
https://amosroddy.bandcamp.com/album/strafe-ost

https://store.steampowered.com/app/442780/STRAFE_Millennium_Edition/

Paint It Red (STRAFE OST)

Thursday 08:00 PM

Music performanced by RAILROID
 Vocals : Vocaloid - Megurine Luka

DANCING WITH TEARS IN MY EYES (ULTRAVOX - COVER)

Music performanced by RAILROID
 Vocals : Megurine Luka
 Additional vocals : Hatsune Miku & Kagamine Rin

THE ART OF PARTIES (JAPAN - COVER)

I'm Luke Clarke, I'm a self taught musician from Walsall, I've drifted through many, many bands and now I really want to start making music for films and video games!

Brad Fiedel - Terminator Style Test

Luke Clarke

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