The 'Final Constructions' (Original Mix) track starts off with a processed fat 909 kick and closed hi-hat, when a stereo panned shaker sound joins in. Shortly after followed by a stacked pluck riff. The first break is filled with a simple whoosh and a big cymbal crash. Other breaks have a bell sound motif added. The producers deliberate don't use big breaks, buildup or drops to create a continuous sound. A challenge for Playpat & King, with the 'Final Constructions' track, was to stretch the repetitive riff to the edge. And see how they could differentiate the theme with some simple additives like a monotonous lead sound. Final Constructions asks for a 'let it go' attitude or a 'go with the flow' approach.

Final Constructions EP

Final Constructions (Original Mix)

Playpat & King like to perform on festivals and in clubs. They noticed that Beach clubs have a special ambiance. 'Beachclub' (Original Mix) is inspired by a performance in Ibiza, where it seems the party's go on day and night. That's why the vibrant track starts as if you are dropped in a continuous beach party. The combined Moog pluck and transcendental sequenced sound are layered with Hi-hats accompanied by other subtle drum sounds. With a rush of drum-sounds the music becomes a multidimensional current of interlocking grooves. Playpat & King love to use plucked sounds for the main theme, with Mirage Key Chords giving the track an ebb and flood drive. It doesn't take a lot of imagination to hear some seagulls fly over the sandy shores.

Beachclub (Original Mix)

'Plastic Brain' (Original Mix) starts with a sharp piano chord progression and echoing hi-hats with a steady pace, when the pumping kick and rumbling triple saw bass join in. The soft Velo Lead from an Arp 2600 synthesizer and a Buchla Easel Automodulation are used as a subtle pad, joined by a typical Playpat and King signature from the stereo panned hi-hats. The massive theme is constructed out of three stacked pluck sounds. A big Sylenth1 lead starts the instrumental chorus. The background movement is created by a Hybrid3 Dance Poly and Jupiter 8 Reso Strings. The inspiration for this track was found by the knowledge that our brain has neuroplasticity and can evolve when you stimulate it. The 'use it or lose it' phrase is created by using as many as possible different instruments. In the middle of 'Plastic Brain' the pluck sounds take over the piano theme to represents the fact that you can train and rewire your brain by creating new habits and keep learning.

Plastic Brain (Original Mix)

For the fourth and last track on the 'Final Constructions EP', 'Arabian Nights' (Original Mix), Playpat and King use a woozy and unmoored arrangement that seems to warp time around it. It was created while thinking about touring Dubai, with it's famous 'The World' and 'Palm Jumeirah' wonders. Keep Dubai's flamboyant dance scene, sparkling night life, the 'too good to be true' shopping malls and entertainment in mind. With subtle bells, pulsed sequences and a strong rhythmic bass line 'Arabian Nights' take us on a road trip to an eastern realm with western orientated ambitions. The oriental mid-phrase, insistently reminds the listener that any blissful state is by nature temporary. At its heart, this is music about and for the daily explorations that offers all kinds of new perspectives on the world. The steady beat accompanied by the spoon rhythm and hi-hat groove will keep you going on a mystifying musical adventure.

Arabian Nights (Original Mix)

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Acyy - Reasons

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Alex Stein - Get Down [FEATURE047]

This track is inspired by the Netflix TV-series 'Stranger Things'. The show takes place in the fictional town of Hawkins, Indiana in the early-to-mid 1980s. The first season revolves around the disappearance of Will Byers, while the second season explores the repercussions of the mysterious events of season one. The third season focuses on 'forces of evil that are new.' The fourth season will focus on a story outside of Hawkins. Imagine yourself on a parking lot in the 80's near an outdated shopping mall, where a strange mysterious force threatens our existences. There are a lot of questions that needs to be answered before we know what is going on.

Bow For The King EP

Parking Lot (Instrumental Mix)

Frozen Feet is inspired by the Netflix TV-series Black Mirror. It is an anthology series that taps into our collective unease with the modern world, with each stand-alone episode a sharp, suspenseful tale exploring themes of contemporary techno-paranoia. Without questioning it, technology has transformed all aspects of our lives. Thinking about all what could happen to you, using the modern technology's, might give you very cold, or even frozen, feet.

Frozen Feet (Instrumental Mix)

Game of Thrones was the inspiration for this track. It is an adaptation of A Song of Ice and Fire, George R. R. Martin's series of fantasy novels. This HBO series is set on the fictional continents of Westeros and Essos. Game of Thrones has several plots and a large ensemble cast and follows several story arcs. One arc is about the Iron Throne of the Seven Kingdoms and follows a web of alliances and conflicts among the noble dynasties either vying to claim the throne or fighting for independence from it. Another focuses on the last descendant of the realm's deposed ruling dynasty, who has been exiled and is plotting a return to the throne, while another story arc follows the Night's Watch, a brotherhood defending the realm against the fierce peoples and legendary creatures of the North. You can find it all in these stories back in this majestic sounding track.

Bow For The King (Instrumental Mix)

Masquerade Ball is inspired by the television series American Gods. This is an American fantasy drama television series. Only days before his scheduled release from prison, Shadow Moon is told his wife has been killed in a car accident, and he is released early to attend the funeral. A series of events delays his trip home, during which time he meets the mysterious Mr. Wednesday. 
Wednesday repeatedly offers Shadow a job, which he refuses until Wednesday reveals that the job waiting for him at home no longer exists. Shadow accepts the offer to become Wednesday's driver/assistant/bodyguard. Shadow finds himself in a hidden world where magic is real, and where the Old Gods fear irrelevance amid the growing power of the New Gods, including Technology and Media. In a grand plan to combat the threat, Mr. Wednesday attempts to unite the Old Gods to defend their existence and rebuild the influence they have lost, leaving Shadow struggling to accept this new world and his place in it. The old and the new Gods expressed by a track starting as a waltz but evolving in a quadruple time.

Masquerade Ball (Instrumental Mix)

On his second single Chi Chi Boy, Luke Dreamhood sings about people living in poverty. 
While he was on a half year trip to India, doing research for a project, he met different kind of people. He learned that even the poorest human beings in deplorable circumstances, can be very happy and satisfied about their lives. It opened his eyes on materialism, contrasting lifestyles and cultural differences. 
Luke Dreamhood tries to treat everyone with respect and was shocked to see how some citizens not only disrespected people living on the streets, but even abused them and took advantage of their vulnerable situation. Luke uses the nickname Chi Chi Boy as a tribute. This can be considered provoking or controversial. In some societies the expression Chi Chi Boy (or Batty Boy) is chiefly used as offensive slang for street-boys, because street-kids are frequently sexually abused. 
On his new track ‘Chi Chi Boy’ Luke Dreamhood looks at the tough life some people have, but are able to survive in their difficult surroundings. A lot of the street-kids run away from home because of hard environments, most of the time they were abused or mistreated and even at their own home couldn’t find a safe place to live.
In conversations with some street children, who Luke met while working for a social project, Dreamhood was affected by the heart-warming and open attitudes. Luke is especially impressed about the touching desires and dreams some people hold on to. The streets, other kids and even some stray-dogs have become their home and family. Luke Dreamhood dedicates this song to them and hopes they will be able to live a happy life.

Tracklist:
01 Luke Dreamhood – Chi Chi Boy (Original Mix) 00:05:55
02 Luke Dreamhood – Chi Chi Boy (Instrumental Mix) 00:04:53
03 Luke Dreamhood – Chi Chi Boy (Radio Mix) 00:03:11

Chi Chi Boy (Lyrics) 							© 2021 Luke Dreamhood

Verse 01: 
Scratch a little dough, sneak into the street.
On the lowest profile, walking on bare feet.
Musing about eating, or a place to sleep.
Often got a beating, ‘batty boy’ weep.

Bridge 01:
Chi Chi Boy, Whoo oh, Chi Chi Boy, Whoo oh, Chi Chi Boy, Whoo oh, Chi Chi Boy don’t cry.

Chorus:
Chi Chi Boy don’t cry, ooh Chi Chi Boy don’t cry.
It’s a long, lost night, near a stone cold stream.  
Chi Chi Boy just fly, ooh Chi Chi Boy just fly.
It’s a tough, rough fight, hold on to your dream.

Verse 02: 
Roaming on the dump, picking dirty bags.
Living in a slum, made of wasted rags.
Just bearing the brunt, sniffing some cheap glue.
Life feels like a hunt, what else can you do.

Chorus:
Chi Chi Boy don’t cry, ooh Chi Chi Boy don’t cry.
It’s a long, lost night, near a stone cold stream.  
Chi Chi Boy just fly, ooh Chi Chi Boy just fly.
It’s a tough, rough fight, hold on to your dream.

Bridge 02:
Chi Chi Boy whoo oh, Chi Chi Boy whoo oh, Chi Chi Boy whoo oh, Chi Chi Boy just fly

Chorus:
Chi Chi Boy don’t cry, ooh Chi Chi Boy don’t cry.
It’s a long, lost night, near a stone cold stream.  
Chi Chi Boy just fly, ooh Chi Chi Boy just fly.
It’s a tough, rough fight, hold on to your dream.

Credits:
Artwork Photo by Myicahel Tamburini from Pexels
Digital Distribution: LabelWorx
Production: Playpat & King
© 2021 Angels In The Clouds

Chi Chi Boy (Instrumental Mix)

Luke Dreamhood

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